The first systematic study of classical literature and arts to explain their close affinities with modern visual technologies and media.

This exceptional collection of writings offers for the first time a discussion among leading thinkers about the points at which rhetoric and religion illuminate and challenge each other. The contributors to the volume are eminent theorists and critics in rhetoric, theology, and religion, and they address a variety of problems and periods. Together these writings shed light on religion as a human quest and rhetoric as the origin and sustainer of that quest. They show that when pursued with intelligence and sensitivity, rhetorical approaches to religion are capable of revitalizing both language and experience. Rhetorical figures, for example, constitute forms of language that say what cannot be said in any other way, and that move individuals toward religious truths that cannot be known in any other way. When firmly placed within religious, social, and literary history, the convergence of rhetoric and religion brings into focus crucial issues in several fields--including philosophy, psychology, history, and art--and interprets relations among self, language, and world that are central to both past and present cultures.

"The Invention of Racism in Classical Antiquity further suggests that an understanding of ancient attitudes toward other peoples shed light not only on Greco-Roman imperialism and the ideology of enslavement of foreigners in those societies (and on foreigners concomitant integration or non-integration), but also on the disintegration of the Roman Empire and on more recent imperialism as well."--BOOK JACKET.

Issues for 1973- cover the entire IEEE technical literature.