Cardiganshire County History Volume 2 is published by the University of Wales Press on behalf of the Ceredigion Historical Society, in association with the Royal Commission on the Ancient and Historical Monuments of Wales. This volume provides a comprehensive and authoritative account, written by distinguished authors in fifteen chapters, of the wide range of social, economic, political, religious and cultural forces that shaped the ethos and character of the county of Cardiganshire over a period of 600 years. This was a period of great turbulence and change. It witnessed conquest and castle-building, the impact of the Glyndŵr rebellion, the coming of the Protestant Reformation, and the turmoil of civil war. Over time, the inhabitants of the county developed a sense of themselves as a distinctive people who dwelt in a recognisable entity. From very early on, literate people took pride in their native patch; in the eyes of the learned Sulien (d. 1091) and his sons, the land of Ceredig was a sacred patria. Poets and scribes burnished the reputation of the county, and a vibrant poem by Siôn Morys in 1577 maintained that it was the best of shires and ‘the fold of the generous ones’.

The Genealogical research of Allen Wilson Walker and his Ancestors, going back 35 generations.

Historical Works from Medieval Wales is the fourth volume in The Library of Medieval Welsh Literature series. It introduces readers to the genre of medieval Welsh historical texts on the basis of a broad selection of annotated passages, which range from an account of the legendary origin of Britain to the fall of the last native prince. Each passage is preceded by an introductory paragraph indicating the source and relating it to its wider historical and literary context. The selections are accompanied by a substantial introduction, extensive linguistic notes, and a full glossary. The introduction discusses gemeral features of medieval historiography, as well as the manuscripts and edited works from which the excerpts have been taken. The second part of the introduction contains a detailed description of the language (orthography, morphology and syntax) employed in the selected passages. The volume aims to make Middle Welsh historical texts accessible to third level students whose first language is not Welsh, but can also be used and enjoyed by native speakers of Welsh, students and interested readers, who are interested in an overall view of historical texts from medieval Wales. Patricia Williams is a retired lecturer in Welsh language and literature at the University of Manchester.

After outlining conventional accounts of Wales in the High Middle Ages, this book moves to more radical approaches to its subject. Rather than discussing the emergence of the March of Wales from the usual perspective of the ‘intrusive’ marcher lords, for instance, it is considered from a Welsh standpoint explaining the lure of the March to Welsh princes and its contribution to the fall of the native principality of Wales. Analysis of the achievements of the princes of the twelfth and thirteenth centuries focuses on the paradoxical process by which increasingly sophisticated political structures and a changing political culture supported an autonomous native principality, but also facilitated eventual assimilation of much of Wales into an English ‘empire’. The Edwardian conquest is examined and it is argued that, alongside the resultant hardship and oppression suffered by many, the rising class of Welsh administrators and community leaders who were essential to the governance of Wales enjoyed an age of opportunity. This is a book that introduces the reader to the celebrated and the less well-known men and women who shaped medieval Wales.

In Medieval Boundaries, Sharon Kinoshita examines the role of cross-cultural contact in twelfth- and early thirteenth-century French literature. Starting from the observation that many of the earliest and best-known works of the French literary tradition are set on or beyond the borders of the French-speaking world, she reads the Chanson de Roland, the lais of Marie de France, and a variety of other texts in an expanded geographical frame that includes the Iberian peninsula, the Welsh marches, and the eastern Mediterranean. In Kinoshita's reconceptualization of the geographical and cultural boundaries of the medieval West, such places become significant not only as sites of conflict but also as spaces of intense political, economic, and cultural negotiation. An important contribution to the emerging field of medieval postcolonialism, Kinoshita's work explores the limitations of reading the literature of the French Middle Ages as an inevitable link in the historical construction of modern discourses of Orientalism, colonialism, race, and Christian-Muslim conflict. Rather, drawing on recent historical and art historical scholarship, Kinoshita uncovers a vernacular culture at odds with official discourses of crusade and conquest. Situating each work in its specific context, she brings to light the lived experiences of the knights and nobles for whom this literature was first composed and—in a series of close readings informed by postcolonial and feminist theory—demonstrates that literary representations of cultural encounters often provided the pretext for questioning the most basic categories of medieval identity. Awarded honorable mention for the 2007 Modern Language Association Aldo and Jeanne Scaglione Prize for French and Francophone Studies