A Journey In Imagination offers the hope of an alternative to a world convulsed by hostility and violence. Through an imaginative journey into Bible stories, incidents, and verses, the possibility of reversing hostility in both personal and communal life is explored. Biblical hospitality is neither a head in the sand nor a pie in the sky pleasantry. Instead it is the daring and challenging work of reversing hostility through seeing the 'other' fully as a human being. We may be failing at relationships, but that does not mean that we are doomed forever to fail. Too many of the tensions between the haves and the have-nots, between races, and between different religious traditions seem to have only two alternatives: violence and more violence. Life and relationships do not have to be this way. By exploring incidents that demonstrate alternatives to hostility, the book addresses this failure of imagination. This book is also a response to the accusation that the God of the Old Testament is little more than a God of vengeance and violence. To the contrary, the God of the Old Testament is the same God to whom Jesus prayed. Throughout the Bible, God yearns for a reversal of hostility.

From the New York Times bestselling author of The Wonderful Things You Will Be comes this companion to Dream Animals -- a celebration of the imagination of children dreaming both day and night! Emily Winfield Martin shows readers that letting their imaginations run free will lead them into fantastical day dreams. Whether cloud-gazing or wandering through a museum, reading a book or playing in a tide-pool, the children in this picture book find themselves in places inhabited by magical creatures such as dragons, unicorns, griffins, and jackalopes. A whimsical rhyme accompanies the dream-worthy illustrations.

The next great Disney adventure is here - starring one of Disney's most popular characters! Dive into a steampunk fantasy story revealing the origin of the inventor known as Dreamfi nder, and learn how one little spark of inspiration created a purple dragon called Figment! Our daring duo explore the realms of imagination, finding friends and foes alike - while back on Earth, a clockwork army assembles under the command of the frightening force known only as the Singular! And when Clockwork Control invades London while the intrepid explorers are trapped within the Nightmare Nation, the only obstacles standing between the Singular and total domination are Dreamfi nder, Figment and their newfound friends! Acclaimed and uniquely talented creators Jim Zub (Skullkickers) and Filipe Andrade (Captain Marvel) give a Marvel spin to Epcot's mind-bending attraction, Journey into Imagination! COLLECTING: FIGMENT 1-5

The imagination has long been associated with travel and tourism; from the seventeenth century when the showman and his peepshow box would take the village crowd to places, cities and lands through the power of stories, to today when we rely on a different range of boxes to whisk us away on our imaginative travels: the television, the cinema and the computer. Even simply the notion of travel, it would seem, gives us license to daydream. The imagination thus becomes a key concept that blurs the boundaries between our everyday lives and the idea of travel. Yet, despite what appears to be a close and comfortable link, there is an absence of scholarly material looking at travel and the imagination. Bringing together geographers, sociologists, cultural researchers, philosophers, anthropologists, visual researchers, archaeologists, heritage researchers, literary scholars and creative writers, this edited collection explores the socio-cultural phenomenon of imagination and travel. The volume reflects upon imagination in the context of many forms of physical and non-physical travel, inviting scholars to explore this fascinating, yet complex, area of inquiry in all of its wonderful colour, slipperiness, mystery and intrigue. The book intends to provide a catalyst for thinking, discussion, research and writing, with the vision of generating a cannon of scholarship on travel and the imagination that is currently absent from the literature.

“In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.” Pride and Prejudice by Jane Austen Changes in society, beginning in the 18th century and continuing into our own time, underlie the Romantic Movement. It starts as a reaction against the intellectualism of the Enlightenment, against the rigidity of social structures protecting privilege, and against the materialism of an age which, in the first stirring of the Industrial Revolution, already shows signs of making workers the slaves of machinery and of creating squalid urban environments.

This harvest of articles drawn from William Johnson Everett's career of teaching and research on four continents and in a variety of institutions shows the breadth, depth, and diversity of his interests. Like spotlights in the wider field of Christian social ethics, they illuminate the key threads that have held together an emerging tapestry of thought woven around the powerful concept of covenant. Whether lifting up concepts of covenant, federalism, and corporation, the "oikos" of work, family, and faith, the public nature and mission of the church, or the ethical meaning of journey metaphors, his rich and artful style leads us into thinking more deeply about the way our lives are joined in a "covenantal imagination" about a more just and sustainable world.

"John Paul Lederach's work in the field of conciliation and mediation is internationally recognized. He has provided consultation, training and direct mediation in a range of situations from the Miskito/Sandinista conflict in Nicaragua to Somalia, Northern Ireland, Tajikistan, and the Philippines. His influential 1997 book Building Peace has become a classic in the discipline. In this book, Lederach poses the question, "How do we transcend the cycles of violence that bewitch our human community while still living in them?" Peacebuilding, in his view, is both a learned skill and an art. Finding this art, he says, requires a worldview shift. Conflict professionals must envision their work as a creative act-an exercise of what Lederach terms the "moral imagination." This imagination must, however, emerge from and speak to the hard realities of human affairs. The peacebuilder must have one foot in what is and one foot beyond what exists. The book is organized around four guiding stories that point to the moral imagination but are incomplete. Lederach seeks to understand what happened in these individual cases and how they are relevant to large-scale change. His purpose is not to propose a grand new theory. Instead he wishes to stay close to the "messiness" of real processes and change, and to recognize the serendipitous nature of the discoveries and insights that emerge along the way. overwhelmed the equally important creative process. Like most professional peacemakers, Lederach sees his work as a religious vocation. Lederach meditates on his own calling and on the spirituality that moves ordinary people to reject violence and seek reconciliation. Drawing on his twenty-five years of experience in the field he explores the evolution of his understanding of peacebuilding and points the way toward the future of the art." http://www.loc.gov/catdir/enhancements/fy0616/2004011794-d.html.