Preliminary material -- INTRODUCTION -- EXCAVATION OF THE STRUCTURE -- ARCHITECTURAL FEATURES OF THE BUILDING -- FINDS -- DATING -- USE AND SIGNIFICANCE OF THE STRUCTURE -- INTERPRETATION OF THE FINDS -- A SYNCRETISTIC CULT OF DIONYSUS AT COSA? -- MARBLE SCULPTURE -- INSCRIPTION -- ARCHITECTURAL MEMBERS -- LAMPS -- POTTERY -- COINS -- SMALL FINDS -- INDEX -- LIST OF ILLUSTRATIONS -- Plates I-XXVII.

A complex picture of differing regional trajectories emerges, whilst cultural change is everywhere apparent, in phenomena such as Christianisation, settlement nucleation and fortification."--BOOK JACKET.

There is no agreement over how to name the 'pagan' cults of late antiquity. Clearly they were more diverse than this Christian label suggests, but also exhibited tendencies towards monotheism and internal changes which makes it difficult to describe them as 'traditional cults'. This volume, which includes two extensive bibliographic essays, considers the decline of urban temples alongside the varying evolution of other focii of cult practice and identity. The papers reveal great regional diversity in the development of late antique paganism, and suggest that the time has come to abandon a single compelling narrative of 'the end of the temples' based on legal sources and literary accounts. Although temple destructions are attested, in some regions the end of paganism was both gradual and untraumatic, with more co-existence with Christianity than one might have expected. Contributors are Javier Arce, Béatrice Caseau, Georgios Deligiannakis, Koen Demarsin, Jitse H.F. Dijkstra, Demetrios Eliopoulos, James Gerrard, Penelope J. Goodman, David Gwynn, Luke Lavan, Michael Mulryan, Helen G. Saradi, Eberhard W. Sauer, Gareth Sears, Peter Talloen, Peter Van Nuffelen and Lies Vercauteren.

A landmark contribution to our knowledge of the Roman glass industry in the Western Mediterranean

This book promotes the study of material spatiality in late antiquity: not just the study of buildings, but of the people, dress and objects used within them, drawing on all available source material. It seeks to explore the material world as it was lived in late antiquity, in an interpretative inquiry, rather than simply describing the evidence that has survived until today. The volume presents a series of comprehensive bibliographic essays which provide an overview of relevant literature, along with discussions of the nature of the sources, of relevant approaches and field methods. The main section of the book explores domestic space, vessels in context, dress, shops and workshops, religious space, and military space. Synthetic papers drawing on a wide range of archaeological, art-historical and textual sources are complemented by case-studies of context-rich late antique sites in the East Mediterranean and elsewhere, including Pella, Dura-Europos, Scythopolis, and Sagalassos.

The basic premise of the book at hand is that there is meaning to be 'excavated' (in both meanings of the word) from Christian responses to pagan sculpture in the period from the fourth to the sixth century. More than mindless acts of religious violence by fanatical mobs, these responses are revelatory of contemporary conceptions of images and the different ways in which the material manifestations of the pagan past could be negotiated in Late Antiquity. Statues were important to the social, political and religious life of cities across the Mediterranean, as well as part of a culture of representation that was intricately bound to bodily taxonomies and visual practices.

A Companion to Roman Italy investigates the impact of Rome in all its forms—political, cultural, social, and economic—upon Italy’s various regions, as well as the extent to which unification occurred as Rome became the capital of Italy. The collection presents new archaeological data relating to the sites of Roman Italy Contributions discuss new theories of how to understand cultural change in the Italian peninsula Combines detailed case-studies of particular sites with wider-ranging thematic chapters Leading contributors not only make accessible the most recent work on Roman Italy, but also offer fresh insight on long standing debates