"The modern literary critic", T. S. Eliot wrote in 1929, "must be an 'experimenter' outside of what you might at first consider his own province; [...] there is no literary problem which does not lead us irresistibly to larger problems." This book follows Eliot's principle and situates his literary and critical work in a wide context that reveals manifold links between aesthetics, ethics, politics and epistemology: the historical context of early-twentieth-century idealism, vitalism and pragmatism, especially the intensely political Bergsonian controversy, and the modern context of the philosophies of Charles Taylor, Michel Foucault and Richard Rorty. 'Knowledge', it argues, was verbalised in the modernist age, individualised into the act of 'knowing', an act with motives and goals, and thus introduced into the realm of ethics - a process central to twentieth-century thought. Eliot's poems especially, constructed as "a life composed", a literary lifetime linking composition and composure, ponder the virtue of precision, the sins of pride and "mental sloth", the temptation of prejudice and the need for conviction. Decidedly tentative, Eliot's poems solve the problem of morally significant literature. In a century of suspicion, they ask the crucial question of where one should start to rely.

This reissue of Bateson's treatise on the improvisational lives of five extraordinary women uses their personal stories to delve into the creative potential of the complex lives of today, where ambitions are constantly refocused on new goals and possibilities.

Moscow in the middle of the seventeenth century had a distinctly apocalyptic feel. An outbreak of the plague killed half the population. A solar eclipse and comet appeared in the sky, causing panic. And a religious reform movement intended to purify spiritual life and provide for the needy had become a violent political project that cleaved Russian society and the Orthodox Church in two. The autobiography of Archpriest Avvakum—a leader of the Old Believers, who opposed liturgical and ecclesiastical reforms—provides a vivid account of these cataclysmic events from a figure at their center. Written in the 1660s and ’70s from a cell in an Arctic village where the archpriest had been imprisoned by the tsar, Avvakum’s autobiography is a record of his life, ecclesiastical career, painful exile, religious persecution, and imprisonment. It is also a salvo in a contest about whether to follow the old Russian Orthodox liturgy or import Greek rites and practices. These concerns touched every stratum of Russian society—and for Avvakum, represented an urgent struggle between good and evil. Avvakum’s autobiography has been a cornerstone of Russian literature since it first circulated among religious dissidents. One of the first Russian-language autobiographies and works of any sort to make use of colloquial Russian, its language and style served as a model for writers such as Tolstoy, Dostoevsky, and Gorky. The Life Written by Himself is not only an important historical document but also an emotionally charged and surprisingly conversational self-portrait of a crucial figure in a tumultuous time.

WINNER OF THE BEST PUBLISHED ATLANTIC BOOK AWARD FOR 2006 PRESENTED BY THE ATLANTIC PUBLISHERS MARKETING ASSOCIATION. This volume celebrates the life and work of Helen and Reginald Shepherd and at the same time assesses their contribution to the visual arts in Newfoundland. It begins with an introduction by Ronald Rompkey to situate the Shepherds in the post-Confederation cultural milieu, followed by a general biographical and historical essay by Peter Gard, who wrote the catalogue for the AGNL exhibition "Helen Parsons Shepherd and Reginald Shepherd: Four Decades" in 1989. Next, jou alist and playwright Joan Sullivan explores through interviews with former students the environment created at the Newfoundland Academy of Art at 51 Cochrane Street. Lisa Moore, a fiction writer who also possesses a degree in visual art from NSCAD, follows with an investigation of the portrait as an art form and Helen Parsons Shepherd's career as a portraitist. The volume concludes with an essay on early printmaking in Newfoundland and Reginald Shepherd's work in this medium by Anne Pratt, who has had considerable experience as an art jou alist and critic. These essays constitute approximately half the volume, the remainder consisting of illustrations from the work of both artists.

More than a book of popular quotes, this volume is a powerful reference tool for some of the most frequently-cited poems, news articles, fiction, memoir, history, and creative nonfiction on the web. It also provides the largest single selection of quotes by the author, many available only in these pages, including the entire special section titled TAO OF THE RAINBOW. In addition, the book as a whole demonstrates the ability of social media such as Twitter, Facebook, Tumblr, and Google+ to help make positive and inspiring differences in 21st-century life. "Journey through the Power of the Rainbow represents a condensed compendium of literary efforts from a life dedicated to transforming the themes of injustice, grief, and despair that we all encounter during some unavoidable point of our existence into a sustainable life-affirming poetics of passionate creativity, empowered spiritual vision, and inspired commitment." --Aberjhani, from Journey through the Power of the Rainbow

We love to cheer for the underdog and believe to our core that every life makes a difference. And we are right. There is no one God can’t use and no one whose brokenness is too broken for God. We know this is true for our friends when we want to encourage them. Yet, when it comes to the places of our innermost sense of shame and regret, we often wonder if it is really true that God can work all things together for good for those who love Him. Angie Smith is one who was quick to encourage a friend, but struggled to believe that God could truly make something spectacular out of her broken- ness and disappointments. Responding to God’s leading to both break and reconstruct a simple pitcher, she reflected: It was as though God were saying, here you are, Angie. You are mended. You are filled with my Spirit, and I am asking you to pour yourself out. The image of my life as a broken pitcher was beautiful to me, but at the same time, it was hard to look at all of the cracks. I ran my fingers along them and told Him I wish it had been different. How I wished I had always loved Him, always obeyed Him, always sought Him the way I should. I was mad at the imperfections, years wasted, gaping holes where it should be smooth. But God, my ever-gracious God, was gentle and yet convicting as He explained. My dearest Angie. How do you think the world has seen me? If it wasn’t for the cracks, I couldn’t seep out the way I do. I chose the pitcher. I chose you, just as you are. Mended takes you on a journey to show how faith lived in the regular events of daily life is all that it takes to be a part of creating God’s picture of redemption in your life and those around you. Your life does make a difference—because of how He is magnified in the cracks.

All artists have doubts and anxieties. What are yours? Managing procrastination, anxiety, and creative blocks? Knowing how to trust your work? Dealing with other people? Balancing the need to push through to the end of a work while keeping your health and sanity? Handling rejection . . . and your own success? Dale Trumbore has faced each of these issues as a composer who achieved her own definition of success by age 30. Staying Composed: Overcoming Anxiety and Self-Doubt Within a Creative Life is her answer. With humor and understanding, Dale breaks down each obstacle to a creative career and presents workable strategies for a long-range, manageable, and meaningful life in the arts.