In this era of Vinyl revival, celebrate some of the greatest covers of the last 70 years, such as the Beatles’ ‘Sergeant Pepper’s Lonely Hearts Club Band’ or Pink Floyd’s ‘Dark Side of the Moon’, alongside entertaining and informative text. This great little book will make an ideal gift for any music aficionado or art and design enthusiast.

On June, 16th 1995, Michael Jackson's HIStory double album was released. This major work contained HIStory Begins, a compilation of his greatest hits, and HIStory Continues that was composed of his new songs of the time. Nearly two decades later, Brice Najar, a writer and fan of the King of Pop, decided to look into the behind the scenes of both records. That's how he contacted some musicians and technicians who took part in that great adventure so that they would share their memories. The result is that book gathering together many accounts from the artist's collaborators that contributed to making the (HI)Story. So let's go back to 1995 for an immersion into the studio with Michael Jackson in order to evoke the past, the present and the future.

The Stanford Album brings together some 600 photographs, largely unpublished, and an interpretive text to tell the story of the community life of Stanford University from the University's creation in 1885 through the Second World War. It is a fitting coincident that at the same time Stanford is celebrating its Centennial Years (1985-91), the art of photography has reached its own anniversary of 150 years since the birth of the daguerreotype. The founders of the university, Jane and Leland Stanford, sat for their wedding portraits in 1850, and these daguerreotypes were just the beginning of the Stanfords' fascination with patronage of the new art form. Leland Stanford's perception of the value of the camera as a medium of documentation resulted in a superb pictorial record of the planning, construction, and dedication of the university, some of which is reproduced in The Stanford Album. By the turn of the century, technical advances in photography made possible the small, handheld camera, and at Stanford the "snapshot" image of campus life began to proliferate. Commercial photographers mainly concentrated on athletic events, drama productions, student parades, and other campus rituals; students who owned cameras intruded everywhere with the mysterious little boxes--into dormitories, fraternities and sororities, classrooms, dances, picnics, and beer busts. The book revisits a bygone Stanford. Through the magic of the cmeara lens, a vanished world of college life comes alive again, and we can see the community that existed yesterday under the same arcades where those at Stanford today study, work, and stroll.

A brief history of Illinois that touches on the most important events from before the white man to the 1990s.