"One beautiful and epic love story." - Sweet Spot Book Blog August Grayson knows there's no place for someone like Maeve in his world. Still, if only... Maeve O’Connor has nothing but her good name and the hope that August will prove lenient when she comes seeking clemency. Fate has pulled Maeve and August together since they were children; it was only the world that came between. Passion blinds them to the challenges closing in on both the Irish and English fronts, threatening to destroy them both. Working to bridge that which divides them, tempting fate with each stolen kiss, and torn between desire and obligation, Maeve and August strive to overcome all and find a love by any measure.

In this stunning collection of new poems, Mary Oliver returns to the imagery that has defined her life’s work, describing with wonder both the everyday and the unaffected beauty of nature. Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.

Ada has loved deeply and lost dearly. But protecting her heart could mean missing the love of a lifetime. Ada Wentworth may be young, but she's seen enough of life to know she can only rely on herself. Everyone including God it seems, has let her down. Having lost her family, her fiance, and her fortune, Ada journeys from Boston to Hickory Ridge, Tennessee, to take a position as a lady's companion. Though initially charmed by the pretty little Southern town tucked into the foothills of the great Smokies, Ada plans to stay only until she can earn enough to establish a millinery shop. Her employer, Wyatt Caldwell, the local lumber mill owner, is easily the kindest, most attractive man Ada has met in Hickory Ridge. He believes Providence has brought her to town and into his life. But how, after so many betrayals, can she ever trust again? Besides, Wyatt has a dream of his own. A dream that will one day take him far from Hickory Ridge. As the South struggles to heal in the aftermath of the Civil War, one woman must let go of her painful past in order to embrace God's plans for her. Can she trust Him, and Wyatt, with her future and her heart?

Since the rediscovery of Elizabethan stage conditions early this century, admiration for Measure for Measure has steadily risen. It is now a favorite with the critics and has attracted widely different styles of performance. At one extreme the play is seen as a religious allegory, at the other it has been interpreted as a comedy protesting against power and privilege. Brian Gibbons focuses on the unique tragi-comic experience of watching the play, the intensity and excitement offered by its dramatic rhythm, the reversals and surprises that shock the audience even to the end. The introduction describes the play's critical reception and stage history and how these have varied according to prevailing social, moral and religious issues, which were highly sensitive when Measure for Measure was written, and have remained so to the present day.

In his fourth book of well-loved quotes, Jeff Brown delivers his most compelling message yet: the power of love, friendship, and healing. In his notoriously candid style, Jeff dazzles us with poignant, intimate, and insightful heartspeak. His wisdom and word wizardry encompass all forms of relationship: romantic partnerships, soul-friendships, family bonds, and our connection to the greater world. He also addresses the often gritty yet essential work of healing our wounds. We struggle in relationship, and we also heal in relationship. At a time when our world is fractured by polarized views, Hearticulations reminds us of the golden threads that bind us togetherƒƒ‚‚ƒ‚‚"ƒƒ‚‚ƒ‚‚€ƒƒ‚‚ƒ‚‚"our shared vulnerable humanityƒƒ‚‚ƒ‚‚"ƒƒ‚‚ƒ‚‚€ƒƒ‚‚ƒ‚‚"and that there is more that connects us than divides us. This will be a book to carry around with you, or pass on to a dear friend. Like a pocket-sized oracle, turn to a random page and be uplifted by this lexicon of love.

“Lerner [is] among the most promising young poets now writing.”—Publishers Weekly “Sharp, ambitious, and impressive.” —Boston Review National Book Award finalist Ben Lerner turns to science once again for his guiding metaphor. “Mean free path” is the average distance a particle travels before colliding with another particle. The poems in Lerner’s third collection are full of layered collisions—repetitions, fragmentations, stutters, re-combinations—that track how language threatens to break up or change course under the emotional pressures of the utterance. And then there’s the larger collision of love, and while Lerner questions whether love poems are even possible, he composes a gorgeous, symphonic, and complicated one. You startled me. I thought you were sleeping In the traditional sense. I like looking At anything under glass, especially Glass. You called me. Like overheard Dreams. I’m writing this one as a woman Comfortable with failure. I promise I will never But the predicate withered. If you are Uncomfortable seeing this as portraiture Close your eyes. No, you startled Ben Lerner is the author of three books of poetry and was named a finalist for the National Book Award for his second book, Angle of Yaw. He holds degrees from Brown University, co-founded No: a journal of the arts, and teaches at the University of Pittsburgh.

This major new complete edition of Shakespeare's works combines accessibility with the latest scholarship. Each play and collection of poems is preceded by a substantial introduction that looks at textual and literary-historical issues. The texts themselves have been scrupulously edited and are accompanied by same-page notes and glossaries. Particular attention has been paid to the design of the book to ensure that this first new edition of the twenty-first century is both attractive and approachable.