An NPR Best Book of the Year Written during the height of the 1970s Italian domestic terror, a cult novel, with distinct echoes of Lovecraft and Borges, makes its English-language debut. In the spare wing of a church-run sanatorium, some zealous youths create "the Library," a space where lonely citizens can read one another’s personal diaries and connect with like-minded souls in "dialogues across the ether." But when their scribblings devolve into the ugliest confessions of the macabre, the Library’s users learn too late that a malicious force has consumed their privacy and their sanity. As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared. An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever. Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.

Shrouds have long held a special place among the sacred relics of Christendom. In the Middle Ages, shrouds, like holy relics, were the prize possessions of churches and cities. Cloaked in mystery, these artifacts have long been objects of reverence and awe, as well as sources of debates, quarrels, thefts, and excommunications. Shrouds--so some claim--provide visible testimony to faith. One in particular has drawn the interest of scholars, clergy, and the public alike: the Shroud of Turin. In The Shroud of Turin, Andrea Nicolotti chronicles the history of this famous cloth, including its circuitous journey from the French village of Lirey to its home in the Italian city of Turin, as well as the fantastical claims surrounding its origin and modern scientific efforts to prove or disprove its authenticity. Full of intrigue and mystery, The Shroud of Turin dismantles hypotheses that cannot survive the rigors of historical analysis. Nicolotti directly addresses the thorny problem of the authenticity of the relic and the difficult relationship between history, faith, and science.

Christianity was born nearly two thousand years ago in ancient Palestine. It has shaped the course of human history. Yet historians still cannot say how it really began. How did a first-century Jew called Jesus manage to spark a new religion? It is one of the biggest and most profound of all historical mysteries. This extraordinary book finally provides a convincing answer. Traditionally, the birth of Christianity has been explained via the miracle of the Resurrection. After Jesus died he was raised from the dead by God and appeared to his disciples, telling them to spread the gospel. Once they saw the Risen Jesus, nothing could shake their belief. Within a few generations Christianity had spread throughout the Middle East and Europe; within a few centuries it had taken over much of the world. But historians have been unable to account for Christianity’s remarkable success without the Resurrection to spark it. If no one really saw the Risen Jesus, how were his followers convinced that he was their immortal Messiah? Art historian Thomas de Wesselow has spent the last seven years deducing the answer to this puzzle, and in doing so he has pieced together an entirely new picture of the birth of Christianity. Reassessing a familiar but misunderstood historical source and reinterpreting many biblical passages, de Wesselow shows that the solution has been staring us in the face for more than a century. The Shroud of Turin, widely thought to be a fake, is in fact authentic. And it holds the key to the greatest mystery in human history.

Is the world-famous Shroud of Turin an authentic relic of the Passion and death of Jesus Christ or is it the product of one of the most cunning hoaxes ever perpetrated? In 1978, scientists established that the relic's image was not created by paint, and, in 1988, the relic's fabric was radiocarbon-dated to late-medieval times, a conclusion which was subsequently determined to be unreliable. In this book, Jack Markwardt, an internationally-renowned Turin Shroud historian, discloses and discusses the relic's entire hidden history, from the time of its discovery in Jesus' tomb to the time of its first exhibition in Western Europe, detailing why and how its history became obscured and negating the dubious 1988 radiocarbon-dating results.

'This could well be the best book ever written about football' Time Out The memoir behind the documentary One Night in Turin, the inside story of a World Cup that changed our footballing nation forever. It was the World Cup semi-finals. On 4th July, 1990, in a stadium in Turin, Gazza cried, England lost and football changed forever. This is the inside story of Italia '90 - we meet the players, the hooligans, the agents, the journalists, the fans. Writer Pete Davies was given nine months full access to the England squad and their manager Bobby Robson. One Night in Turin is his thrilling insider account of the summer when football became the greatest show on earth.

The famed linen cloth preserved in Turin Cathedral has provoked pious devotion, scientific scrutiny, and morbid curiosity. Imprinted with an image many faithful have traditionally believed to be that of the crucified Christ "painted in his own blood," the Shroud remains an object of intense debate and notoriety yet today. In this amply illustrated volume, John Beldon Scott traces the history of the unique relic, focusing especially on the black-marble and gilt-bronze structure Guarino Guarini designed to house and exhibit it. A key Baroque monument, the chapel comprises many unusual architectural features, which Scott identifies and explains, particulary how the chapel's unprecedented geometry and bizarre imagery convey to the viewer the supernatural powers of the object enshrined there. Drawing on early plans and documents, he demonstrates how the architect's design mirrors the Shroud's strange history as well as political aspirations of its owners, the Dukes of Savoy. Exhibiting it ritually, the Savoy prized their relic with its godly vestige as a means to link their dynasty with divine purposes. Guarini, too, promoted this end by fashioning an illusionary world and sacred space that positioned the duke visually so that he appeared close to the Shroud during its ceremonial display. Finally, Scott describes how the additional need for an outdoor stage for the public showing of the relic to the thousands who came to Turin to see it also helped shape the urban plan of the city and its transformation into the Savoyard capital. Exploring the mystique of this enigmatic relic and investigating its architectural and urban history for the first time, Architecture for the Shroud will appeal to anyone curious about the textile, its display, and the architectural settings designed to enhance its veneration and boost the political agenda of the ruling family.