This is the first volume to examine how the history of Wales was written in a period that saw the emergence of professional historiography, largely focused on the nation, across Europe and in the United States. It thus sets Wales in the context of recent work on national history writing in the nineteenth and twentieth centuries, and, more particularly, offers a Welsh perspective on the ways in which history was written in small, mainly stateless, nations. The comparative dimension is fundamental to the volume's aim, highlighting what was distinctive about Welsh historical writing and showing how the Welsh experience mirrors and illuminates broader historiographical developments. The book begins with an introduction that uses the concept of historical culture as a way of exploring the different strands of historiography covered in the collection, providing orientation to the chapters that follow. These are divided into four sections: 'Contexts and Backgrounds', 'Amateurs and Popularizers', 'Creating Academic Disciplines', and 'Comparative Perspectives'. All these themes are then drawn together in the conclusion to examine how far Welsh historians exemplify widespread trends in the writing of national history, and thereby point-up common themes that emerge from the volume and clarify its broader significance for students of historiography.

Music in Wales has long been a neglected area. Scholars have been deterred both by the need for a knowledge of the Welsh language, and by the fact that an oral tradition in Wales persisted far later than in other parts of Britain, resulting in a limited number of sources with conventional notation. Sally Harper provides the first serious study of Welsh music before 1650 and draws on a wide range of sources in Welsh, Latin and English to illuminate early musical practice. This book challenges and refutes two widely held assumptions - that music in Wales before 1650 is impoverished and elusive, and that the extant sources are too obscure and fragmentary to warrant serious study. Harper demonstrates that there is a far wider body of source material than is generally realized, comprising liturgical manuscripts, archival materials, chronicles and retrospective histories, inventories of pieces and players, vernacular poetry and treatises. This book examines three principal areas: the unique tradition of cerdd dant (literally 'the music of the string') for harp and crwth; the Latin liturgy in Wales and its embellishment, and 'Anglicised' sacred and secular materials from c.1580, which show Welsh music mirroring English practice. Taken together, the primary material presented in this book bears witness to a flourishing and distinctive musical tradition of considerable cultural significance, aspects of which have an important impact on wider musical practice beyond Wales.

This volume examines the main themes in Welsh history from the coming of the Normans in the eleventh century and their impact on Welsh society and politics to the fall of the Duke of Buckingham, the last great marcher magnate, in 1521. It also looks at the part played by the leaders of the native Welsh community in the years after the conquest of 1282-3. This is one of the less familiar aspects of the medieval history of the British Isles, but one in which there has been an increasing interest in recent years. Wales lost its independence in 1282. Owain Glyn Dwr led a revolt in the early fifteenth century. Henry Tudor was of Welsh descent and landed in Milford Haven in 1485. These are the most familiar facts about the History of Medieval Wales, and today this history is often presented as nothing more than a romantic story of princes and castles. But there is a great deal more to it. Like every other nation, Wales has a history and identity of its own, and Edward I did not bring that history to an end. Unlike England it was not conquered by the Normans. In the thirteenth century the native princess of Gwynedd tried to create a single Welsh principality, and for a short time came close to success. The fourteenth century was much a period of crisis for Wales as for every other part of Europe and the effect of the Black Death lasted a long time. The fifteenth century saw the leaders of the community move on to a wider political stage. Why did conquest come in 1282? Who was Owain Glyn Dwr and why did he rebel? Why was Henry Tudor's bid for power based in Wales and what gave him credibility there? Dr Carr considers these questions and suggests some possible answers as he examines one of the less familiar areas of British History.