As Queen Elizabeth II became the only British Monarch to rule for seventy years, she marked the historic moment with a simple message, promising to continue her lifetime of service. But while her Jubilee day was quiet, it was merely the start of a year long celebration that would see millions around the world join the royal party. Jubilees have become regular events in The Queen’s long reign but they are a relatively modern idea which only really took hold in the reign of King George III. Initially rejected by many as a frivolity, the first royal Jubilee became a huge success. It was a beguiling mix of pageantry, religious devotion and popular celebrations including street parties that has been copied in the Jubilees that followed. Queen Victoria enjoyed two successful celebrations, including Britain's first Diamond Jubilee, which helped re-establish her popularity and consolidate the Monarchy. King George V turned to the joy of a Jubilee to re-invigorate his country as it recovered from war and economic woes. In the reign of his granddaughter, Elizabeth II, Jubilees have been transformed into modern media events celebrated globally. In A History of British Royal Jubilees, we trace the ever evolving story of these popular celebrations, bringing each of them to life and looking at how they changed the image of royalty and the country itself. This is the story of how Jubilee celebrations have become vital to the success of Britain’s Royal Family and to its place at the heart of a nation.

Researching and writing its history has always been one of the tasks of the university, particularly on the occasion of anniversary celebrations. Through case studies of Prague (1848, 1948), Oslo (1911), Cluj (from 1919), Leipzig (2009) and Trondheim (2010), this book shows the continuity of the close relationship between jubilees and university historiography and the impact of this interaction on the jubilee publications and academic heritage. Up to today, historians are faced with the challenge of finding a balance between an engaged, celebratory approach and a more distant, academically critical one. In its third part, the book aims to go beyond the jubilee and presents three other ways of writing university history, by focusing on the university as an educational institution. Contributors are: Thomas Brandt, Pieter Dhondt, Marek Ďurčanský, Jonas Flöter, Jorunn Sem Fure, Trude Maurer, Emmanuelle Picard, Ana-Maria Stan and Johan Östling.

The specific concern of this collection is linking the use of media to the larger socio-cultural processes involved in collective memory-making. The focus rests in particular on two aspects of media use: the basic dynamics of mediation and remediation. The key questions are: What role do media play in the production and circulation of cultural memories? How do mediation, remediation and intermediality shape objects and acts of cultural remembrance? How can new, emergent media redefine or transform what is collectively remembered?

This official souvenir publication celebrates the Platinum Jubilee of Queen Elizabeth II, Britain's longest-serving monarch. In February 2022, Her Majesty Queen Elizabeth II will mark seventy years as monarch with a celebration known as the Platinum Jubilee. This official publication honors the Queen's reign with a special selection of photographs captured by professional and amateur photographers alike. These photographs document Her Majesty's early life before she acceded to the throne in 1952, her official role as monarch, her travel at home and abroad in support of the Commonwealth, and her fondness for animals and family life. These pictures also demonstrate the Queen's continued efforts to give thanks to those who have served the monarchy and their communities, from official garden parties to the Order of the Garter. These photographs are accompanied by resonant quotations from speeches given by the Queen over the years, including her wartime Children's Hour radio broadcast given at the age of 14, her first televised Christmas Speech in 1957, and her speech welcoming President Obama and the First Lady during their State Visit in 2011. With a varied selection of photographs from Her Majesty's reign, The Queen takes readers on a photographic journey of a remarkable life of duty and service.

Discover British commemorative dishes and keepsakes produced for a variety of royal events-coronations, jubilees, marriages, wedding anniversaries, births and visits. Fascinating tidbits on the events and royal people, and tips on collecting the commemorative objects are given. A newly revised price guide contains more than 2,500 black and white photographs and descriptions of these commemoratives.

“Masterfully captures the life of this little-known sportswoman, a versatile female athlete comparable to Babe Didrikson Zaharias.” —Booklist (starred review) Lottie Dod was a truly extraordinary sports figure who blazed trails of glory in the late nineteenth and early twentieth centuries. Dod won Wimbledon five times, and did so for the first time in 1887, at the ludicrously young age of fifteen. After she grew bored with competitive tennis, she moved on to and excelled in myriad other sports: she became a leading ice skater and tobogganist, a mountaineer, an endurance bicyclist, a hockey player, a British ladies’ golf champion, and an Olympic silver medalist in archery. In her time, Dod had a huge following, but her years of distinction occurred just before the rise of broadcast media. By the outset of World War I, she was largely a forgotten figure; she died alone and without fanfare in 1960. Little Wonder brings this remarkable woman’s story to life, contextualizing it against a backdrop of rapid social change and tectonic shifts in the status of women in society. Paving the way for the likes of Billie Jean King, Serena Williams, and other top female athletes of today, Dod accepted no limits, no glass ceilings, and always refused to compromise. “Eighty-five years before Billie Jean King and Bobby Riggs fought the ‘battle of the sexes,’ a Victorian teenager showed what women could do . . . [Abramsky] celebrates her as a brave and talented and determined original.” —The Atlantic