A Handbook of Indian Art
Title | A Handbook of Indian Art PDF eBook |
Author | Ernest Binfield Havell |
Publisher | London : J. Murray |
Pages | 400 |
Release | 1920 |
Genre | Architecture |
ISBN |
The Ideals of Indian Art
Title | The Ideals of Indian Art PDF eBook |
Author | Ernest Binfield Havell |
Publisher | London : J. Murray |
Pages | 286 |
Release | 1911 |
Genre | Art |
ISBN |
The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art
Title | The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art PDF eBook |
Author | Arindam Chakrabarti |
Publisher | Bloomsbury Publishing |
Pages | 445 |
Release | 2016-02-25 |
Genre | Philosophy |
ISBN | 1472524306 |
The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.
Saris
Title | Saris PDF eBook |
Author | |
Publisher | |
Pages | 154 |
Release | 1997 |
Genre | Clothing and dress |
ISBN |
Ideals of Indian Art
Title | Ideals of Indian Art PDF eBook |
Author | Ernest Binfield Havell |
Publisher | Palala Press |
Pages | 278 |
Release | 2018-02-24 |
Genre | Art |
ISBN | 9781378669686 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Introduction to Indian Art
Title | Introduction to Indian Art PDF eBook |
Author | Ananda K. Coomaraswamy |
Publisher | |
Pages | 194 |
Release | 1923 |
Genre | |
ISBN |
The Square and the Circle of the Indian Arts
Title | The Square and the Circle of the Indian Arts PDF eBook |
Author | Kapila Vatsyayan |
Publisher | Abhinav Publications |
Pages | 210 |
Release | 1997 |
Genre | Art |
ISBN | 9788170173625 |
The Square and the Circle of the Indian Arts is a major contribution in Indian art history. More than a book on the theories of arts, it has far-reaching implications for the way one thinks about the future of indology and art history. It provides a model to be emulated for inter-disciplinary research, not only between the arts but also the sciences and the arts. The book begins by re-examining the imagery of the Vedas and the Upanisads, highlighting some aspects of early speculative thought which influenced the enunciation of aesthetic theories, particularly of Bharata in the Natyasastra. The next chapter introduces a new methodology of analyzing the rituals (yajna) as laid down in the Yajurveda and the Satapatha Brahmana, the best way to focus the relationship between the text and the practice. Four chapters follow – one each on drama (natya), architecture (vastu), sculpture (silpa), and music (sangita). Each presents some fundamental concepts of speculative thought, concerned with each of the arts and purposefully correlates these with actual examples both of the past and the present. The afterward to this second edition remains an event not only because the book benefits from the works published since the first edition, but also because it presents the author’s integral vision and her unique adventure into the boundaries of several disciplines. It demonstrates the efficacy of her earlier approach of investigating the imagery and the metaphors as basic to the discourse of the Indian tradition. She proposes a multi-layered cluster of concepts and metaphors which enable one to uncode the complex multi-dimensional character of the Indian Arts. Also significantly she suggests a deeper comprehension of the relevance of the developments in the field of traditional mathematics and biology for the study of the language of form of the Indian Arts.