This volume puts together a first-of-a-kind handbook, and contains the most important termini technici, expressions, and techniques connected to the traditional art of Persian calligraphy, calligraphy as well as related arts, like illumination, historiated painting, book binding, etc. The content is based on thirty prominent classical Persian treatises, composed between twelfth and twentieth centuries.

In Exercising Authority and Representing Rule, András Barati examines twenty-two hitherto unpublished Persian royal decrees issued by various rulers of eighteenth-century Iran and Afghanistan kept at the Āstān-i Quds-i Rażawī in Mashhad. Considering the paucity of primary sources from this period due to relatively frequent political turmoils, he aims to improve this situation by offering the transcription and translation of these original documents as well as a commentary concerning the textual elements, external aspects, and content of the decrees. Making use of previously published documents, András Barati presents the first substantial study on post-Safavid eighteenth-century diplomatics and addresses several issues related to the political, economic, and administrative history of the region in the early modern period.

Wie lässt sich eine Kunstgeschichte denken, die prozessuale, performative und transkulturelle Wanderungsbewegungen ins Zentrum ihrer theoretischen und methodischen Analysen rückt? Mit Beiträgen international ausgewiesener Experten gibt das Handbuch erstmals Antworten darauf, welche Konsequenzen das Zusammenwirken von Migration und Globalisierung für die kunstwissenschaftliche Forschung, die kuratorische Praxis sowie die künstlerische Produktion und Theorie hat. Ziel der vielstimmigen Anthologie ist es, einen interdisziplinären Diskurs zum „migratory turn" in der Kunstgeschichte zu eröffnen.

Capturing the essence of life in great civilizations of the past, each volume in the