Chicago was once the second-largest Bohemian city outside the Czech lands. The Czechs first settled, serendipitously, behind the notorious O'Leary barn. Spared the Great Fire of 1871, they were displaced several blocks south by the ensuing land crush. There they built more permanent quarters in the community that became known as Pilsen, a neighborhood whose name and architecture survive to recall its Bohemian origins. The thriving Czechs soon began a century-long move westward from Lawndale to Cicero to Berwyn, and today they flourish across the western suburbs. From the desolation of the 1915 Eastland disaster, in which hundreds of victims were of Czech descent, to the triumphant Depression-era election of Czech-born mayor Antonín C?ermák, Czechs of Chicagoland depicts how the Czech community and its great leaders, benevolent societies, and charitable and social organizations have shaped and continue to shape the course of Chicago's history.

On the centennial of the Czechs gaining their independence, award-winning Czech journalist Karel Hvížďala and Cardiff-based philosopher of law Jiří Přibán used the occasion to examine key moments in Czech history from the ninth century to the twenty-first. Covering such a broad scope allows the authors to look into the past and question how Czechs have viewed their history at different points – and what that means for the present and future. Employing the form of a dialogue, Hvížďala and Přibán raise and explore issues for the broader public that are normally reserved for university seminars, or avoided completely. “It’s an interesting book because simply by considering the ideas the authors of In Quest of History put forth, the reader loses his certainty of what is true and what is the common consensus – he becomes an individual.” – Milan Kundera, author of The Unbearable Lightness of Being, Testaments Betrayed, and The Festival of Insignificance “This contemplation by two Czech intellectuals of Czech history, ‘the national narrative,’ collective memory, and contemporary politics should be mandatory reading for understanding the deeper context of our current crisis.” – Jacques Rupnik, professor of political science at Sciences Po “Two men who are as European as they are Czech raise a question – Where are we headed? In answering, they deliver a solid classic. What an inspiring dialogue!” – Petr Pithart, Czech politician and signatory of Charter 77

The emigration of the Czechs to America and their cultural gifts to the new nation.

The motto Národ sobě – “From the Nation to Itself” – inscribed over the proscenium arch of Prague’s National Theatre symbolizes the importance theatre holds for the Czechs. During the National Awakening of the 19th century, theatre took the place of politics, becoming an instrument of national identity in the hands of the revivalists. In what was then part of a German-speaking empire, the Czechs devised a complex and evocative theatre language made up of allegory, allusion, juxtaposition, games, wordplay, legend, history, illusion and music. A sophisticated avant-garde theatre flowered in Czechoslovakia between the wars, and became a symbol of independence during the Nazi occupation. It survived Socialist Realism and Stalinism to blossom again in the “Golden Sixties” when Prague became “the theatre capital of Europe” (Kenneth Tynan) and a generation of theatre and film directors (Radok, Grossman, Schorm) and playwrights (Havel, Kundera, Topol) were at the forefront of the Prague Spring. Reprisals took place after the 1968 Soviet invasion when, under “normalization,” hardline Communists tried to silence the voices of the ‘60s; thousands were forced into internal and external emigration. The theatre culture, however, flexible and experienced from previous repression, again provided a basis of opposition to totalitarianism. For two decades it operated in the provisional spaces of culture houses, studios, gymnasiums, bars, trade union halls, art galleries and living rooms. Strategies were devised and implemented to bring freedom back to the theatre and society. A strong sense of justice and ethics intensified the mutual commitment of theatres and audiences, leading the way to the Velvet Revolution of 1989 and the installation of a playwright as President.

Every five years from 1955 to 1985, mass Czechoslovak gymnastic demonstrations and sporting parades called Spartakiads were held to mark the 1945 liberation of Czechoslovakia. Involving hundreds of thousands of male and female performers of all ages and held in the world’s largest stadium—a space built expressly for this purpose—the synchronized and unified movements of the Czech citizenry embodied, quite literally, the idealized Socialist people: a powerful yet pliant force directed by the regime. This book explores the political, social, and aesthetic dimensions of these mass physical demonstrations, with a particular focus on their roots in the völkisch nationalism of the German Turner movement and the Czech Sokol gymnastic tradition. Featuring an abundance of photographs, Spartakiads takes a new approach to Communist history by opening a window onto the mentality and mundanity behind the Iron Curtain.

For nearly 150 years, Pilsen has been a port of entry for thousands of immigrants. Mexicans, Czechs, Poles, Lithuanians, Croatians, and Germans are some of the ethnic groups who passed through this "Ellis Island" on Chicago's Near Westside. Early generations came searching for work and found plenty of jobs in the lumber mills, breweries, family-run shops and large factories that took root here. Today most jobs exist outside of Pilsen, but the neighborhood is still home to a loyal population. Pilsen is compact but abounds with close-knit families, elaborate churches, mom-and-pop stores, and sturdy brick homes. Nearly 200 photographs from libraries, personal scrapbooks, and museums provide the evidence. Some notable people who walked the streets of Pilsen include Anton Cermak, Amalia Mendoza, George Hallas, Cesar Chavez, Judy Barr Topinka, and Stuart Dybek. Today the Pilsen schools are nurturing another generation of artists, athletes, and activists. Many Chicagoans and tourists from outside the city are rediscovering this colorful and historic neighborhood. Let this history book serve as their guide.

An exploration of how the Windy City became a postwar Latinx metropolis in the face of white resistance. Though Chicago is often popularly defined by its Polish, Black, and Irish populations, Cook County is home to the third-largest Mexican-American population in the United States. The story of Mexican immigration and integration into the city is one of complex political struggles, deeply entwined with issues of housing and neighborhood control. In Making Mexican Chicago, Mike Amezcua explores how the Windy City became a Latinx metropolis in the second half of the twentieth century. In the decades after World War II, working-class Chicago neighborhoods like Pilsen and Little Village became sites of upheaval and renewal as Mexican Americans attempted to build new communities in the face of white resistance that cast them as perpetual aliens. Amezcua charts the diverse strategies used by Mexican Chicagoans to fight the forces of segregation, economic predation, and gentrification, focusing on how unlikely combinations of social conservatism and real estate market savvy paved new paths for Latinx assimilation. Making Mexican Chicago offers a powerful multiracial history of Chicago that sheds new light on the origins and endurance of urban inequality.