This book addresses a deceptively simple question: what accounts for the global success of A Doll’s House, Henrik Ibsen’s most popular play? Using maps, networks, and images to explore the world history of the play’s production, this question is considered from two angles: cultural transmission and adaptation. Analysing the play’s transmission reveals the social, economic, and political forces that have secured its place in the canon of world drama; a comparative study of the play’s 135-year production history across five continents offers new insights into theatrical adaptation. Key areas of research include the global tours of nineteenth-century actress-managers, Norway’s soft diplomacy in promoting gender equality, representations of the female performing body, and the sexual vectors of social change in theatre.

At first glance, Nora Helmer appears to live the perfect life. She is married to the ambitious banker Torvald and is well provided for. But when she is blackmailed by one of her husband's colleagues, she is forced to re-examine her life along with her role as a frivolous, scatter-brained wife. First published in 1879, A Doll's House scandalized contemporary audiences and rewrote the rules of drama. It challenged notions of women's place in society and questioned every aspect of what constituted good conduct in domestic life. Ibsen's masterpiece was the first serious play to focus on ordinary people in everyday situations rather than on the lives of the upper classes. ABOUT THE SERIES: The Arcturus Classics series brings together high-quality paperback editions of classics works, presented with contemporary graphic cover designs. Together they make a wonderful collection which is perfect for any home library.

Ibsen's best-known play displays his genius for realistic prose drama. An expression of women's rights, the play climaxes when the central character, Nora, rejects a smothering marriage and life in "a doll's house."

From the Star-Spangled Banner flag to Dorothy's Ruby Slippers, the Smithsonian Institution's National Museum of American History is home to some fascinating objects. In fact, one of the most fascinating of these, and one of the most popular, is itself a home. On the museum's third floor sits a five-story dollhouse donated to the museum by Faith Bradford, a Washington D.C. librarian, who spent more than a half-century accumulating and constructing the 1,354 miniatures that fill its 23 intricately detailed rooms. When Bradford donated them to the museum in 1951, she wrote a lengthy manuscript describing the lives of its residents: Mr. and Mrs. Peter Doll and their ten children, two visiting grandparents, twenty pets, and household staff. Bradford cataloged the Dolls' tastes, habits, and preferences in neatly typed household inventories, which she then bound, along with photographs and fabric samples, in a scrapbook. She even sent museum curators holiday cards written by the Dolls. In America's Doll House, Smithsonian Institution curator William L. Bird, Jr. weaves this visual material and back-story into the rich tapestry of Faith Bradford's miniature world. Featuring vibrant photography that brings every narrative detail to life, America's Doll House is both an incisive portrait of a sentimental pastime and a celebration of Bradford's remarkable and painstaking accomplishment.

“Smart, funny and utterly engrossing…This unexpectedly rich sequel reminds us that houses tremble and sometimes fall when doors slam, and that there are living people within, who may be wounded or lost…Mr. Hnath has a deft hand for combining incongruous elements to illuminating ends.” —Ben Brantley, New York Times It has been fifteen years since Nora Helmer slammed the door on her stifling domestic life, when a knock comes at that same door. It is Nora, and she has returned with an urgent request. What will her sudden return mean to those she left behind? Lucas Hnath’s funny, probing, and bold play is both a continuation of Ibsen’s complex exploration of traditional gender roles, as well as a sharp contemporary take on the struggles inherent in all human relationships across time.

This revised Student Edition of Ibsen's popular play contains introductory commentary and notes by Sophie Duncan, which offer a contemporary lens on the play's gender politics and consider seminal productions and adaptations of the play into the 21st century. As well as the complete text of the play itself, this new Methuen Drama Student Edition includes a: · Chronology of the play and Ibsen's life and work · Discussion of the social, political, cultural and economic context in which the play was originally conceived and created · Overview of the creation processes followed and performance history of the play, including recent performances such as a 2012 short film adaptation and a stage adaptation set in colonial Calcutta. · Analysis of some of the major themes and specific issues addressed by the play, such as whether it's a feminist play and its author a feminist · Bibliography of suggested primary and secondary materials for further study Ibsen's 1879 play shocked its first audiences with its radical insights into the social roles of husband and wife. His portrayal of the caged 'songbird' in his flawed heroine Nora remains one of the most striking dramatic depictions of the late 19th century woman.

At the end of Henrik Ibsen's play A Doll's House, Nora Helmer walks away from her family and comfortable life. It is 1879, late on a winter's night in Norway. She's alone, with little money and few legal rights. Guided by instinct and sustained by will, Nora sets off on a journey that impoverishes and radicalizes her, then strands her on the harsh Minnesota prairie. She's searching for love, purpose, and her true self, but struggles to be honest in a hostile world. Meanwhile, in 1918, a young university student tries to escape her family's bourgeois conformity as she unravels her grandfather's hidden shame and the fate of a shadowy feminist who vanished years earlier. With this inventive work of historical fiction, Swallow answers a question that has dogged theater audiences for A Doll's House: whatever happened to Nora Helmer? Masterfully crafted and painstakingly researched, the twin story lines of Searching for Nora combine to tell a powerful tale of redemption as they unfold over four decades in the fjords of Norway and the unforgiving American frontier. AUTHOR BIOGRAPHY: Wendy Swallow writes about women's challenges, now and in the tender past. A memoirist, journalist and professor, Swallow spent ten years working on Searching for Nora, traveling to Norway to interview Ibsen scholars and Norwegian historians, and driving across western Minnesota to hear the stories of immigrant grandparents and experience the wide, empty land. She is also the author of Breaking Apart: A Memoir of Divorce (Hyperion/Thea) and The Triumph of Love over Experience: A Memoir of Remarriage (Hyperion). Her work has been critically acclaimed by Publishers Weekly, Elle, Booklist, Newsday, and The Washington Post, among others, and reprinted in many magazines. She and her husband divide their time between Reno, Nevada, and Cape Cod, Massachusetts. AUTHOR HOME: Reno, NV