A Guidebook to Contemporary Architecture in Vancouver explores buildings constructed as the city experienced unprecedented growth, beginning with Expo ‘86 and continuing through the 2010 Olympic Winter Games. The guidebook features buildings and public spaces grouped by areas, with maps so that a visitor can create walking tours, including ones through downtown Vancouver, Richmond, the North Shore, and Kitsilano. The convenient size and format, including an index, allows visitors to put this guidebook in a pocket and go.

A Guidebook to Contemporary Architecture of Montreal showcases 65 important, and in some cases award-winning, buildings in this vibrant city. These are structures that have changed how architecture is thought of in Montreal, inpired transformations in neighborhoods around them, used materials innovatively, or been built with notable economy. A two-page spread covers each project, with a concise descriptive text alongside photos, drawings, and floor plans. Each building is presented by quarter or neighborhood, encouraging readers to develop their own self-guided walking tours. The front and back flaps fold out into maps to guide visitors through the highlighted quartiers.

Canada is a country of massive size, of diverse geographical features and an equally diverse population—all features that are magnificently reflected in its architecture. In this book, Rhodri Windsor Liscombe and Michelangelo Sabatino offer a richly informative history of Canadian architecture that celebrates and explores the country’s many contributions to the spread of architectural modernity in the Americas. A distinct Canadian design attitude coalesced during the twentieth century, one informed by a liberal, hybrid, and pragmatic mindset intent less upon the dogma of architectural language and more on thinking about the formation of inclusive spaces and places. Taking a fresh perspective on design production, they map the unfolding of architectural modernity across the country, from the completion of the transcontinental railway in the late 1880s through to the present. Along the way they discuss architecture within the broader contexts of political, industrial, and sociocultural evolution; the urban-suburban expansion; and new building technologies. Examining the works of architects and firms such as ARCOP, Eric Arthur, Ernest Cormier, Brigitte Shim, and Howard Sutcliffe, this book brings Canadian architecture chronologically and thematically to life.

Toronto has been hailed as “a city in the making” and “the city that works.” It’s an ongoing project: in recent years Canada’s largest city has experienced transformative, exciting change. But just what does contemporary Toronto look like? This authoritative architectural guide, newly updated and expanded, leads readers on 26 walking tours—revealing the evolution of the place from a quiet Georgian town to a dynamic global city. More than 1,000 designs are featured: from modest Victorian houses to shimmering downtown towers and cultural landmarks. Over 300 photographs, 29 maps, a description of architectural styles, a glossary of architectural terms, and indexes of architects and buildings pilot readers through Toronto’s diverse cityscape. New sections illustrate the swiftly changing face of Toronto’s waterfront and design highlights across the region. Originally written by architectural journalist Patricia McHugh and enhanced with new material and insights by Globe and Mail architecture critic Alex Bozikovic, this definitive guide offers a revealing exploration of Toronto’s past and future, for the city’s visitors and locals alike.

Cornelia Hahn Oberlander is one of the most important landscape architects of the twentieth century, yet despite her lasting influence, few outside the field know her name. Her work has been instrumental in the development of the late-twentieth-century design ethic, and her early years working with architectural luminaries such as Louis Kahn and Dan Kiley prepared her to bring a truly modern—and audaciously abstract—sensibility to the landscape design tradition. In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University’s Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes, including the 1970s design of the Robson Square landscape and its adjoining Provincial Law Courts—one of Vancouver’s most famous spaces. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal. Oberlander is a progenitor of some of the most significant currents informing landscape architecture today, particularly in the area of ecological focus. In her thorough biography, Herrington draws much-deserved attention to one of the truly important figures in landscape architecture.

A Guidebook to Contemporary Architecture in Toronto provides a comprehensive look at the resurgence of city-building in Toronto over the past 20 years. Each project is featured on a two-page spread with a concise descriptive text, project information, photographs, and drawings. The projects are organized by neighborhood and allow the reader to take a self-guided tour. Maps at the introduction of each neighborhood provide context, and an index provides easy referencing of projects throughout.

Kuwabara Payne McKenna Blumberg Architects, founded in 1987 in Toronto, is one of most innovative architectural offi ces in North America today. They have made a name for themselves both for their integrated design process embodying collaboration with experts, clients and future users as well as the diversity of their aesthetically refined and finely detailed designs. The work ranges from cultural institutions such as the Toronto International Film Festival and Orchestra Hall in Minneapolis to ecologically innovative concepts such as Manitoba Hydro Place in Winnipeg, developed with leading climate engineers Transsolar of Stuttgart. A respectful approach toward the integration of heritage buildings is also a characteristic feature, illustrated by the designs for the Royal Conservatory and the Gardiner Museum in Toronto. Finally, educational and research facilities are also a strong focus in KPMB’s work exemplified by the Centre for Innovation and Governance Campus in Waterloo, Ontario, and the Joseph L. Rotman School of Management in Toronto, as well as future projects for the Massachusetts Institute for Technology (MIT) and Princeton University in the United States.