In this groundbreaking work, Stephen Murray seizes a rare opportunity to explore the relationship between verbal and visual culture by presenting a sermon that may have been preached during the second half of the thirteenth century in or near the cathedral of Notre-Dame of Amiens, whose sculptural program was completed at about the same time. In addition to providing a complete transcription and translation of the text, Murray examines the historical context of the sermon and draws comparisons between its underlying structure and the Gothic portals of the cathedral. In the sermon, as in the cathedral, he finds a powerful motivational mechanism that invites the repentant sinner to enter into a new contract with the Virgin Mary. The correlation between elements of the sermon's text and the sculptural components of the cathedral leads to an exploration of the socioeconomic conditions in Picardy at the time and a vivid sketch of how the cathedral and its images were used by ordinary people. The author finds parallels in the rhetorical tools used in the sermon, on the one hand, and stylistic and compositional tools used in the sculpture, on the other. In addition to providing a fascinating and cogent consideration of medieval beliefs about salvation and redemption, this book also lays the groundwork for a long overdue examination of the performative and textual in relationship to sculpture.

Notre-Dame of Amiens is one of the great Gothic cathedrals. Its construction began in 1220, and artistic production in the Gothic mode lasted well into the sixteenth century. In this magisterial chronicle, Stephen Murray invites readers to see the cathedral as more than just a thing of the past: it is a living document of medieval Christian society that endures in our own time. Murray tells the cathedral’s story from the overlapping perspectives of the social groups connected to it, exploring the ways that the layfolk who visit the cathedral occasionally, the clergy who use it daily, and the artisans who created it have interacted with the building over the centuries. He considers the cycles of human activity around the cathedral and shows how groups of makers and users have been inextricably intertwined in collaboration and, occasionally, conflict. The book travels around and through the spaces of the cathedral, allowing us to re-create similar passages by our medieval predecessors. Murray reveals the many worlds of the cathedral and brings them together in the architectural triumph of its central space. A beautifully illustrated account of a grand, historically and religiously important building from a variety of perspectives and in a variety of time periods, this book offers readers a memorable tour of Notre-Dame of Amiens that celebrates the cathedral’s eight hundredth anniversary. Notre-Dame of Amiens is enhanced by high-resolution images, liturgical music, and animations embedded in an innovative website.

In 'The Devil and Parson Church; or, Birds of a Feather' by Anonymous, readers are immersed in a captivating tale that explores the intricacies of human nature and the complexities of morality. The book is written in a gothic style, filled with suspense, supernatural elements, and moral dilemmas that keep readers on the edge of their seats. Set in a quaint English village, the story follows Parson Church as he grapples with his inner demons and faces off against the devil himself. The richly detailed descriptions and vivid imagery make for a truly immersive reading experience, reminiscent of classic gothic literature.Anonymous, a mysterious figure who chooses to remain unknown, brings a unique perspective to the genre with 'The Devil and Parson Church; or, Birds of a Feather'. The author's anonymity adds an intriguing layer to the narrative, inviting readers to ponder the motivations behind the story and the deeper meanings hidden within its pages. Whether Anonymous is a seasoned writer experimenting with a new style or a newcomer making their debut, one thing is certain - their storytelling prowess is unmatched. I highly recommend 'The Devil and Parson Church; or, Birds of a Feather' to any fan of gothic literature or anyone looking for a thought-provoking read that delves into the darkest corners of the human psyche.

The period 1689-1901 was 'the golden age' of the sermon in Britain. It was the best selling printed work and dominated the print trade until the mid-nineteenth century. Sermons were highly influential in religious and spiritual matters, but they also played important roles in elections and politics, science and ideas and campaigns for reform. Sermons touched the lives of ordinary people and formed a dominant part of their lives. Preachers attracted huge crowds and the popular demand for sermons was never higher. Sermons were also taken by missionaries and clergy across the British empire, so that preaching was integral to the process of imperialism and shaped the emerging colonies and dominions. The form that sermons took varied widely, and this enabled preaching to be adopted and shaped by every denomination, so that in this period most religious groups could lay claim to a sermon style. The pulpit naturally lent itself to controversy, and consequently sermons lay at the heart of numerous religious arguments. Drawing on the latest research by leading sermon scholars, this handbook accesses historical, theological, rhetorical, literary and linguistic studies to demonstrate the interdisciplinary strength of the field of sermon studies and to show the centrality of sermons to religious life in this period.

"Three eyewitnesses of Gothic. Villard de Honnecourt: ymagier and interlocutor ; Possessing Villard ; The role of the interlocutor in the Villard enterprise ; Animating the artifact ; Animating the beholder ; Controlling the artifact ; Conclusion: deceit and desire in the Villard enterprise ; Gervase of Canterbury: cronicus and logistics man ; Storytelling ; Mnemonics: remembering the old ; The means of production: controlling the new ; Old and new reconciled ; Apocryphal storytelling: a building that "speaks" ; Conclusion: signs, miracles, and illusionism ; Suger, abbot of S-Denis, and the rhetoric of persuasion: manipulating reality and producing meaning ; Rhetorical structure of de consecratione: manipulated dialectic ; Production of the text: from oral to written ; Making connections ; Production of the new church, production of salvation ; Apocryphal stories ; Conclusion: the abbot who spoke the building -- Staking out the plot. Interlocutor and monument ; Material contexts: the means of production ; How on earth did they do that? ; Economic means ; Reading the signs: construction history ; The production of meaning ; Similitude to nature; local roots ; Similitude to other buildings ; Modernism and reason ; An image of heaven ; Conclusion -- Animating the plot. Picturing the three agents of construction ; The cathedral as object of desire ; Triangulating desire ; The gap between vision and realization ; Compression and expansion: plotting ; My desire ; Conclusion: Gothic plots' synchronic, diachronic, and spatial."