We only know a surprisingly small number of eighteenth-century women as personalities. This is true, in particular, of women who had to work for their living. Which is why the survival of the letters and journals of Miss Agnes Porter, dating from 1788 to 1814, constitutes an unusually important find. Miss Porter, the daughter of a Church of England clergyman, was born in 1752 with brains but not looks or wealth. Although she would have liked to marry, her various hopes ended in disappointment. She therefore had to earn her living as a governess, working principally in teaching the daughters and grand-daughter of the second Earl of Ilchester. Agnes Porter was neither morbidly religious, as were many of her Victorian successors, nor did she spend her time dwelling on the unfairness of her situation. She emerges as a intelligent, warm and likeable woman ready to make the best of her lot. Joanna Martin has provided a substantial introduction which sets Miss Porter in her historical context. A Governess in the Age of Jane Austen is a detailed, and very early, portrait of a woman entering a profession.

Between the 1780s and the end of the nineteenth century, an army of sad women took up residence in other people's homes, part and yet not part of the family, not servants, yet not equals. To become a governess, observed Jane Austen in Emma, was to "retire from all the pleasures of life, of rational intercourse, equal society, peace and hope, to penance and mortification for ever." However, in an ironic paradox, the governess, so marginal to her society, was central to its fiction-partly because governessing was the fate of some exceptionally talented women who later wrote novels based on their experiences. But personal experience was only one source, and writers like Wilkie Collins, William Makepeace Thackeray, Henry James, and Jane Austen all recognized that the governess's solitary figure, adrift in the world, offered more novelistic scope than did the constrained and respectable wife. Ruth Brandon weaves literary and social history with details from the lives of actual governesses, drawn from their letters and journals, to craft a rare portrait of real women whose lives were in stark contrast to the romantic tales of their fictional counterparts. Governess will resonate with the many fans of Jane Austen and the Brontës, whose novels continue to inspire films and books, as well as fans of The Nanny Diaries and other books that explore the longstanding tension between mothers and the women they hire to raise their children.

As the daughter of a modest minister, Agnes Grey has low prospects in life. After her father loses most of the family’s savings, Agnes is determined to help out and takes a position as governess for a wealthy family. Being a governess turns out to be more challenging than she could have predicted as she has to manage spoiled children and petty parents, while dependent on their approval for her livelihood. Agnes Grey is the first novel by Anne Brontë, published in 1847, and today considered an everlasting classic. Like the famous Jane Eyre, by Anne’s sister Emily Brontë, it deals with the precarious position of the governess and how the young women taking on that role were treated. It is a poignant and insightful novel that explores rigid class structures and the challenges it poses to women. ANNE BRONTË [1820-1849] was an English poet and novelist. She was the youngest of the three Brontë authors, her older sisters being Emily and Charlotte. Anne died young, probably from tuberculosis, having published the novels Agnes Grey and The Tenant of Wildfell Hall, the latter hailed today as one of the first feminist novels.

Secrets, intrigue, and meddling in love – I Was Jane Austen's Best Friend by Cora Harrison is a historical romantic comedy, perfect for fans of Bridgerton. Jane says that if I am to be the heroine of this story, something will throw a hero in my way . . . I Was Jane Austen's Best Friend is the secret diary of Jenny Cooper, Jane Austen’s teenage friend and confidante. Their evenings are a blur of beautiful dresses, balls, gossip and romance; their days are spent writing about them – Jenny in her diary, Jane in her first attempts at fiction. When Jenny falls utterly in love with a handsome naval officer, obstacles stand in their way. Who better to help her than Jane herself, who already considers herself an expert in love and relationships?

A richly imagined novel inspired by the true story of Anne Sharp, a governess who became very close with Jane Austen and her family by the #1 International bestselling-author of Miss Austen. On January 21, 1804, Anne Sharpe arrives at Godmersham Park in Kent to take up the position of governess. At thirty-one years old, she has no previous experience of either teaching or fine country houses. Her mother has died, and she has nowhere else to go. Anne is left with no choice. For her new charge—twelve-year-old Fanny Austen—Anne's arrival is all novelty and excitement. The governess role is a uniquely awkward one. Anne is neither one of the servants, nor one of the family, and to balance a position between the "upstairs" and "downstairs" members of the household is a diplomatic chess game. One wrong move may result in instant dismissal. Anne knows that she must never let down her guard. When Mr. Edward Austen's family comes to stay, Anne forms an immediate attachment to Jane. They write plays together, and enjoy long discussions. However, in the process, Anne reveals herself as not merely pretty, charming, and competent; she is clever too. Even her sleepy, complacent, mistress can hardly fail to notice. Meanwhile Jane's brother, Henry, begins to take an unusually strong interest in the lovely young governess. And from now on, Anne's days at Godmersham Park are numbered.

The figure of the governess is very familiar from nineteenth-century literature. Much less is known about the governess in reality. This book is the first rounded exploration of what the life of the home schoolroom was actually like. Drawing on original diaries and a variety of previously undiscovered sources, Kathryn Hughes describes why the period 1840-80 was the classic age of governesses. She examines their numbers, recruitment, teaching methods, social position and prospects. The governess provides a key to the central Victorian concept of the lady. Her education consisted of a series of accomplishments designed to attract a husband able to keep her in the style to which she had become accustomed from birth. Becoming a governess was the only acceptable way of earning money open to a lady whose family could not support her in leisure. Being paid to educate another woman's children set in play a series of social and emotional tensions. The governess was a surrogate mother, who was herself childless, a young woman whose marriage prospects were restricted, and a family member who was sometimes mistaken for a servant.

Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The story takes place in the fictional village of Highbury and the surrounding estates of Hartfield, Randalls, and Donwell Abbey and involves the relationships among individuals in those locations consisting of "3 or 4 families in a country village". The novel was first published in December 1815 while the author was alive, with its title page listing a publication date of 1816. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters and depicts issues of marriage, gender, age, and social status.