New York Times-bestselling October Daye series • Hugo Award-winning author Seanan McGuire • "Top of my urban-paranormal series list!" —Felicia Day October "Toby" Daye is a changeling, the daughter of Amandine of the fae and a mortal man. Like her mother, she is gifted in blood magic, able to read what has happened to a person through a mere taste of blood. Toby is the only changeling who has earned knighthood, and she re-earns that position every day, undertaking assignments for her liege, Sylvester, the Duke of the Shadowed Hills. Now Sylvester has asked her to go to the County of Tamed Lightning—otherwise known as Fremont, CA—to make sure that all is well with his niece, Countess January O'Leary, whom he has not been able to contact. It seems like a simple enough assignment—but when dealing with the realm of Faerie nothing is ever as simple as it seems. Toby soon discovers that someone has begun murdering people close to January, whose domain is a buffer between Sylvester's realm and a scheming rival duchy. If Toby can't find the killer soon, she may well become the next victim.

Richard Hoggart's book, The Uses of Literary, established his reputation as a uniquely sensitive and observant chronicler of English working-class life. In this vivid first volume of autobiography he describes his origins in that milieu. Orphaned at an early age, Hoggart grew up in a working-class district of Leeds, in an intimate world of terraced back-to-backs, visits from the local Board of Guardians, clothing checks and potted-meat sandwiches. With affectionate insight he recreates the family circle - a loving grandmother, one domineering and on gentle aunt, and a bibulous, melancholy uncle - and recalls his early schooling, the friends he made and the mentors he admired. Hard-working and articulate, Hoggart did well enough at grammar school to go on to Leeds University. This volume ends as, having earned a higher degree and travelled in Nazi Germany, he prepares to leave Yorkshire, via the Army, for the world beyond. Wry, compassionate, exact, A Local Habitation is a classic recreation of working-class England between the wars.

New York Times-bestselling October Daye series • Hugo Award-winning author Seanan McGuire • "Top of my urban-paranormal series list!" —Felicia Day Changeling knight in the court of the Duke of Shadowed Hills, October "Toby" Daye has survived numerous challenges that would destroy fae and mortal alike. Now Toby must take on a nightmarish new assignment. Someone is stealing both fae and mortal children—and all signs point to Blind Michael. When the young son of Toby's closest friends is snatched from their Northern California home, Toby has no choice but to track the villains down, even when there are only three magical roads by which to reach Blind Michael's realm—home of the legendary Wild Hunt—and no road may be taken more than once. If she cannot escape with all the children before the candle that guides and protects her burns away, Toby herself will fall prey to Blind Michael's inescapable power. And it doesn't bode well for the success of her mission that her own personal Fetch, May Daye—the harbinger of Toby's own death—has suddenly turned up on her doorstep...

Focusing on major authors and problems from the Italian fourteenth and sixteenth centuries, from Petrarch and Boccaccio to Machiavelli, Ariosto and Tasso, A Local Habitation and a Name examines the unstable dialectic of "reality" and "imagination," as well as of "history" and "literature." Albert Ascoli identifies and interprets the ways in which literary texts are shaped by and serve the purposes of multiple, intertwined historical discourses and circumstances, and he equally probes the function of such texts in constructing, interpreting, critiquing, and effacing the histories in which they are embedded. Throughout, he poses the theoretical and methodological question of how formal analysis and literary forms can at once resist and further the historicist enterprise. Along the way Ascoli interrogates the mechanisms of historical periodization that have governed for so long our study of what is sometimes called the "Renaissance," sometimes the early modern period. He also addresses the period's own unstable version of the literature/history opposition, the place of gendered discourse in the construction of historical narratives (and vice versa), the elaborate formal strategies by which poets and intellectuals negotiate their relations to power, and, finally, the way in which proper names (of authors, works, and exemplary characters) serve as points of negotiation between individual identity and social order in the Renaissance. The book brings to culmination two decades of a major scholar's thinking about some of the most important figures and questions that shaped the Renaissance, with emphasis on the question of history, both the historical context of literature and the writing of literary history.

When her mother, Amandine the Liar, forces her to search for her missing sister August, Toby must consult with the man who ruined her mortal life.