Romantic love is something that is actually a product of a romantic culture. It's a product of its traditions and of the character of those who subscribe to its values. In this comphrehensive guide you will not only learn about the romantic character and the traditions that enable you to cultivate romantic love in your life, you will also learn about the culture itself as well as its history, enabling you to develop a profound understanding and appreciation for this culture and the unique type of relationship that it yields. This guide isn't just about creating romantic relationships or about culture. It's about self-improvement; about building character, about potential and about becoming complete in the process. Since our relationships are a reflection of who we are, then the improvement of our relationships naturally begins with the improvement of ourselves. Peoples of the romantic culture have captured the hearts of the world for centuries. Their enigmatic ways provoke fascination and curiosity among those foreign to their cultures. The mystery of their enigmatic ways is solved once and for all by providing you with a window into their seemingly magical world. At the same time you will learn how to take part in their culture in order to create your own enigmatic persona, and your own magical and truly romantic and loving relationships.

What makes a romance novel a romance? How do you write a kissing book?Writing a well-structured romance isn't the same as writing any other genre-something the popular novel and screenwriting guides don't address. The romance arc is made up of its own story beats, and the external plot and theme need to be braided to the romance arc-not the other way around.Told in conversational (and often irreverent) prose, Romancing the Beat can be read like you are sitting down to coffee with romance editor and author Gwen Hayes while she explains story structure. The way she does with her clients. Some of whom are regular inhabitants of the New York Times and USA Today bestseller lists.Romancing the Beat is a recipe, not a rigid system. The beats don't care if you plot or outline before you write, or if you pants your way through the drafts and do a "beat check" when you're revising. Pantsers and plotters are both welcome. So sit down, grab a cuppa, and let's talk about kissing books.

In the twelfth century, the Catholic Church attempted a thoroughgoing reform of marriage and sexual behavior aimed at eradicating sexual desire from Christian lives. Seeking a refuge from the very serious condemnations of the Church and relying on a courtly culture that was already preoccupied with honor and secrecy, European poets, romance writers, and lovers devised a vision of love as something quite different from desire. Romantic love was thus born as a movement of covert resistance. In The Making of Romantic Love: Longing and Sexuality in Europe, South Asia, and Japan, William M. Reddy illuminates the birth of a cultural movement that managed to regulate selfish desire and render it innocent—or innocent enough. Reddy strikes out from this historical moment on an international exploration of love, contrasting the medieval development of romantic love in Europe with contemporaneous eastern traditions in Bengal and Orissa, and in Heian Japan from 900-1200 CE, where one finds no trace of an opposition between love and desire. In this comparative framework, Reddy tells an appealing tale about the rise and fall of various practices of longing, underscoring the uniqueness of the European concept of sexual desire.

"This romantic comedy movie guide can help people find the perfect film to match their mood, put them in a different mood, bring up things hard to talk about, or generally improve their romantic well-being. this book is designed to help people better understand themselves, their loved ones, and their romantic situations? or lack thereof" -- Amazon.com.

Love seems like the most personal experience, one that touches each of us in a unique way that is more personal than social, and hence it is not surprising that it has been largely neglected by sociologists and social theorists. While it has long been a central preoccupation of writers and novelists, love has rarely attracted anything more than the most cursory attention of social scientists. This short text, originally written in 1969 by the eminent German social theorist Niklas Luhmann, goes a long way to redressing this neglect. Rather than seeing love as a unique and ineffable personal experience, Luhmann treats love as a solution to a problem that depends on a wider range of social structures and forms. Human beings are faced with a world of enormous complexity and they have to find ways to order and make sense of this world. In other words, they need certain facilities for action Ð what Luhmann calls ‘media of communication’ Ð that enable them to select from a host of alternatives in ways that will be understood as meaningful by others. Love is one of these media; truth, power, money and art are others. With the development of modern societies, greater demands are made on this medium of love, altering the relationship between love and sexuality and giving rise to the distinctive difficulties we associate with love today. This short text by one of the most brilliant social theorists of the 20th century will be of great interest to students and scholars throughout the social sciences and humanities. It is a concise and pithy statement of what is still the only sociological theory of love we have.