The Brigade of Guards was the elite force of the British Army in the Crimea. William Scarlett, a captain in the Scots Fusilier Guard and one of the most active junior officers in the regiment, fought throughout the entire campaign. After the Allied landing at Kalamita Bay, Scarlett rallied his regiment at a critical moment during the battle of the Alma, supported by his company sergeant, who was awarded the VC. William Scarlett’s life may well have been saved after the battle of Balaklava by becoming an aide de camp to his uncle, General James Scarlett, the commander of the Heavy Brigade. This meant that he did not fight at Inkerman, which took a heavy toll on the officers of the Guards Brigade. Returning to the trenches early in 1855, William Scarlett was involved in all the phases of the siege of Sebastopol until its fall in September 1855. The survival of 139 previously unpublished letters record Scarlett’s deeds and thoughts. Written to nineteen different correspondents, and deliberately intended by him to form a personal account of his rôle in the war, his letters provide a forceful commentary on the successes and failures of the British army in the East. His life before and after the war is well recorded. Becoming the third Lord Abinger in 1861, Scarlett was the second English peer to marry an American. He built a castle in Scotland, where Queen Victoria stayed in 1873, and two of his daughters became notable suffragettes.

For a relatively short war, the Crimean War holds an important place in history. Finally, a resource that provides a historical overview of the war from a number of different angles including, the causes, the motivations, the course, and the consequences. This volume fully explores the: o Main engagements o Principal political figures and rulers o Military leaders and naval commanders o Events leading up to the conflict This Dictionary is an excellent window into the political, national, and military intrigue that surrounded one of the most costly campaigns of all time. Includes a chronology, maps, and a comprehensive bibliography full of primary sources, as well as classic sources and histories that will allow researchers to trace the changing perception of the war through history.

The Guards Brigade consisted of three battalions, the 3rd Grenadier Guards, 1st Coldstream Guards and 1st Scottish Fusilier Guards (as the Scots Guards were then known).The book opens with a resum of the causes of the War and an analysis of the woeful disorganization of the Army, in contrast to the efficiency of the Royal Navy. The Brigades performance in the major battles (Alma, inkerman etc.) is examined. The author describes the Russians plans, the ground and conditions experienced by the long suffering troops. The roles and abilities of the various commanders, often found wanting, is fascinatingly treated. After the war was over, the return home and parades are described.

The Crimean War saw the introduction of the Victoria Cross, which was awarded to 111 men. Whilst the history of the Crimean War has been related many times, never before have the stories of those individuals who were awarded the VC been told. In this, the result of four decades of accumulated research, renowned historian James Bancroft describes who the men were, how they gained the Victoria Cross, and what happened to them afterwards. Great attention has been given to checking the correct spelling of the names of people and locations, burial places and new memorials, and dates of awards and promotions. The author has made every effort to contact museums and other establishments to get up-to-date information on the whereabouts of medals and their accessibility. The men recorded here displayed valor and determination resulting in many deeds of exceptional courage which became a regular occurrence in the illustrious annals of the British Army. Among them are heroes who had the guts to put themselves in mortal danger by picking up live shells that could have exploded and blown them apart at any moment, gallant troopers who took part in a cavalry charge that they knew was doomed before it began and they were about to be cut to pieces, and valiant individuals who had the audacity to sneak into unknown territory to take the conflict into the enemys back yard and risk capture and ill-treatment. This account of the fascinating lives of these heroes is accompanied with forty-five portraits.

Chloroform, telegraphy, steamships and rifles were distinctly modern features of the Crimean War. Covered by a large corps of reporters, illustrators and cameramen, it also became the first media war in history. For the benefit of the ubiquitous artists and correspondents, both the domestic events were carefully staged, giving the Crimean War an aesthetically alluring, even spectacular character. With their exclusive focus on written sources, historians have consistently overlooked this visual dimension of the Crimean War. Photo-historian Ulrich Keller challenges the traditional literary bias by drawing on a wealth of pictorial materials from scientific diagrams to photographs, press illustration and academic painting. The result is a new and different historical account which emphasizes the careful aesthetic scripting of the war for popular mass consumption at home.

The Crimean War was the most destructive conflict of Queen Victoria's reign, the outcome of which was indecisive; most historians regard it as an irrelevant and unnecessary conflict despite its fame for Florence Nightingale and the Charge of the Light Brigade. Here Hugh Small shows how the history of the Crimean War has been manipulated to conceal Britain's – and Europe's – failure. The war governments and early historians combined to withhold the truth from an already disappointed nation in a deception that lasted over a century. Accounts of battles, still widely believed, gave fictitious leadership roles to senior officers. Careful analysis of the fighting shows that most of Britain's military successes in the war were achieved by the common soldiers, who understood tactics far better than the officer class and who acted usually without orders and often in contravention of them. Hugh Small's mixture of politics and battlefield narrative identifies a turning point in history, and raises disturbing questions about the utility of war.

Florence Nightingale is famous as the “lady with the lamp” in the Crimean War, 1854—56. There is a massive amount of literature on this work, but, as editor Lynn McDonald shows, it is often erroneous, and films and press reporting on it have been even less accurate. The Crimean War reports on Nightingale’s correspondence from the war hospitals and on the staggering amount of work she did post-war to ensure that the appalling death rate from disease (higher than that from bullets) did not recur. This volume contains much on Nightingale’s efforts to achieve real reforms. Her well-known, and relatively “sanitized”, evidence to the royal commission on the war is compared with her confidential, much franker, and very thorough Notes on the Health of the British Army, where the full horrors of disease and neglect are laid out, with the names of those responsible.