Striving to adapt the progressive ideas of the pre-war modern movement to the specific human needs of post-war reconstruction, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congrès Internationaux d'Architecture Moderne) and as founding members of Team 10 they were at the heart of the debate on the future course of Modern Architecture. Their polemics and designs - addressing issues such as the rising consumer society and the orientation of urban planning - laid the foundations for New Brutalism and the Pop Art Movement of the 1960s. An important adaptation made by the Smithsons and their generation was the rejection of modernism's machine aesthetics. The new notions of place and territory were juxtaposed to Le Corbusier's machine à habiter. To the Smithsons a house was a particular place, which should be suited to its location and able to meet the ordinary requirements of everyday life and to accommodate its inhabitants' individual patterns of use. This exhibition examines the evolution of the Smithsons' approach to this everyday "art of inhabitation." It does this by extensively documenting most of their designs for individual dwellings, especially their optimistic House of the Future of 1956 and the series of renovations of and additions to the fairy-tale-like Hexenhaus in Germany from the late 1980s onward

"...This book examines the ways in which a house can be made more self-sufficent in terms of heat and power, as well as reducing the needless waste of the world's fuel resources. It also shows how, even without self-sufficiency, there is much that every householder can do to save money by saving energy..."--Publisher description.

Centuries into the future, the bloodline of Kal-El, the hero we know as Clark Kent, continues. Meet a new generation of Kryptonian heroes as they stand against one of the greatest threats they’ve ever faced: a diabolical foe called the Red King. Get ready for the unexpected debuts of the twins known as Rowan and Ronan Kent, descendants of Jonathan Kent. Rowan is the new Superman of Earth, while his sister is a Blue Lantern. Also on board are Theand’r Ban-El, whose mother was Tamaranean, and other heroes-all led by the original Man of Steel himself! Plus, don’t miss an appearance by the Black Racer! See how the future of the Superman Family comes together in this wild, extra-size special!Centuries into the future, the bloodline of Kal-El, the hero we know as Clark Kent, continues. Meet a new generation of Kryptonian heroes as they stand against one of the greatest threats they’ve ever faced: a diabolical foe called the Red King. Get ready for the unexpected debuts of the twins known as Rowan and Ronan Kent, descendants of Jonathan Kent. Rowan is the new Superman of Earth, while his sister is a Blue Lantern. Also on board are Theand’r Ban-El, whose mother was Tamaranean, and other heroes-all led by the original Man of Steel himself! Plus, don’t miss an appearance by the Black Racer! See how the future of the Superman Family comes together in this wild, extra-size special!

Why the United States lags behind other industrialized countries in sharing the benefits of innovation with workers and how we can remedy the problem. The United States has too many low-quality, low-wage jobs. Every country has its share, but those in the United States are especially poorly paid and often without benefits. Meanwhile, overall productivity increases steadily and new technology has transformed large parts of the economy, enhancing the skills and paychecks of higher paid knowledge workers. What’s wrong with this picture? Why have so many workers benefited so little from decades of growth? The Work of the Future shows that technology is neither the problem nor the solution. We can build better jobs if we create institutions that leverage technological innovation and also support workers though long cycles of technological transformation. Building on findings from the multiyear MIT Task Force on the Work of the Future, the book argues that we must foster institutional innovations that complement technological change. Skills programs that emphasize work-based and hybrid learning (in person and online), for example, empower workers to become and remain productive in a continuously evolving workplace. Industries fueled by new technology that augments workers can supply good jobs, and federal investment in R&D can help make these industries worker-friendly. We must act to ensure that the labor market of the future offers benefits, opportunity, and a measure of economic security to all.

In the blink of an eye, vast economic forces have created new types of communities and reinvented old ones. In The New Geography, acclaimed forecaster Joel Kotkin decodes the changes, and provides the first clear road map for where Americans will live and work in the decades to come, and why. He examines the new role of cities in America and takes us into the new American neighborhood. The New Geography is a brilliant and indispensable guidebook to a fundamentally new landscape.

Alison (1928-1993) and Peter Smithson (1923-2003), two of the most influential and controversial architects of the latter half of the twentieth century, strove to adapt the progressive ideas of the pre-war modern movement to the specific human needs of the period of post-war reconstruction.As younger members of CIAM (Congrés Internationaux d'Architecture Moderne), and as founding members of Team 10, they were at the heart of the debate on the future course of modern architecture. The uncompromising modernity of their Hunstanton Secondary Modern School (1949-1954) heralded the Smithsons' role as the leading exponents of the New Brutalism and the Pop Art movement of the 1960s. In this book Risselada has collected together the most important published essays about the career of this partnership of British architects, from early contributions by Rayner Banham, Philip Johnson, Kenneth Frampton, and Peter Cook, to more recent texts by Peter Eisenmann, Christine Boyer, Beatriz Colomina, and Luisa Hutton.

A collection of long essays centered on American places where the past is erupting into the present in unexpected ways.