The creator of the groundbreaking Fearless Living program shows readers how to overcome unrealistic expectations and live a life based on instinct and intention rather than fear, clinging, and regret. Reprint.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

"The definitive examination of the early works of Jack London through London's incorporation and understanding of the role of imagination"--

Writers don't often write about their own worlds - but when they do, expect them to be every bit as imaginative as their other fiction. We've found a common theme in these six short stories. Where these new authors, not only explore their own thoughts, ideas, and angst through their own fiction, but also take apart their own ideas about how writers write. Here you'll see writer's block, the solitary writer's romances, the revenge of stalking stories, being transported by another writer into one of their worlds, and even examining the idea of your pet cat being responsible for a writer's output - or lack of it. Nothing is sacred to these authors as they turn their fiction microscope on themselves and their own profession. Get Your Copy Today.

'The Lure of the Pen' is a guidebook for budding writers of books. Author Flora Klickmann offers her suggestions on the practical skills needed to successfully write a book. From conception of a book idea to the research to be done, selecting a proper style of writing, setting a desired atmosphere and how best to reach the climax of your storyline. Klickmann is best known for her Flower-Patch series of books of anecdotes and nature descriptions.

First published in the year 1906, the present book 'Famous Authors (Men)' by E. F. Harkins is aimed at providing the readers sketches of some of its American literary heroes. A part of the aim has been to present the social or personal as well as the professional side of the authors. Many of the anecdotes commonly told of well-known novelists are apocryphal or imaginary.

This study engages in a detailed examination of Kierkegaard’s works of literary and dramatic criticism, including those works directed at interpreting Kierkegaard’s own authorship, with a specific concern for both what Kierkegaard and Kierkegaard’s anonyms and pseudonyms write about the nature and practice of authorship, as well as how the Kierkegaardian authors practice authorship themselves. Moving through five chapters, each devoted to one or more works of Kierkegaard’s criticism, the study develops a new approach to reading Kierkegaard – a new Kierkegaardian hermeneutic – that begins always with the character of the author. This new approach avoids the challenges of critics of biographical criticism, such as Roland Barthes, Michel Foucault, and Jacques Derrida, by positing the author always as a work of fiction him- or herself, the creation of an unknown and ever anonymous “author of the author”.