An introduction to the history and techniques of bookbinding that offers a thorough and accessible historical overview of techniques and processes, illustrated with examples, diagrams, and photographs of craftspeople at work.

This volume examines the Scottish book trade from c.1500 to c.1720, looking at booksellers, bookbinders, stationers and printers and their relationship to the forces of authority. The scale of the Scottish book trade in this period was surprisingly large, consisting of over 150 printers and over 400 booksellers, but its rate of growth was not constant as it was buffeted by the winds of economic and political circumstances. It is the public, not private world of book dissemination that is examined. Emphsis is placed more on supply than on demand. It is shown that the unique qualities of the printed book, with its blend of commerce and technology on the one hand, and intellect and ideology on the other, ensured that authority - burghs, church, governemt (crown and executive) and law courts - reacted with a complex response of liberty and prohibition. So it was for all nations experiencing the arrival of printing, but Scotland had its own particular range of dynamics, a distinct Scottish tradition.

This book contains thirteen essays on European princes and princely culture between 1450 and 1650. Many products of medieval and renaissance culture – literature, music, political ideology, social and governmental structures, the fine arts, and even forms of devotional practice – found their best expression in the context of the courts of greater and lesser princes. This volume, the first of two concentrating on the late Middle Ages and the Early Modern Era, has essays on selected courts north of the Alps and the Pyrenees: the court of Burgundy under the Valois dukes, that of France under Catherine de Médicis and of Henry IV, that of Scotland under Jameses III, IV, V, VI and of Mary, Queen of Scots, that of Margaret of Austria at Mechelen, of Scandinavia, of Heidelberg under Frederick the Victorious and Philip the Upright, and that of Maximilian I. Contributors include: Gayle K. Brunelle, Dagmar Eichberger, Annette Finley-Croswhite, Martin Gosman, Margriet Hoogvliet, Michael Lynch, Alasdair A. MacDonald, Olaf Mörke, Jan-Dirk Müller, Rita Schlusemann, Alan Swanson, Arjo Vanderjagt, and Janet Hadley Williams.

This study presents a history of the literary culture of early-modern Scotland (1560-1625), based on extensive study of the literary manuscript. It argues for the importance of three key places of production of such manuscripts: the royal court, burghs and towns, and regional houses (stately homes, but also minor lairdly and non-aristocratic households). This attention to place facilitates a discussion of, respectively, courtly, urban or civic, and regional literary cultures. Sebastiaan Verweij's methodology stems from bibliographical scholarship and the study of the 'History of the Book', and more specifically, from a school of manuscript research that has invigorated early-modern English literary criticism over the last few decades. The Literary Culture of Early Modern Scotland will also intersect with a programme of reassessment of early-modern Scottish culture that is currently underway in Scottish studies. Traditional narratives of literary history have often regarded the Reformation of 1560 as heralding a terminal cultural decline, and the Union of Crowns of 1603, with the departure of king and court, was thought to have brought the briefest of renaissances (in the 1580s and 1590s) to an early end. This book purposefully straddles the Union, in order to make possible the rediscovery of Scotland's refined and sophisticated renaissance culture.

This is the first study of Jacobean Scotland's largest library: the collection assembled over several generations by the Lindsays of Balcarres.

This collective volume in the history of early-modern science and medicine investigates the transfer of knowledge between Germany and Scotland focusing on the Scottish mathematician and physician Duncan Liddel of Aberdeen. It offers a contextualized study of his life and work in the cultural and institutional frame of the northern European Renaissance, as well as a reconstruction of his scholarly networks and of the scientific debates in the time of post-Copernican astronomy, Melanchthonian humanism and Paracelsian controversies. Contributors are: Sabine Bertram, Duncan Cockburn, Laura Di Giammatteo, Mordechai Feingold, Karin Friedrich, Elizabeth Harding, John Henry, Richard Kirwan, Jane Pirie, Jonathan Regier.