Japan's modern written law is Western. However, this law operates in a society whose values are pre-Western. In order to understand the function of modern law one has to study older systems of law as well. The main phases of Japan's pre-modern legal development are first, the indigenous customary law of the Yamato state. Next, the import and adaptation of Chinese codes from the 7th century onwards. Third, the use of Chinese legal techniques to bring order to the indigenous feudal law, culminating in the thirteenth century, and leading to the independence of Japan's legal system from that of China. Fourth, the mature system of written law and custom of the Tokugawa state. It is owing to the existence of well-functioning channels of law that Japan was able to modernise rapidly.

A careful analysis of Japan's dealings with its legal system through a time of unprecedented change (1868- 1960). A must for scholars of Japanese studies, historians and jurists alike.

Nishiyama Matsunosuke is one of the most important historians of Tokugawa (Edo) popular culture, yet until now his work has never been translated into a Western language. Edo Culture presents a selection of Nishiyama’s writings that serves not only to provide an excellent introduction to Tokugawa cultural history but also to fill many gaps in our knowledge of the daily life and diversions of the urban populace of the time. Many essays focus on the most important theme of Nishiyama’s work: the seventeenth to nineteenth centuries as a time of appropriation and development of Japan’s culture by its urban commoners. In the first of three main sections, Nishiyama outlines the history of Edo (Tokyo) during the city’s formative years, showing how it was shaped by the constant interaction between its warrior and commoner classes. Next, he discusses the spirit and aesthetic of the Edo native and traces the woodblock prints known as ukiyo-e to the communal activities of the city’s commoners. Section two focuses on the interaction of urban and rural culture during the nineteenth century and on the unprecedented cultural diffusion that occurred with the help of itinerant performers, pilgrims, and touring actors. Among the essays is a delightful and detailed discourse on Tokugawa cuisine. The third section is dedicated to music and theatre, beginning with a study of no, which was patronized mainly by the aristocracy but surprisingly by commoners as well. In separate chapters, Nishiyama analyzes the relation of social classes to musical genres and the aesthetics of kabuki. The final chapter focuses on vaudeville houses supported by the urban masses.

This 2003 book offers a distinctive overview of the internal and external pressures responsible for the emergence of modern Japan.

"In 2018 Japan marked the 150th anniversary of the collapse of the Tokugawa shogunate and the establishment of a new government under Emperor Meiji. This was not simply a transfer of political authority but instead signaled revolutionary transformation in Japan, including the abolition of the domains and the formation of a modern nation-state in the years that followed. A period of radical social change was ushered in, with the abolition of the class system, the introduction of Western thought and technology, the development of mass media, and the establishment of constitutional government. The impact on Japan of diplomatic, economic, and cultural pressure from the United States and other Western powers from 1853 onward was previously thought to be the immediate catalyst of this 'Meiji Revolution.' But Japan's modern transformation was rooted in a much deeper process of social and intellectual development that gradually unfolded throughout the latter half of the Tokugawa period. Surveying a diverse group of thinkers spanning the Tokugawa and early Meiji years -- Ogyū Sorai, Yamagata Bantō, Motoori Norinaga, Rai San'yō, Fukuzawa Yukichi, Takekoshi Yosaburō, and others -- this ambitious book liberates modern Japanese history from the stereotypical narrative of 'Japanese spirit and Western technique,' offering a detailed examination of the elements in Tokugawa thought and culture that spurred Japan to articulate its own unique conception of civilization during the course of the nineteenth century." --

Shows how Japanese anxiety about overpopulation was used to justify expansion, blurring lines between migration and settler colonialism. This title is also available as Open Access.