“A truly funny sendup of the corrupt politics of academe, the publishing industry and politics, as well as a subtle but biting critique of racial ideology.” —Publishers Weekly This “hilarious high-concept satire” (Publishers Weekly), by the PEN/Faulkner finalist and acclaimed author of Telephone and Erasure, is a fictitious and satirical chronicle of South Carolina Senator Strom Thurmond’s desire to pen a history of African-Americans—his and his aides’ belief being that he has done as much, or more, than any American to shape that history. An epistolary novel, The History follows the letters of loose cannon Congressional office workers, insane interns at a large New York publishing house and disturbed publishing executives, along with homicidal rival editors, kindly family friends, and an aspiring author named Septic. Strom Thurmond appears charming and open, mad and sure of his place in American history. “Outrageously funny . . . it could become a cult classic.” —Library Journal “I think Percival Everett is a genius. I’ve been a fan since his first novel . . . He’s a brilliant writer and so damn smart I envy him.” —Terry McMillan, New York Times-bestselling author of It’s Not All Downhill from Here “God bless Percival Everett, whose dozens of idiosyncratic books demonstrate a majestic indifference to literary trends, the market or his critics.”?The Wall Street Journal

"Do not forget that ‘skill and integrity' are the keys to success." This was the last piece of advice on a list Will Thurmond gave his son Strom in 1923. The younger Thurmond would keep the words in mind throughout his long and colorful career as one of the South's last race-baiting demagogues and as a national power broker who, along with Barry Goldwater and Ronald Reagan, was a major figure in modern conservative politics. But as the historian Joseph Crespino demonstrates in Strom Thurmond's America, the late South Carolina senator followed only part of his father's counsel. Political skill was the key to Thurmond's many successes; a consummate opportunist, he had less use for integrity. He was a thoroughgoing racist—he is best remembered today for his twenty-four-hour filibuster in opposition to the Civil Rights Act of 1957—but he fathered an illegitimate black daughter whose existence he did not publicly acknowledge during his lifetime. A onetime Democrat and labor supporter, he switched parties in 1964 and helped to dismantle New Deal protections for working Americans. If Thurmond was a great hypocrite, though, he was also an innovator who saw the future of conservative politics before just about anyone else. As early as the 1950s, he began to forge alliances with Christian Right activists, and he eagerly took up the causes of big business, military spending, and anticommunism. Crespino's adroit, lucid portrait reveals that Thurmond was, in fact, both a segregationist and a Sunbelt conservative. The implications of this insight are vast. Thurmond was not a curiosity from a bygone era, but rather one of the first conservative Republicans we would recognize as such today. Strom Thurmond'sAmerica is about how he made his brand of politics central to American life.

Reprint of the Simon & Schuster edition originally published in 1993. Annotation copyright Book News, Inc. Portland, Or.

Drawing from the magical world of her iconic Sundance award-winning film, Julie Dash’s stand-alone novel tells another rich, historical tale of the Gullah-Geechee people: a multigenerational story about a Brooklyn College anthropology student who finds an unexpected homecoming when she heads to the South Carolina Sea Islands to study her ancestors. Set in the 1920s in the Sea Islands off the Carolina coast where the Gullah-Geechee people have preserved much of their African heritage and language, Daughters of the Dust chronicles the lives of the Peazants, a large, proud family who trace their origins to the Ibo, who were enslaved and brought to the islands more than one hundred years earlier. Native New Yorker and anthropology student Amelia Peazant has always known about her grandmother and mother’s homeland of Dawtuh Island, though she’s never understood why her family remains there, cut off from modern society. But when an opportunity arises for Amelia to head to the island to study her ancestry for her thesis, she is surprised by what she discovers. From her multigenerational clan she gathers colorful stories, learning about "the first man and woman," the slaves who walked across the water back home to Africa, the ways men and women need each other, and the intermingling of African and Native American cultures. The more she learns, the more Amelia comes to treasure her family and their traditions, discovering an especially strong kinship with her fiercely independent cousin, Elizabeth. Eyes opened to an entirely new world, Amelia must decide what’s next for her and find her role in the powerful legacy of her people. Daughters of the Dust is a vivid novel that blends folktales, history, and anthropology to tell a powerful and emotional story of homecoming, the reclamation of cultural heritage, and the enduring bonds of family.

First elected to public office in 1929, Strom Thurmond was a pivotal figure in the nation's politics for more than seven decades, particularly when it came to issues of race: the Dixiecrat presidential candidate in 1948, originator of the 1956 "Southern Manifesto" against the Brown vs. Board of Education ruling, holder of the record for a Senate filibuster for his opposition to the 1957 Civil Rights Bill. Yet as a young man Thurmond had secretly fathered a daughter with the family's black maid, and quietly supported her through college and beyond. Journalists Bass and Thompson both covered him for years and broke the big stories. In this book, they tell us a great deal about power and politics in our nation and race's twisted roots in the 20th century South.--From publisher description.

"Anything we take for granted, Mr. Everett means to show us, may turn out to be a lie." —Wall Street Journal * Finalist for the Los Angeles Times Book Prize * Finalist for the PEN / Faulkner Award for Fiction * A story inside a story inside a story. A man visits his aging father in a nursing home, where his father writes the novel he imagines his son would write. Or is it the novel that the son imagines his father would imagine, if he were to imagine the kind of novel the son would write? Let's simplify: a woman seeks an apprenticeship with a painter, claiming to be his long-lost daughter. A contractor-for-hire named Murphy can't distinguish between the two brothers who employ him. And in Murphy's troubled dreams, Nat Turner imagines the life of William Styron. These narratives twist together with anecdotes from the nursing home, each building on the other until they crest in a wild, outlandish excursion of the inmates led by the father. Anchoring these shifting plotlines is a running commentary between father and son that sheds doubt on the truthfulness of each story. Because, after all, what narrator can we ever trust? Not only is Percival Everett by Virgil Russell a powerful, compassionate meditation on old age and its humiliations, it is an ingenious culmination of Everett's recurring preoccupations. All of his prior work, his metaphysical and philosophical inquiries, his investigations into the nature of narrative, have led to this masterful book. Percival Everett has never been more cunning, more brilliant and subversive, than he is in this, his most important and elusive novel to date.

Follows the life of one of America's first black poets from her sale as a child slave on the Boston auction block to her death as an impoverished freedwoman in 1784.