A unique evocation of Britain at the height of Margaret Thatcher's rule, A Journey Through Ruins views the transformation of the country through the unexpected prism of every day life in East London. Written at a time when the looming but still unfinished tower of Canary Wharf was still wrapped in protective blue plastic, its cast of characters includes council tenants trapped in disintegrating tower blocks, depressed gentrifiers worrying about negative equity, metal detectorists, sharp-eyed estate agents and management consultants, and even Prince Charles. Cutting through the teeming surface of London, it investigates a number of wider themes: the rise and dramatic fall of council housing, the coming of privatization, the changing memory of the Second World War, once used to justify post-war urban development and reform but now seen as a sacrifice betrayed. Written half a century after the blitz, the book reviews the rise and fall of the London of the post-war settlement. It remains one of the very best accounts of what it was like to live through the Thatcher years.

In this enchanting meditation on ruins, Christopher Woodward takes us on a thousand-year journey from the plains of Troy to the monuments of ancient Rome, from the crumbling palaces of Sicily, Cuba, and Zanzibar to the rubble of the London Blitz. With an exquisite sense of romantic melancholy, we encounter the teenage Byron in the moldering Newstead Abbey, Flaubert watching the buzzards on the pyramids, Henry James in the Colosseum, and Freud at Pompeii. We travel the Appian Way with Dickens and behold the Baths of Caracalla with Shelley. An exhilarating tour, at once elegant and stimulating, In Ruins casts an exalting spell as it explores the bewitching power of architectural remains and their persistent hold on the imagination.

Winner of the 2016 Eisner Award for Best Graphic Album Selected as an ALA Top Ten Graphic Novel of 2016 Samantha and George are a couple heading towards a sabbatical year in the quaint Mexican town of Oaxaca. For Samantha, it is the opportunity to revisit her past. For George, it is an unsettling step into the unknown. For both of them, it will be a collision course with political and personal events that will alter their paths and the town of Oaxaca forever. In tandem, the remarkable and arduous journey that a Monarch butterfly endures on its annual migration from Canada to Mexico is woven into Ruins. This creates a parallel picture of the challenges of survival in our ever-changing world. Ruins explores the shadows and light of Mexico through its past and present as encountered by an array of characters. The real and surreal intermingle to paint an unforgettable portrait of life south of the Rio Grande.

Telisa Relachik studied to be a xenoarchaeologist in a future where humans study alien artifacts but haven't ever encountered live aliens. Of all the aliens whose extinct civilizations are studied, the Trilisks are the most advanced and the most mysterious.Telisa refuses to join the government because of her opposition to its hard-handed policies restricting civilian investigation and trade of alien artifacts, despite the fact that her estranged father is a captain in the United Nations Space Force.When a group of artifact smugglers recruits her, she can't pass up the chance at getting her hands on objects that could advance her life's work. But she soon learns that her expectations of excitement and riches come with serious drawbacks as she ends up fighting for her life on a mysterious alien planet.

“Oddný Eir is an authentic author, philosopher and mystic. She weaves together diaries and fiction. She is the writer I feel can best express the female psyche of now and has bridged the gap between rural Iceland and Western philosophy. A true pioneer!!!!!!!!” —Björk The winner of the Icelandic Women’s Literature Prize in 2012, Land of Love and Ruins is the debut novel by a daring new voice in international fiction: Oddný Eir. Written in the form of a diary but with fantastical linguistic verve, the narrator sets out on a universal quest: to find a place to belong—and a way of being in the world. Paradoxically, her longing to settle down drives her to embark on all kinds of journeys, physical and mental, through time and space, in order to find answers to questions that concern not only her personally, but also the whole of humankind. She explores various modes of living, ponders different types of relationships and contemplates her bond with her family, land and nation; trying to find a balance between companionship and independence, movement and stability, past, present, and future. An enchanting blend of autobiography, diary, philosophical inquiry, and fantasy, Land of Love and Ruins is a richly imagined and utterly unique book about being human in the modern world.

"In 'The Ruins Lesson,' the National Book Critics Circle Award-winning poet-critic Susan Stewart explores the West's fascination with ruins in literature, visual art, and architecture, covering a vast chronological and geographical range from the ancient Egyptians to T. S. Eliot. In the multiplication of images of ruins, artists, and writers she surveys, Stewart shows how these thinkers struggled to recover lessons out of the fragility or our cultural remains. She tries to understand the appeal in the West of ruins and ruination, particularly Roman ruins, in the work and thought of Goethe, Piranesi, Blake, and Wordsworth, whom she returns to throughout the book. Her sweeping, deeply felt study encompasses the founding legends of broken covenants and original sin; Christian transformations of the classical past; the myths and rituals of human fertility; images of ruins in Renaissance allegory, eighteenth-century melancholy, and nineteenth-century cataloguing; and new gardens that eventually emerged from ancient sites of disaster"--

Though constantly in decay, ruins continue to fascinate the observer. Their still-standing survival is a loud affirmation of their presence, in which we can admire the struggle against the power of Nature aesthetically manifested during the decay. This volume takes a thematic approach to examining the aesthetics of ruins. It looks at the general aspects of architectural decay and its classical forms of admiration and then turns towards ruins from both classical and contemporary periods, from both Western and non-Western areas, and with examples from “high art” as well as popular culture. Combining the methodologies of art history, aesthetics and cultural history, this book opens up new ways of looking at the phenomenon of ruins.