A Half-Century of Greatness paints a vivid and dramatic picture of the creative thought of mid- to late nineteenth century Europe and the influence of the unsuccessful Revolutions of 1848. It reveals often unexpected links between novelists, poets, and philosophers from England, Germany, Austria, Hungary, Russia, and Ukraine-especially Dickens, Carlyle, Mill, the Bront?s, and George Eliot; Hegel, Strauss, Feuerbach, Marx, Engels, Wagner, and several German poets; the Hungarian poet Sndor Petfi; Gogol, Dostoevsky, Bakunin, and Herzen in Russia, and the great Ukrainian poet Shevchenko.The book was reconstructed and edited by Dr. Jeffrey Wollock from Ewen's final manuscript. It includes the author's own reference citations throughout, a reconstructed bibliography, and an updated "further reading" list.This is Ewen's last work, the long-lost companion to his Heroic Imagination. Together, these books present a panorama of the social, political, and artistic aspects of European Romanticism, especially foreshadowing and complementing recent work on the relation of Marxism to romanticism. Anyone interested in what Lukacs called "Romantic anticapitalism," who appreciates such books as Marshall Berman's Adventures in Marxism (1999) Lwy & Sayre's Romanticism against the Tide of Modernity (2001) or E.P. Thompson's The Romantics (1997), will find the Ewen volumes a welcome addition.

Choice Outstanding Academic Title for 2008 A Half-Century of Greatness paints a vivid and dramatic picture of the creative thought of mid- to late nineteenth century Europe and the influence of the unsuccessful revolutions of 1848. It reveals often unexpected links between novelists, poets, and philosophers from England, Germany, Austria, Hungary, Russia, and Ukraine—especially Dickens, Carlyle, Mill, the Brontës, and George Eliot; Hegel, Strauss, Feuerbach, Marx, Engels, Wagner, and several German poets; the Hungarian poet Sándor Petöfi; Gogol, Dostoevsky, Bakunin, and Herzen in Russia, and the great Ukrainian poet Shevchenko. Ewen goes on to trace the transition from Romanticism to Victorianism, or what he calls “the Victorian compromise”—the ascendancy of the middle class. The book was reconstructed and edited by Dr. Jeffrey Wollock from Ewen’s final manuscript. It includes the author's own reference citations throughout, a reconstructed bibliography, and an updated “further reading” list. This is Ewen’s last work, the long-lost companion to his Heroic Imagination. Together, these books present a panorama of the social, political, and artistic aspects of European Romanticism, especially foreshadowing and complementing recent work on the relation of Marxism to romanticism. Anyone interested in what Lukacs called “Romantic anticapitalism,”; who appreciates such books as Marshall Berman's Adventures in Marxism or E.P. Thompson's The Romantics (1997), will find Ewen’s work a welcome addition.

The unforgettable story of the 1973 U.S. Open-and the unknown young golfer who astonished the world... In 1973, a Who's Who of golf's greats gathered at the Oakmont Country Club for the U.S. Open. Among those favored to win were Jack Nicklaus and Arnold Palmer. Instead, Johnny Miller-a 26-year-old one­time phenom from San Francisco-astonished the golfing world by edging out the legends and crafting a record-setting 63 to win by a single stroke. Featuring extensive archival and video research and candid interviews with leading golfers of the era, Chasing Greatness beautifully captures one of the unlikeliest victories and dramatic sports triumphs of the past half century. Authors Adam Lazarus and Steve Schlossman also chronicle the careers and the lives of six extraordinary figures during golf's modern-day golden era: Miller, Palmer, Nicklaus, Lee Trevino, Tom Weiskopf, and John Schlee.

"Von Drehle has chosen a critical year ('the most eventful year in American history' and the year Lincoln rose to greatness), done his homework, and written a spirited account."N"Publishers Weekly."

This book provides insights into the maze of ‘know thyself’ through a carefully detailed, comparative study of the Sartrean no-self and the Deleuzean rhizomic self. It is informative, argumentative and rich in literary context, and mainly focuses on the shift in the notion of self from Sartre’s elegiac, suicidal and nihilistic tone seen pervasively in modernist fiction to the celebratory, Deleuzean self in postmodernist fiction. To trace this shift, the book presents a comparative analysis of selected novels, showing that authors like Bellow and Atwood have adopted a more positive attitude toward the self similar to the Deleuzean rhizomic self, while authors like Hedayat and Beckett have more reductionist, decadent, nihilistic views on the self, like the Sartrean no-self. Moreover, as argued in the cases of the protagonists in the selected novels, this book further asserts that the Deleuzean rhizomic self might be seen as a possible alternative to help one survive in times of crisis, in contrast to the nihilistic Sartrean no-self.

“[A] certifiable masterpiece” from the acclaimed chronicler of New York City’s old money elite (The New York Observer). Widely considered Louis Auchincloss’s greatest novel, The Rector of Justin is an astute dissection of the social mores of the Northeast’s privileged establishment. The story centers on Rev. Frank Prescott, the charismatic founder and rector of a prestigious Episcopal school for boys. With laser-sharp insight, Auchincloss delivers a prismatic portrait of this commanding and complicated man through the eyes of those who knew—or thought they knew—him best. Seamlessly interweaving multiple points of view—from an adoring teacher to that of a rebellious daughter—The Rector of Justin presents a social history of the eighty years of his life: the sources of his virtues and failings, his successes, his love, and his crises of faith. As Jonathan Yardley put it in the Washington Post, “Auchincloss is one of the most accomplished and distinctive writers this country has known . . . [and] Frank Prescott is one of the great characters in American fiction.” “A daring and ambitious book . . . Its poise and taste and intelligence strike one on every page, as do its unerring knowledge and literary skill.” —The New Yorker “[The Rector of Justin] should sit on the shelf of any serious reader of American fiction.” —Jay Parini, The New York Observer “A taut and elegant study of a distinguished American whose closest friends cannot decide whether they like or detest him.” —The Times Literary Supplement “Fascinating . . . We do come to feel the reality, the complicated reality, of Francis Prescott.” —Saturday Review “My favorite of Auchincloss’s novels. Both decadent and demanding, high-hat and frank . . . A subversive in lace-up oxfords and rep tie.” —Amy Bloom

How our fascination with great presidents undermines our search for good ones