The book tells the story of communal living from about 1850 until today. Three motives of sharing - the economic, political and social intention - divide the residential objects, which are investigated in a historical analysis and allocated to nine development phases. The author investigates and compares different forms of housing and the way they developed from their origins until today; she illustrates how everyday shared living and the degrees of privacy in housing are practiced in Europe. Owing to its comprehensive documentation, the analysis of typologies, layout plans, and user and expert interviews, the book can also be considered to be a lexicon or handbook on communal living. A detailed overview that is unique in this form.

Das Buch erzählt die Geschichte des gemeinschaftlichen Wohnens von ca. 1850 bis heute. Drei Motive des Teilens - die ökonomische, politische und soziale Intention - gliedern die Wohnobjekte, die einer historischen Analyse unterzogen und in neun Entwicklungsphasen geordnet werden. Im Vergleich untersucht die Autorin unterschiedliche Nutzungen, ihre Entstehungsformen und deren Entwicklungslinien bis heute, und zeigt so, wie das alltägliche Zusammenleben und die Abstufung der Wohnintimität in Europa praktiziert werden. Aufgrund seiner umfassenden Darstellung, durch die Analyse der Typologie, Grundrissstudien sowie Nutzer- und Expertenbefragungen kann das Buch auch als Lexikon oder Handbuch zum gemeinschaftlichen Wohnen gelten - ein präziser Überblick, der in dieser Form einzigartig ist. Die vergriffene Erstausgabe erscheint nun in korrigierte Neuauflage sowie neuer Gestaltung und Ausstattung. Darstellung europäischer Wohnkonzepte seit 1850 Über 30 Fallbeispiele über das Wie und Warum des Zusammenwohnens Neuauflage des Standardwerkes zum kollektiven Wohnen

This book addresses the complex relationship between architecture and public life. It’s a study of architecture and urbanism as cultural activity that both reflects and gives shape to our social relations, public institutions and political processes. Written by an international range of contributors, the chapters address the intersection of public life and the built environment around the themes of authority and planning, the welfare state, place and identity and autonomy. The book covers a diverse range of material from Foucault’s evolving thoughts on space to land-scraping leisure centres in inter-war Belgium. It unpacks concepts such as ‘community’ and ‘collectivity’ alongside themes of self-organisation and authorship. Architecture and Collective Life reflects on urban and architectural practice and historical, political and social change. As such this book will be of great interest to students and academics in architecture and urbanism as well as practicing architects.

From the bestselling social commentator and cultural historian comes Barbara Ehrenreich's fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy In the acclaimed Blood Rites, Barbara Ehrenreich delved into the origins of our species' attraction to war. Here, she explores the opposite impulse, one that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in ecstatic revels of feasting, costuming, and dancing. Ehrenreich uncovers the origins of communal celebration in human biology and culture. Although sixteenth-century Europeans viewed mass festivities as foreign and "savage," Ehrenreich shows that they were indigenous to the West, from the ancient Greeks' worship of Dionysus to the medieval practice of Christianity as a "danced religion." Ultimately, church officials drove the festivities into the streets, the prelude to widespread reformation: Protestants criminalized carnival, Wahhabist Muslims battled ecstatic Sufism, European colonizers wiped out native dance rites. The elites' fear that such gatherings would undermine social hierarchies was justified: the festive tradition inspired French revolutionary crowds and uprisings from the Caribbean to the American plains. Yet outbreaks of group revelry persist, as Ehrenreich shows, pointing to the 1960s rock-and-roll rebellion and the more recent "carnivalization" of sports. Original, exhilarating, and deeply optimistic, Dancing in the Streets concludes that we are innately social beings, impelled to share our joy and therefore able to envision, even create, a more peaceable future. "Fascinating . . . An admirably lucid, level-headed history of outbreaks of joy from Dionysus to the Grateful Dead."—Terry Eagleton, The Nation

Collective creation - the practice of collaboratively devising works of performance - rose to prominence not simply as a performance making method, but as an institutional model. By examining theatre practices in Europe and North America, this book explores collective creation's roots in the theatrical experiments of the early twentieth century.

There is one critical way we honor great tragedies: by never forgetting. Collective remembrance is as old as human society itself, serving as an important source of social cohesion, yet as Jeffrey Andrew Barash shows in this book, it has served novel roles in a modern era otherwise characterized by discontinuity and dislocation. Drawing on recent theoretical explorations of collective memory, he elaborates an important new philosophical basis for it, one that unveils profound limitations to its scope in relation to the historical past. Crucial to Barash’s analysis is a look at the radical transformations that symbolic configurations of collective memory have undergone with the rise of new technologies of mass communication. He provocatively demonstrates how such technologies’ capacity to simulate direct experience—especially via the image—actually makes more palpable collective memory’s limitations and the opacity of the historical past, which always lies beyond the reach of living memory. Thwarting skepticism, however, he eventually looks to literature—specifically writers such as Walter Scott, Marcel Proust, and W. G. Sebald—to uncover subtle nuances of temporality that might offer inconspicuous emblems of a past historical reality.

Reconstructing Public Housing unearths Liverpool's hidden history of radical alternatives to municipal housing development and builds a vision of how we might reconstruct public housing on more democratic and cooperative foundations. In this critical social history, Matthew Thompson brings to light how and why this remarkable city became host to two pioneering social movements in collective housing and urban regeneration experimentation. In the 1970s, Liverpool produced one of Britain's largest, most democratic and socially innovative housing co-op movements, including the country's first new-build co-op to be designed, developed and owned by its member-residents. Four decades later, in some of the very same neighbourhoods, several campaigns for urban community land trusts are growing from the grassroots - including the first ever architectural or housing project to be nominated for and win, in 2015, the artworld's coveted Turner Prize. Thompson traces the connections between these movements; how they were shaped by, and in turn transformed, the politics, economics, culture and urbanism of Liverpool. Drawing on theories of capitalism and cooperativism, property and commons, institutional change and urban transformation, Thompson reconsiders Engels' housing question, reflecting on how collective alternatives work in, against and beyond the state and capital, in often surprising and contradictory ways.