A Handful of Mischief: New Essays on Evelyn Waugh is a collection of essays based on presentations at the Evelyn Waugh Centenary Conference at Hertford College, Oxford, in 2003. There are twelve different essays by authors from various countries, including Australia, Canada, Russia, the United Kingdom, and the United States. The essays cover a wide range of material, from Waugh's early novel Black Mischief (1932) to his last travel book, A Tourist in Africa (1960). In addition to essays on well-known novels such as Scoop (1938), Brideshead Revisited (1945), and Helena (1950), the collection includes papers on Waugh's library, his changing conception of Oxford, his writing about religious conversion, and his role in the British evacuation of Crete in 1941. The authors approach Waugh and his work in various ways, and innovative essays explore sovereignty, post-colonialism, and adaptation for radio. Contributors: Baron Alder, Peter G. Christensen, Robert Murray Davis, Marcel DeCoste, Patrick Denman Flanery, Donat Gallagher, Irina Kabanova, Dan S. Kostopulos, Lewis MacLeod, John W. Mahon, Richard W. Oram, Ann Pasternak Slater, John Howard Wilson.

“Eight authors celebrate Christmas in Regency England in this heart-warming anthology . . . each second chance is a sweet gift for the reader.” —Publishers Weekly Unwrap the most romantic of Regency delights in this sparkling holiday collection . . . Christmastime in England—a time for passionate secrets, delicious whispers, and wicked-sweet gifts by the fire. From a spirited lady who sets out to save her rakish best friend from an unsuitable engagement, to a bold spy who gets the unexpected chance to win the woman he’s always loved, to a vicar’s daughter who pretends to be a saucy wench, these holiday tales will make you curl up in front of the fire for a memorable season of mischief and mistletoe . . . “Confections that charm and delight, like the holidays themselves.” —RT Book Reviews “Touching, gently funny, satisfying, and short enough to be read in one sitting, each story in this delectable anthology is a holiday treat.” —Library Journal “A collection of historical fiction romances set around the Yuletide season. This was a delightful collection and while I had favorites I can honestly say I enjoyed each and every tale by these talented authors.” —Caffeinated Book Reviewer

In this volume of essays casting new light on aspects of Waugh's life and writings, the essential Waugh emerges as a diffident artist and a sensitive recorder not only of the Roaring Twenties but also of his century. Evelyn Waugh's undisputed talent and controversial personality are set off in a series of studies that provide new elements towards the understanding of the man and the artist: the annulment of his first marriage, his relations with the BBC are for the first time dealt with in depth and objectivity.

Arguing against the critical commonplace that Evelyn Waugh’s post-war fiction represents a decline in his powers as a writer, D. Marcel DeCoste offers detailed analyses of Waugh's major works from Brideshead Revisited to Unconditional Surrender. Rather than representing an ill-advised departure from his true calling as an iconoclastic satirist, DeCoste suggests, these novels form a cohesive, artful whole precisely as they explore the extent to which the writer’s and the Catholic’s vocations can coincide. For all their generic and stylistic diversity, these novels pursue a new, sustained exploration of Waugh’s art and faith both. As DeCoste shows, Waugh offers in his later works an under-remarked meditation on the dangers of a too-avid devotion to art in the context of modern secularism, forging in the second half of his career a literary achievement that both narrates and enacts a contrary, and Catholic, literary vocation.

This study of the life and works of Evelyn Waugh traces the novelist's pursuit of his vocation and his long retreat from a world which he came to regard as a spiritual dungeon. Jeffrey Heath explores the paradoxical elements in Waugh's career: his quest for a refuge itself proved to be a prison and his devotion to the Augustan graces was accompanied by a lasting attraction to a Dionysiac age without restratint. The deep cleft in Waugh's nature imbued his art with the characteristic quirky complexity which has fascinated many readers, but it left him a choleric and melancholy man who never fully accepted his calling as a writer.