"It is 1916. The world has gone to war, and young Leo Sercombe, hauling coal aboard the HMS Queen Mary, is a long way from home. The wild, unchanging West Country roads of his boyhood seem very far away from life aboard a battlecruiser. Skimming through those West Country roads on her motorcycle, Lottie Prideaux defies the expectations of her class and sex as she covertly studies to be a vet. In a world torn asunder by war, everything dances in flux: how can the old ways of life survive, and how can the future be imagined, in the face of such unimaginable change. How can Leo, lost and wandering in the strange and brave new world, ever hope to find his way home?"--

Charles Blakey is a young black man whose life is slowly crumbling. His parents are dead, he can't find a job, he drinks too much, and his friends have begun to desert him. Worst of all, he's fallen behind on the mortgage payments for the beautiful home that's belonged to his family for generations. When a stranger - a white man - offers him $50,000 in cash to rent out his basement for the summer, Charles needs the money too badly to say no. He knows that the stranger must want something more than a basement view. Sure enough, he has a very particular - and bizarre - set of requirements, and Charles tries to satisfy him without getting lured into the strangeness. But he sees an opportunity to understand the secrets of the white world, and his summer with a man in his basement turns into a dark game of power and manipulation.

While the Western was dying a slow death across the cultural landscape, it was blazing back to life as a video game in the early twenty-first century. Rockstar Games’ Red Dead franchise, beginning with Red Dead Revolver in 2004, has grown into one of the most critically acclaimed video game franchises of the twenty-first century. Red Dead Redemption: History, Myth, and Violence in the Video Game West offers a critical, interdisciplinary look at this cultural phenomenon at the intersection of game studies and American history. Drawing on game studies, western history, American studies, and cultural studies, the authors train a wide-ranging, deeply informed analytic perspective on the Red Dead franchise—from its earliest incarnation to the latest, Red Dead Redemption 2 (2018). Their intersecting chapters put the series in the context of American history, culture, and contemporary media, with inquiries into issues of authenticity, realism, the meaning of play and commercial promotion, and the relationship between the game and the wider cultural iterations of the classic Western. The contributors also delve into the role the series’ development has played in recent debates around working conditions in the gaming industry and gaming culture. In its redeployment and reinvention of the Western’s myth and memes, the Red Dead franchise speaks to broader aspects of American culture—the hold of the frontier myth and the “Wild West” over the popular imagination, the role of gun culture in society, depictions of gender and ethnicity in mass media, and the increasing allure of digital escapism—all of which come in for scrutiny here, making this volume a vital, sweeping, and deeply revealing cultural intervention.