Dr. Araujo’s book of poems is dedicated to his Daughter and her murderer. These poems are a reminder of the power of love, compassion , and forgiveness. It is an important lesson for all of us, especially those who have gone through the horrific and traumatic experience of losing a child.

NEW YORK TIMES BESTSELLER • Read with Jenna Book Club Pick as Featured on Today • As a young mother facing a terminal diagnosis, Julie Yip-Williams began to write her story, a story like no other. What began as the chronicle of an imminent and early death became something much more—a powerful exhortation to the living. “An exquisitely moving portrait of the daily stuff of life.”—The New York Times Book Review (Editors’ Choice) NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • Real Simple • Good Housekeeping That Julie Yip-Williams survived infancy was a miracle. Born blind in Vietnam, she narrowly escaped euthanasia at the hands of her grandmother, only to flee with her family the political upheaval of her country in the late 1970s. Loaded into a rickety boat with three hundred other refugees, Julie made it to Hong Kong and, ultimately, America, where a surgeon at UCLA gave her partial sight. She would go on to become a Harvard-educated lawyer, with a husband, a family, and a life she had once assumed would be impossible. Then, at age thirty-seven, with two little girls at home, Julie was diagnosed with terminal metastatic colon cancer, and a different journey began. The Unwinding of the Miracle is the story of a vigorous life refracted through the prism of imminent death. When she was first diagnosed, Julie Yip-Williams sought clarity and guidance through the experience and, finding none, began to write her way through it—a chronicle that grew beyond her imagining. Motherhood, marriage, the immigrant experience, ambition, love, wanderlust, tennis, fortune-tellers, grief, reincarnation, jealousy, comfort, pain, the marvel of the body in full rebellion—this book is as sprawling and majestic as the life it records. It is inspiring and instructive, delightful and shattering. It is a book of indelible moments, seared deep—an incomparable guide to living vividly by facing hard truths consciously. With humor, bracing honesty, and the cleansing power of well-deployed anger, Julie Yip-Williams set the stage for her lasting legacy and one final miracle: the story of her life. Praise for The Unwinding of the Miracle “Everything worth understanding and holding on to is in this book. . . . A miracle indeed.”—Kelly Corrigan, New York Times bestselling author “A beautifully written, moving, and compassionate chronicle that deserves to be read and absorbed widely.”—Siddhartha Mukherjee, Pulitzer Prize–winning author of The Emperor of All Maladies

Elisabeth Spencer's daughter Milly came out as trans at the age of twenty-one. Just a few days later, in one of life's perfect storms, Spencer's husband was diagnosed with an advanced terminal illness – and so she was set on course to confront rebirth in the face of death. In this compelling and poignant memoir, Spencer recalls her emotional journey over the course of her daughter's life, as she struggles first with the mystery of Milly's constant unhappiness, then with the revelation of her coming out, through a sense of bereavement, bewilderment and guilt, culminating in her determination to help her child become her true self. Written with remarkable warmth, generosity and honesty, The Road to My Daughter is both a deeply moving meditation on motherhood and a nuanced and compassionate reflection on trans issues, illuminating not only how it feels to witness the physical and mental processes of transitioning, and the realities behind embarking on this journey together, but also what it means to be a parent.

My Journey Through Time is a spiritual memoir that sheds light on the workings of karma— the law of cause and effect that creates one’s present circumstances and relationships—as we see it unfold through Dena’s vivid memories of her previous births. We travel back in time as Dena learns of a life in early 20th century Russia, ranging from the overthrow of the Czar through Nazi Germany; then it’s back further to a life in early 19th century America in the Deep South, and before that to a time in Africa in the early 18th century. Her lives in the East—in Persia, Japan, and India—go back to the 15th-17th centuries. With each past life, we can see the way in which it has impacted her present life, how it has stemmed from the end of the previous birth, and how it will influence her next life. Dena Merriam is the founder of an interfaith organization, the Global Peace Initiative of Women. A long-time disciplined meditator, Dena’s access to her past lives brings a clearer awareness and purpose to her present life, and also overcomes any fear of death. The memories are triggered when Dena meets a new person or visits a new place in her current life. The memories bring remembrances of past suffering, but also recollections of spiritual teachers and wise guidance. She has not used and does not advocate past-life regressions or hypnosis as a way to prompt memories to return. Dena has decided to share her story, despite being a very private person, in hopes that it can provide comfort and awaken the inner knowing of your own ongoing journey through time.

"He listened extremely attentively, apparently not looking at me at all, but totally devoted to my words." --Franz Kafka "The only love that you can show me is to call me anytime, day or night, when you need me." --Rudolf Steiner (to Friedrich Rittelmeyer) For Peter Selg, if Anthroposophy to be a living reality, we must learn to know and love Rudolf Steiner as he appeared to those who knew and loved him: namely, as a spiritual teacher. To help us do so, he gathered recollections of those of who knew Steiner personally--"historical witnesses to the 'living phenomenon' of the 'figure of the teacher." It is his hope that these firsthand accounts will help readers see and experience the amazing, ever-mysterious person that Rudolf Steiner was--a dynamic, energetic "dual citizen" of both the spiritual and the physical worlds. He moved constantly between these two realities, while his whole life was dedicated in service to the spiritual evolution of humanity. Nonetheless, he was also deeply sociable and a true friend, convivial, cheerful, humorous, and always able to enjoy--and tell--a good joke. He was also austere and painfully serious. In other words, Rudolf Steiner was a paradox. Steiner was "imposing," but it would be difficult to say why. He was slim; there was no heaviness in him. Indeed, what seemed to strike most people first was his lightness. He moved rhythmically, youthfully, artistically, with quick, light steps, his posture erect but fluid, his head seeming to float between Heaven and Earth. Yet he was fully grounded. When he stood, it was as if nothing could move him. When he spoke, his gestures and tone expressed perfectly what he had to say. He was completely one with what he said, so that he changed as the content changed. Those who listened to his lectures found themselves transported to the source of what they were hearing. Sometimes "ten Steiners" would pass before them. To hear a lecture, was a meditation experience. Quite another figure appeared in conversations, which filled his every public moment. One experienced luminous kindness, selfless interest, and intense listening attention. It was as tough one were singled out in the world and having a sense of being allowed complete inner freedom. All who came to him for advice felt Steiner's love. They felt that he saw the best in them and spoke from that point of view, whether it was a matter of life's journey or esoteric training. By his example, then, he sought to exemplify the kind of spiritual community toward which he hoped anthroposophists would strive. For anyone who has wondered what Rudolf Steiner was like, this book will open many windows.

Dr. Tucker, in a follow-up to his book Life Before Life, explores American cases of young children who report memories of previous lives in the New York Times bestseller, Return to Life. A first-person account of Jim Tucker's experiences with a number of extraordinary children with memories of past lives, Return to Life focuses mostly on American cases, presenting each family's story and describing his investigation. His goal is to determine what happened—what the child has said, how the parents have reacted, whether the child's statements match the life of a particular deceased person, and whether the child could have learned such information through normal means. Tucker has found cases that provide persuasive evidence that some children do, in fact, possess memories of previous lives. Among others, readers will meet a boy who describes a previous life on a small island. When Tucker takes him to that island, he finds that some details eerily match the boy's statements and some do not. Another boy points to a photograph from the 1930s and says he used to be one of the men in it. Once the laborious efforts to identify that man are successful, many of the child's numerous memories are found to match the details of his life. Soon after his second birthday, a third boy begins expressing memories of being a World War II pilot who is eventually identified. Thought-provoking and captivating, Return to Life urges its readers to think about life and death and reincarnation, and reflect about their own consciousness and spirituality.

Nominee for the 2021 NAACP Image Award in Poetry An elegiac and moving meditation on the ways in which we witness "bodies" of grief and healing. Poems and photographs collide in this intimate collection, challenging the invisible, indefinable ways mourning takes up residence in a body, both before and after life-altering loss. In radiant poems—set against the evocative and desperate backdrop of contemporary events, pop culture, and politics—Rachel Eliza Griffiths reckons with her mother’s death, aging, authority, art, black womanhood, memory, and the American imagination. The poems take shape in the space where public and private mourning converge, finding there magic and music alongside brutality and trauma. Griffiths braids a moving narrative of identity and its possibilities for rebirth through image and through loss. A photographer as well as a poet, Griffiths accompanies the fierce rhythm of her verses with a series of ghostly, imaginative self-portraits, blurring the body’s internal wilderness with landscapes alive with beauty and terror. The collision of text and imagery offers an associative autobiography, in which narratives of language, absence, and presence are at once saved, revised, and often erased. Seeing the Body dismantles personal and public masks of silence and self-destruction to visualize and celebrate the imperfect freedom of radical self-love.