A God in the Moon Your Guide to the World of the Trinity Matrix Why is quantum science based on the number 3? Why is the trinity of soul, mind, and body the basic pattern of life? Why are most of the world’s ancient religions based on the pattern of three? Is there an intelligence that has designed this universe based on the number 3? A God in the Moon: Your Guide to the World of the Trinity Matrix seeks to uncover the truth behind the complexity of ancient and modern beliefs and the words that form a connection with many elements of esoteric and scientific knowledge. An investigation of ancient and modern myths brings a clearer view of the Trinity Matrix that the “mind of men” has weaved to have ultimate control over our fellow humans.

A beautiful collection of bedtime prayers. A beautiful collection of bedtime prayers. Delight your child with this wonderful collection of bedtime prayers. A perfect way to introduce your children to God.

This study treats the religious and intellectual history of the city of Harran (Eastern Turkey) from biblical times down to the establishment of Islam. The author starts from the well-known reference in the Qur'an and the early Islamic histories to the people of Harran as Sabians, one of the 'peoples of the book.' The author unravels strands of religious tradition in Harran that run from the old Semitic planetary cults through Hellenistic hermeticism, gnosticism, and Neo-Pythagoreanism and Christian cults to esoteric Islamic sects such as the Sufis and Shiites.

Kellie Wells is a writer of startling imagination whose "phantasmal stories," Booklist says, "shimmer with a dreamlike vibrancy." God, the Moon, and Other Megafauna, Wells's second collection of short stories and winner of the Richard Sullivan Prize in Short Fiction, is populated with the world's castoffs, cranks, and inveterate oddballs, the deeply aggrieved, the ontologically challenged, the misunderstood mopes that haunt the shadowy wings of the world?s main stage. Here you will find a teacup-sized aerialist who tries to ingest the world's considerable suffering; a lonely god growing ever lonelier as the Afterlife swells with monkeys and other improbable occupants; a father fluent in the language of the Dead who has difficulty communicating with his living son; and Death himself, a moony adolescent with a tender heart and a lack of ambition. God-haunted and apocalyptic, comic and formally inventive, these stories give lyrical voice to the indomitability of the everyday underdog, and they will continue to resonate long after the last word has been read.

Nermesa Klandes joins the Aquilonian army in hopes of serving his liege, King Conan, until he becomes a hero in his own right after killing a Pictish leader, but his victory is short-lived when he unwittingly unleashes an unholy force that could destroy the Aquilonian Empire. Original.

Even young children want answers to the hard questions about God and suffering. In The Moon Is Always Round, seminary professor and author Jonathan Gibson uses the vivid imagery of the moon to explain to children how God’s goodness is always present, even when it might appear to be obscured by upsetting or difficult circumstances. In this beautiful, full-color illustrated book, he allows readers to eavesdrop on the conversations he had with his young son in response to his sister’s death. Father and son share a simple liturgy together that reminds them that, just as the moon is always round despite its different phases, so also the goodness of God is always present throughout the different phases of life. A section in the back of the book offers further biblical help for parents and caregivers in explaining God’s goodness to children. Jonathan Gibson reminds children of all ages that God’s goodness is present in the most difficult of times, even if we can’t always see it.

The moon god Nanna/Sin is one of the primary deities in the Sumero-Babylonian pantheon, and, for this reason, has been of interest since the early days of Assyriological research. In addition to the ubiquitous presence of Sin in cuneiform sources, and the crescent moon in Mesopotamian art, scholarly interest in him can be attributed to his prominent role in the context of celestial divination: the lunar omens dominate the sphere of celestial divination in the 1st millennium BCE. Also, the marked interest of the Sargonid kings of Assyria in the ?arranian moon god in the 8th-7th centuries BCE and the veneration of Sin by Nabonidus in the 6th century BCE have received much attention from various scholars. The theological concepts surrounding Sin are by no means limited only to his role as the god of the moon, but he shared numerous abilities and powers with other deities of the Mesopotamian pantheon depending on the context. The sources from the Neo-Assyrian and Neo-Babylonian periods describe the moon god Sin first and foremost as the moon, a celestial luminary that embodies cosmic order and regulates time, conveys messages about the decisions he or other deities have made, brings stability to the reign of the king, allows people (and animals) to procreate, and afflicts them with epilepsy and skin diseases (but also heals them, if he wills). He is present not only in cult images in and around sanctuaries but also in the night sky, where he unceasingly makes himself manifest from day to day, month to month; the jewel of heavens, surrounded by rejoicing stars. - The present study is subdivided into two main parts: "Theologies of the Moon God in Assyria and Babylonia", characterizing himself and his family and entourage, and "The Cult of Sin in Babylonia and Assyria" on his role in the context of his places of worship and temples. These parts are supplemented by editions of selected texts and extensive indices.