The world of Magnolia Le Guin, like that of countless farm women, was defined by and confined to home and family. Born in 1869 into the rural, white, agrarian society of Georgia's central piedmont, she raised eight children virtually on her own, yet never in her life ventured farther than thirty miles from her birthplace. Her situation, however extreme, was not unique in her day. What distinguished Le Guin was her love of writing, her need to write about being a wife and mother--despite a daunting workload and burden of responsibilities that left her with little free time or energy. In a plain, idiomatic style, these diaries detail some of the most trying, but nonetheless fulfilling, years of her life. At the same time, A Home-Concealed Woman (her own self-descriptive phrase) provides a firsthand view of the hardships of subsistence farming, the material culture of rural society, and the codes to which Le Guin as a white woman, a southerner, and an evangelical Christian adhered. The most striking feature of Le Guin's world is that it was confined almost entirely to the indoors, from the bedrooms where her children were born and where her parents lay ill and died to the stove room where the daily meals were cooked and cleared. Her husband's prominence in their small community and the size of their extended families meant that Le Guin hosted an endless flow of callers and overnight guests--more than one hundred in the summer of 1906 alone. Managing an already busy household under these conditions so occupied her time that she treasured every respite: "I was truly glad when I felt the sprinkling of the rain. I was so glad I couldn't content myself indoors washing dishes, sweeping floors, making beds, etc etc, so I just postponed those things and churning too awhile and betook myself out in the misty rain with a new brushbroom and swept a lot of this large yard and inhaled the sweet air scented with rain-settling dust." Less idyllic sentiments also fill Le Guin's diaries, for the anger and anxiety she could not publicly express found a voice in their pages: "I feel rebellious once in awhile at my lot--so much drudgery and so much company to cook for and in meantime my own affairs, my own children, my little baby--all going neglected." Though condescending outbursts about her hired help reveal Le Guin's racial attitudes, her endemic prejudice is tempered by her many expressions of genuine concern for individual blacks close to her family. As writer Ursula K. Le Guin suggests in her foreword, the diary may be the best suited literary form for approximating "the actual gait of people's lives." In Magnolia Le Guin's diary, prayerful entreaties for strength and guidance mingle with daily news about her family, providing a constant background against which major events such as births and deaths, holidays and harvests take place. The reader's admiration for Le Guin will grow as the details of her life emerge and accumulate.

Concealed Carry for Women explains the mindset, skills, equipment and accessories necessary for successful concealed carry, with a focus on challenges unique to women. This book will help you: Decide to carry a gun for self defense The legalities and society's unwritten rules for armed citizens Shooting skills for concealed carry Integrating a concealed handgun into one's life Selecting a handgun How holsters work with the female figure Women's fashions and concealed carry: what works, what doesn't "Over the 18 years I've hosted Tom Gresham's Gun Talk radio show, I've taken calls from women all over the country, asking questions about whether it's smart to get a gun, what kind of gun to get, how to carry and the issues particular to women who carry. "In Concealed Carry for Women, Gila Hayes covers the basics of handgun and equipment choices and techniques of shooting. She also addresses issues unique to women. Should I? Why? Can I? How do I? What if? What will people think? How can I carry a defensive handgun and still dress like a woman? "Concealed Carry for Women is an easy read of a serious subject. With nearly every turn of the page there is an 'I never thought of that' nugget. This is a work you will reread several times, getting more with each visit." --Tom Gresham, Host of Tom Gresham's Gun Talk radio show

Reading the turn-of-the-century magazine, this book resituates the writing of Chopin, Cather, Howells, and numerous unknown writers in relation to commercial as well as literary culture. It investigates readers' responses to the magazines and the reading practices that develop around them.

As African American women left the plantation economy behind, many entered domestic service in southern cities and towns. Cooking was one of the primary jobs they performed, feeding generations of white families and, in the process, profoundly shaping southern foodways and culture. In Cooking in Other Women's Kitchens: Domestic Workers in the South, 1865-1960, Rebecca Sharpless argues that, in the face of discrimination, long workdays, and low wages, African American cooks worked to assert measures of control over their own lives. As employment opportunities expanded in the twentieth century, most African American women chose to leave cooking for more lucrative and less oppressive manufacturing, clerical, or professional positions. Through letters, autobiography, and oral history, Sharpless evokes African American women's voices from slavery to the open economy, examining their lives at work and at home. The enhanced electronic version of the book includes twenty letters, photographs, first-person narratives, and other documents, each embedded in the text where it will be most meaningful. Featuring nearly 100 pages of new material, the enhanced e-book offers readers an intimate view into the lives of domestic workers, while also illuminating the journey a historian takes in uncovering these stories.

The 2022 Edgar Award Winner for Best Juvenline Mystery! What if you had no name, no past, and no home? Ivette. Joanna. And now: Katrina Whatever her name is, it won’t last long. Katrina doesn’t know any of the details about her past, but she does know that she and her parents are part of the Witness Protection Program. Whenever her parents say they have to move on and start over, she takes on a new identity. A new name, a new hair color, a new story. Until their location leaks and her parents disappear. Forced to embark on a dangerous rescue mission, Katrina and her new friend Parker set out to save her parents—and find out the truth about her secret past and the people that want her family dead. But every new discovery reveals that Katrina’s entire life has been built around secrets covered up with lies and that her parents were actually the ones keeping the biggest secret of all. Katrina must now decide if learning the whole truth is worth the price of losing everything she has ever believed about herself and her family.

A New York Times Book Review Editors' Choice A Best Book of Fall at The Washington Post, BuzzFeed, BUST, and more "Dark yet sensitive explorations of family and love—of all kinds—from a masterful writer. The women at the centers of these stories are sharp-edged and complicated and irresistible; you won’t be able to look away." —Celeste Ng Bold and unapologetic, Karen Shepard’s Kiss Me Someone is inhabited by women who walk the line between various states: adolescence and adulthood, stability and uncertainty, selfishness and compassion. They navigate the obstacles that come with mixed-race identity and instabilities in social class, and they use their liminal positions to leverage power. They employ rage and tenderness and logic and sex, but for all of their rationality they're drawn to self-destructive behavior. Shepard’s stories explore what we do to lessen our burdens of sadness and isolation; her characters, fiercely true to themselves, are caught between their desire to move beyond their isolation and a fear that it’s exactly where they belong.

This study examines one aspect of American women's professionalization and the implications of the cross-cultural dialogue between American woman missionaries and Japanese students and supporters at Kobe College between 1873 and 1909.