This is a two-volume critical edition of a Middle English commentary on the Psalms based on a Late Version text of the Wycliffite Bible translation. The commentary takes the form of 1,363 shorter and longer glosses, variously interrelated, prepared by scholars sympathetic with the Wycliffite movement, and coordinated carefully with the Psalms text. Its early fifteenth-century base manuscript, MS Bodley 554, was prepared to allow reading and use of the Psalms alongside the best recent and more ancient Latin commentaries, primarily those of Nicholas of Lyra, OFM, and St. Augustine. The glosses are both philological and homiletic, testifying to an avidity at the heart of Wycliffism for the close relationship between textual accuracy in the understanding of Scripture and moral rigor in its application to the concerns of medieval Christian individuals and communities. They display a special interest in understanding the Christian Psalms by way of their Hebrew originals. The edition provides textual notes and variants to parts of the commentary that survive in other Wycliffite Bible manuscripts, the complete Latin sources from Lyra's fourteenth-century Latin text, bibliographic references to the Augustinian sources, and a glossary to the Psalms and commentary texts. There are also extensive explanatory notes concerning the importance of Lyra's exegesis to two other unedited manuscripts related to Wycliffite biblical scholarship: Wyclif's Latin commentary on the entire Bible, the Psalms portion of which is preserved in Oxford, St. John's College MS 171; and a Middle English summary of the Bible in Oxford, Trinity College MS 93.

The Book of Psalms with extensive, mostly unattributed, interlinear and marginal glosses, followed by canticles with glosses.

The Golden Alphabet is Charles Spurgeon’s exposition on Psalm 119, published originally in The Treasury of David. Upon noting that the seven-volume treasury was too large for individuals to purchase, he decided to publish smaller sections that are easier to read. “[Psalm 119], from its great length, helps us to wonder at the immensity of Scripture. From its keeping to the same subject it helps us to adore the unity of Scripture, for it is but one. Yet, from the many turns it gives to its one thought, it helps us to see the variety of Scripture. How manifold are the words and thoughts of God in his Word! Just as in creation, the wonders of his skill are displayed in many ways.” —Spurgeon Each section of this particular psalm begins with a letter in the Hebrew alphabet, earning it the nickname “The Golden Alphabet.” Readers can now enjoy reading Spurgeon’s personal thoughts and learn from his theological insight, breathing new life into this muchbeloved psalm. Key points and features: • A timeless classic, repackaged for a modern audience • Spurgeon’s exposition on Psalm 119 from his original The Treasury of David • Spurgeon’s commentaries are incredibly popular for their keen theological insights, pastoral care, and devotional nature

English Psalms in the Middle Ages, 1300-1450 explores vernacular translation, adaptation, and paraphrase of the biblical psalms. Focussing on a wide and varied body of texts, it examines translations of the complete psalter as well as renditions of individual psalms and groups of psalms. Exploring who translated the psalms, and how and why they were translated, it also considers who read these texts and how and why they were read. Annie Sutherland foregrounds the centrality of the voice of David in the devotional landscape of the period, suggesting that the psalmist offered the prayerful, penitent Christian a uniquely articulate and emotive model of utterance before God. Examining the evidence of contemporary wills and testaments as well as manuscripts containing the translations, she highlights the popularity of the psalms among lay and religious readers, considering how, when, and by whom the translated psalms were used as well as thinking about who translated them and how and why they were translated. In investigating these and other areas, English Psalms in the Middle Ages, 1300-1450 raises questions about interactions between Latinity and vernacularity in the late Middle Ages and situates the translated psalms in a literary and theoretical context.

As against the form-critical approach, which sees the first two psalms as more or less random examples of the torah and royal types, this study argues for a deliberate and cogent arrangement of the Psalms 1 and 2. A detailed linguistic analysis of and comparison between these two apparently disparate psalms at the outset of the book reveals the purpose for their juxtaposition. The principal characters in the first psalm are further described in the second. The man of Psalm 1 is portrayed in eschatological terms as an impeccable royal, sacerdotal, and all-conquering military figure. He appears again in Psalm 2 but as a heavenly-enthroned victorious priest and king. His opponents, the wicked in Psalm 1, are identified in Psalm 2 as recalcitrant rulers and peoples who reject his rule and seek to do away with him. However, the calculated divine response to their plotting assures their ultimate defeat unless they submit to him. This cohesive and coherent introductory pair of psalms sets a pattern at the beginning for reading all those that follow. Indeed, a thorough understanding of the first two psalms and their integrated message is a prerequisite for understanding the purpose of the entire book.