On the occasion of Doha being a cultural capital of the Middle East in 2010 and Istanbul being a cultural capital of Europe, Doha Orientalist museum is holding a symbolic exhibition A Journey into the World of the Ottomans, accompanied by a catalogue. Major part of the illustrated exhibition artworks are to come from the Orientalist museum own collection, the Rijksmuseum, as well as other major collections. The exhibition will bring together artists from the sixteenth century onwards, including Bernardino Campi, Jacopo Ligozzi, Nicolas Rycks, Jean-Baptiste Vanmour, Jean-Étienne Liotard, Antoine Ignace Melling, Francesco Hayez, John Frederick Lewis, Walter Gould, Alberto Pasini, Germain Fabius Brest, Oskar Kokoschka, Nikolai Kalmikoff, Vanessa Hodgkinson and Bas Princen. The artworks selected are to illustrate the history of the orientalism development from the sixteenth to twenty first century, which throughout the years shaped the image of the Ottoman world in Europe, covering different genres of orientalist art.

"Orientalist painter Jean- Baptiste Vanmour may be the subject of the book, but its value lies in the context Olga Nefedova builds around him. Her point about Vanmour is straightforward: this Flemish artist, who worked for French and other ambassadorial missions in Istanbul, set the tone for how subsequent European painters portrayed Turkey. To drive this point home, she provides an extensively illustrated survey of European representations of “the Orient,” from European Renaissance paintings to contemporary works. She also surveys the subgenre of works by artists attached to European diplomatic missions in Turkey. As a result, she brings nuance to “Orientalist painting,” a category that has too often been seen solely through the lens of colonial-power dynamics at the expense of recognizing the individuality of creative expression." -- Review from AramcoWorld.

The definitive history of the Ottoman Empire The Ottoman Empire was one of the largest and most influential empires in world history. Its reach extended to three continents and it survived for more than six centuries, but its history is too often colored by the memory of its bloody final throes on the battlefields of World War I. In this magisterial work-the first definitive account written for the general reader-renowned scholar and journalist Caroline Finkel lucidly recounts the epic story of the Ottoman Empire from its origins in the thirteenth century through its destruction in the twentieth.

In 1877, when Russia attacks the Ottoman Empire, Sultan Abduelhamit II must fight a devastating war to preserve his ethnically diverse territories that stretch across three continents. At home, he feels threatened from within by Mithat Pasha, a respected reformer, who has popular support for a constitution that would curb the sultan's authority and give the people a voice in their government. Aware of these challenges, Abduelhamit's Belgian wife, Flora Cordier, hopes to remain his confidante and helpmate as he decides how to govern: the iron-fisted rule of his ancestors, the democracy proposed by Mithat, or the diplomacy that exposes his weakened military power. No matter his choice, he is responsible for the suffering of his people.To Save an Empire explores the impact of religious and ethnic conflict in the Ottoman Empire of the late 19th century on the lives of ordinary people-Muslims, Christians, and Jews. Refugees flee atrocities that incite revenge, but also arouse charity and love. A story of love found and lost, of war and its consequences. Today's Balkans and Middle East emerge from the era's political forces of terrorism, imperialism, nationalism, and religion. It is a modern story.______________________________________________________________________________"e;[Gall]...artfully brings to life the political intrigues of an empire sliding into irrelevance. The Ottoman Empire emerges as a kind of protagonist all its own, eager to become strengthened by its embrace of modernity and the West, but also anxious about surrendering its cultural and religious identity. ... A magnificently researched tale of a troubled empire that's also dramatically captivating."e; - Kirkus reviews "e;Fiction as only history can tell it, all the more moving because we know it is not fiction. ...a compelling story."e; - Bulent Atalay, physicist and author of Math and the Mona Lisa and Leonardo's Universe

In 1517, the Ottoman Sultan Selim "the Grim" conquered Egypt and brought his empire for the first time in history into direct contact with the trading world of the Indian Ocean. During the decades that followed, the Ottomans became progressively more engaged in the affairs of this vast and previously unfamiliar region, eventually to the point of launching a systematic ideological, military and commercial challenge to the Portuguese Empire, their main rival for control of the lucrative trade routes of maritime Asia. The Ottoman Age of Exploration is the first comprehensive historical account of this century-long struggle for global dominance, a struggle that raged from the shores of the Mediterranean to the Straits of Malacca, and from the interior of Africa to the steppes of Central Asia. Based on extensive research in the archives of Turkey and Portugal, as well as materials written on three continents and in a half dozen languages, it presents an unprecedented picture of the global reach of the Ottoman state during the sixteenth century. It does so through a dramatic recounting of the lives of sultans and viziers, spies, corsairs, soldiers-of-fortune, and women from the imperial harem. Challenging traditional narratives of Western dominance, it argues that the Ottomans were not only active participants in the Age of Exploration, but ultimately bested the Portuguese in the game of global politics by using sea power, dynastic prestige, and commercial savoir faire to create their own imperial dominion throughout the Indian Ocean.

The Ottoman empire as a political entity comprised most of the present Middle East (with the principal exception of Iran), north Africa and south-eastern Europe. For over 500 years, until its disintegration during World War I, it encompassed a diverse range of ethnic, religious and linguistic communities with varying political and cultural backgrounds. Yet, was there such a thing as an ‘Ottoman world’ beyond the principle of sultanic rule from Istanbul? Ottoman authority might have been established largely by military conquest, but how was it maintained for so long, over such distances and so many disparate societies? How did provincial regions relate to the imperial centre and what role was played in this by local elites? What did it mean in practice, for ordinary people, to be part of an ‘Ottoman world’? Arranged in five thematic sections, with contributions from thirty specialist historians, The Ottoman World addresses these questions, examining aspects of the social and socio-ideological composition of this major pre-modern empire, and offers a combination of broad synthesis and detailed investigation that is both informative and intended to raise points for future debate. The Ottoman World provides a unique coverage of the Ottoman empire, widening its scope beyond Istanbul to the edges of the empire, and offers key coverage for students and scholars alike.