Dark Prints Press merges its two favourite worlds - horror and crime - for one amazing anthology. Featuring 10 tales of paranormal / supernatural crime from some of the world's best authors, including Stephen M Irwin, Angela Slatter, William Meikle, Alan Baxter, and more, with cover art by Vincent Chong.

A barbarian-turned-Roman-warrior leads an army against Persian invaders in this bestselling, epic historical adventure series opener. A.D. 255: The Roman Imperium is stretched to the breaking point, its authority and might challenged throughout the territories and along every border. One man is sent to marshal the defenses of a lonely city and to shore up the crumbling walls of a once indomitable symbol of Roman power, a man whose very name means war, a man called Ballista. So unfolds an epic drama—a story of empire, heroes, treachery, courage, and most of all, of brutal, bloody warfare. Praise for Fire in the East “In this blood and guts tale of ancient warfare, Oxford lecturer Sidebottom introduces readers to Marcus Clodius Bastilla, a third-century warrior who has risen through the ranks of the Roman army to achieve citizenship and the honorific of Dux Ripea. . . . How the brave and resourceful former barbarian defends himself from forces both within and without the city walls forms the spine of this action-packed and detail-rich narrative. This novel of sharp swords and blunt wit should find an appreciative audience among bloodthirsty battle boys of all ages.” —Publishers Weekly

Good and evil are as old as ethics or morality itself. For without an understanding of religious or philosophical ethics, the moral existence of good and evil would be impossible to comprehend; the term good, for example, would be exclusively a matter of subjective personal likes and dislikes in other words, a mere matter of taste, differing from individual to individual with no real obligation to the public good or safety. As it currently stands in philosophy, for instance, the term good may be understood as engaging in righteous conduct; the term good may also be understood as an object that corresponds and fulfills natural needs inherent in human nature. These natural needs, for example, which are deeply, rooted in human nature, manifest themselves in our human desire for life, liberty, and the pursuit of happiness, among other things. In these two senses, the term good is an objective universal value, based on the reality of man (by man I mean human beings everywhere, of course). From natural needs, we derive the doctrine of human rights. It logically follows that the things we have a natural human need for, we as human beings also have a natural right to. This idea is not only used in the real world that you and I live in; it is also used in the storyteller's world of fiction or imaginary literature. Anything working to defeat or frustrate the good in the real world or in the storyteller's world is judged evil. This is of the utmost importance to those who believe in right and wrong. For right and wrong always follow good and evil. Society can never know what right or wrong is in the domain of social human affairs, without first knowing what is good and what is evil, and what makes it so. In Trapped Between the Extremes of Good and Evil, we enter a fictional world and explore the phenomenon of good and evil through the actions of an international serial killer, angels and demons, one twin brother's hatred of the other, and a San Francisco detective caught in the middle of it all.

The murder of a world-famous physicist raises fears that the Illuminati are operating again after centuries of silence, and religion professor Robert Langdon is called in to assist with the case.

The brutal murder of a friend leaves lawyer John Coleman stunned and sends shockwaves through the city of Cleveland. The technique of the killing recalls memories of the Torso Murderer, who dismembered at least twelve people decades ago and then vanished—eluding even legendary crime fighter Eliot Ness. Jennifer, the victim’s beautiful daughter, hires John to handle her father’s estate, and romantic feelings for her soon complicate his already troubled marriage. When John finds himself entangled with a cold-blooded biker gang, an ex-cop with a fuzzy past, and the drug-addicted son of the dead man, he struggles to make sense of it all. ​But he cannot shake a growing sense of dread.

Hell has invaded Earth and only one man can stop it -- junior account executive Dave Sloan, aka the Killer of Demons! With an angel by his side, Dave can see the demons that have infiltrated our world... and they all have to die! But these 'demons' are mostly Dave's co-workers, or people that annoy Dave in some way, leading him to believe that he's gone totally insane. Or has he? Dave has to fight to survive and find out the truth, but is he a whacked-out mass-murderer, or the last hope the world has against the forces of Hell? Collecting the critically acclaimed mini-series from the writer of Marvel's X-Force and the artist of the Eisner-nominated Atomic Robo. Collects Killer of Demons #1-3.

How to put a method, a structure in madness? ”Since I’d be first to cast a stone at a murderer—I am one after all—I venture on writing these truthful chronicles as a study of human suffering,” writes a serial-killer, in a story of self-discovery gone amok. JUNG’S DEMON is a book as hallucinogenic as Hunter S. Thompson and as powerful as Oscar Zeta Acosta. It is as tragic as Malcolm Lowry and occasionally as funny as David Foster Wallace. "The murders Roman L. had committed with such a ferocious, savage intensity send shivers down my spine every time I reflect on his brutally honest confessions. He writes about “sinking into the terrifying Hell of my own soul, a cold, utter darkness of the scariest, most painful insanity that peels off your skin while your brain screams, crushed by madness.” Even now as I copy his words here, I shake as I furtively look around. And I am afraid. I dread, no matter how irrationally, that I somehow might meet him or one of his scary personalities anew, and, like I was once before in Paris, again be tricked into liking him by his disarming, almost child-like smile and by his mirthful laughter that hid both the frightened child in him and the terrifying, heartless monster sneering behind. This book contains his chronicles. His harrowing descent into Hell.” Think Kafka on acid and sprinkle some humor over it; that's JUNG'S DEMON. “What if I should discover that I myself am the enemy who must be loved? What then?” Carl Gustav Jung