For more than seven decades there has been a broad gap between how philosophy is conceived and practiced. Two ill-defined but well-recognized traditions have developed--the "analytic" and "Continental" schools of philosophy. The former traces its roots to philosophers like Frege, Russell, Moore, Wittgenstein, and the logical positivists. The latter has been heavily influenced by Nietzsche, Heidegger, Merleau-Ponty, Foucault, and Derrida, among others. The aim of this collection is to reconsider the often facile characterization of major thinkers as belonging to either one or the other philosophical tradition. The contributors--philosophers from both sides of the divide working in different countries and contexts--all question the problematic conception that the two traditions are incommensurable. Each of their articles compares individual philosophers who have had a major influence on the analytic and Continental traditions with a view to clarifying their similarities and dissimilarities of approach. What this collection of thoughtful articles clearly demonstrates is that regardless of approach and precedents, analytic and Continental philosophers are all doing philosophy, and there are many important points of contact between them. The contributors are: Richard Rorty (Stanford University), whose thoughtful overview highlights the salient points in both traditions; Barry Allen (McMaster University); Babette E. Babich (Fordham University); David Cerbone (West Virginia University); Sharyn Clough (Rowan University); Jonathan Kaplan (University of Tennessee); Richard Matthews (Memorial University of Newfoundland); Carlos G. Prado (Queen's University); Bjorn Torgrim Ramberg (University of Oslo); Mike Sandbothe (Friedrich-Schiller-University Jena); Barry Stocker (Yeditepe University Istanbul); and Ed Witherspoon (Colgate University).

“In this much-needed and courageous book, Anne Wagner lays down a gauntlet to all those interested in modern and contemporary art: to think anew about these works by canonic artists, and about the relationship of art to recent history and politics. Wagner presents an exhilarating and innovative set of closely worked historical arguments that are remarkably timely, and her lucid prose makes complex ideas and critical debates accessible to a broad audience.”—Briony Fer, Professor of History of Art, UCL “In A House Divided, Anne Wagner takes on the so-called post-war era in American art and asks searching questions about what that term might mean now, amid cultural division and perpetual war. Far more than a sum of its parts, this collection of essays is essential reading on American artists' ‘post-war’ responses to nationalism, state violence, and the 1960s.”—Mignon Nixon, author of Fantastic Reality: Louise Bourgeois and a Story of Modern Art

Consolidating one of the most complex and multi-faceted eras in American History, this new edition of Jonathan Wells’s A House Divided unifies the broad and varied scholarship on the American Civil War. Amassing a variety of research, this accessible and readable text introduces readers to both the war and the Reconstruction period, and how Americans lived during this time of great upheaval in the country's history. Designed for a variety of subjects and teaching styles, this text not only looks at the Civil War from a historical perspective, but also analyzes its ramifications on the United States and American identities through the present day. This second edition has been updated throughout, incorporating new scholarship from recent studies on the Civil War era, and includes additional photographs and maps (now incorporated throughout the text), updated bibliographies, and a supplementary companion website.

Corbin Gage can stand up to anyone . . . But his own divided house will bring him to his knees. Corbin, a longtime legal champion for the downtrodden, is slowly drinking himself into the grave. His love for “mountain water” has cost him his marriage to the godliest woman he knows, ruined his relationship with his daughter, Roxy, and reduced the business at his small Georgia law firm to a level where he can barely keep the bill collectors at bay. But it isn’t until his son, Ray, threatens to limit Corbin’s time with his grandson that Corbin begins to acknowledge he might have a problem. Despite the mess that surrounds his personal life and against the advice of everyone he knows, Corbin takes on a high-stakes tort case on behalf of two boys who have contracted non-Hodgkin’s lymphoma due to an alleged chemical exposure. The defendant, a fertilizer company, is the largest employer in the area. The lawsuit becomes a tornado that sucks Corbin, Ray, and Roxy into an increasingly deadly vortex. Equally intense pressure within the family threatens to destroy, once and for all, the thin threads that connect them. Corbin must find the strength to stand up to his personal demons. Justice for two dying boys depends on it . . . his family depends on it. “Fans of John Grisham will find much to like here.” —Library Journal of The Confession

In conjunction with a ten-year exhibit at the Chicago Historical Society, beginning January 1990.

Times of trouble are descending upon the Black family in more ways than one in the Reverend Curtis Black book from New York Times bestselling author Kimberla Lawson Roby. Life is close to perfect for the Reverend Curtis Black and his wife, Charlotte--except their son Matthew and his girlfriend, Racquel, are about to become parents at the tender age of eighteen. Even though Curtis and Charlotte wish Matthew could focus on Harvard instead of fatherhood, they are determined to welcome their new grandson with open arms. But for Charlotte, welcoming her future in-laws is another story. Try as she might, Charlotte can't stand Racquel's mother, Vanessa--and the feeling appears to be mutual. When the tension between Charlotte and Vanessa finally erupts, the stress sends an already-fragile Racquel into early labor. Everyone is quick to blame Charlotte, including Matthew and Curtis. That her own husband would side with someone else infuriates Charlotte and strains the relationship they've only recently been able to repair. Her one ally is Racquel's father, but that brings problems of its own. While Charlotte schemes against Vanessa, Curtis is consumed with his own concerns about Deliverance Outreach. A mysterious figure from his past has been sending Curtis cryptic messages threatening to take away Curtis's coveted position as senior pastor and destroy everything he has worked so hard for. But who could hate Curtis that much? And how can he fight an enemy he can't even name?

This definitive analysis of the Lincoln-Douglas debates is “one of the most influential works of American history and political philosophy ever published (National Review). In Crisis of the House Divided, noted conservative scholar and historian Harry V. Jaffa illuminates the political principles that guided Abraham Lincoln from his reentry into politics in 1854 through his Senate campaign against Stephen Douglas in 1858. Through critical analysis of the Lincoln-Douglas debates, Jaffa demonstrates that Lincoln’s political career was grounded in his commitment to constitutionalism, the rule of law, and abolition. A landmark work of American history, it “has shaped the thought of a generation of Abraham Lincoln and Civil War scholars." To mark the fiftieth anniversary of the original publication, Jaffa has provided a new introduction (Civil War History). "A searching and provocative analysis of the issues confronted and the ideas expounded in the great debates…A book which displays such learning and insight that it cannot fail to excite the admiration even of scholars who disagree with its major arguments and conclusions."—D. E. Fehrenbacher, American Historical Review