Rheinhardt, a disk jockey and failed musician, rolls into New Orleans looking for work and another chance in life. What he finds is a woman physically and psychically damaged by the men in her past and a job that entangles him in a right-wing political movement. Peopled with civil rights activists, fanatical Christians, corrupt politicians, and demented Hollywood stars, A Hall of Mirrors vividly depicts the dark side of America that erupted in the sixties. To quote Wallace Stegner, "Stone writes like a bird, like an angel, like a circus barker, like a con man, like someone so high on pot that he is scraping his shoes on the stars."

This impressive tome offers more than 700 illustrations to document the comprehensive restoration campaign, (the first of its kind) of this magnificant interior.

Whether it’s the first-past-the-post electoral system or partisan government appointees to the Senate, Canadians want better representation and accountability from the federal government. Before reforms can be enacted, however, it is important to explore and clarify the relationships among Canada’s three parliamentary institutions: Crown, Senate, and Commons. In The Constitution in a Hall of Mirrors, David E. Smith presents a learned but accessible analysis of the interconnectedness of Canada’s parliamentary institutions. Smith argues that Parliament is a unity comprised of three parts and any reforms made to one branch will, whether intended or not, affect the other branches. Through a timely, nuanced, and comprehensive examination of parliamentary debates, committee reports, legal scholarship, and comparative analysis of developments in the United Kingdom, Smith uncovers the substantial degree of ambiguity that exists among Canadians and their calls for structural and operational reforms. By illuminating the symbiotic relationship between the Crown, Senate, and Commons, The Constitution in a Hall of Mirrors brings government reform closer to reality.

The military scholar and author of The Human Face of War analyses the nature of 20th-century war and warfare in this wide-ranging study. The 20th Century was possibly the most violent and turbulent century in history. The wars waged in those ten decades reshaped the globe and wreaked an incalculable toll on human life. In The Hall of Mirrors, military analyst and historian Jim Storr explores what can we learn from war, and warfare, in the 20th century. Rather than presenting a narrative history, The Hall of Mirrors takes a deep look at the nature of 20th Century war and warfare. Storr looks at the strategy, operational art, and tactics employed. He analyzes how technology developed, and how those technologies affected military events. He also considers the effect of individual human beings and organizations. By 1919 the First World War was already over. Millions had died, empires had crumbled, new nations had been born. And yet the so-called Great War was merely setting the stage for another eighty years of crisis, conflict, and change; of alliances forged and broken; of apparent chaos that can appear futile, and yet has enormous consequence.

In The Hall of Mirrors Peter Stoicheff examines the complicated composition and publication history of Drafts & Fragments to demonstrate how the volume has become a site where conflicting responses to Pound's public and poetic lives are interpreted and reconstructed. Finally he delivers not only a well-rounded study of one of Pound's most important texts but an exploration of the modern long poem, whose very length works against the possibility of its satisfactory closure.

When a popular mystery novelist dies suspiciously, his writing partner must untangle the author’s connection to a serial killer in award-winning John Copenhaver’s new novel set in 1950s McCarthy-era Washington, DC. In May 1954, Lionel Kane witnesses his apartment engulfed in flames with his lover and writing partner, Roger Raymond, inside. Police declare it a suicide due to gas ignition, but Lionel refuses to believe Roger was suicidal. A month earlier, Judy Nightingale and Philippa Watson—the tenacious and troubled heroines from The Savage Kind—attend a lecture by Roger and, being eager fans, befriend him. He has just been fired from his day job at the State Department, another victim of the Lavender Scare, an anti-gay crusade led by figures like Senator Joseph McCarthy and J. Edgar Hoover, claiming homosexuals are security risks. Little do Judy and Philippa know, but their obsessive manhunt of the past several years has fueled the flames of his dismissal. They have been tracking their old enemy Adrian Bogdan, a spy and vicious serial killer protected by powerful forces in the government. He’s on the rampage again, and the police are ignoring his crimes. Frustrated, they send their research to the media and their favorite mystery writer anonymously, hoping to inspire someone, somehow, to publish on the crimes—anything to draw Bogdan out. But has their persistence brought deadly forces to the writing team behind their most beloved books? In the wake of Roger’s death, Lionel searches for clues, but Judy and Philippa threaten his quest, concealing dark secrets of their own. As the crimes of the past and present converge, danger mounts, and the characters race to uncover the truth, even if it means bending their moral boundaries to stop a killer.