How many times have you heard readers argue about which is better, Jane Eyre or Wuthering Heights? The works of Charlotte, Emily, and Anne continue to provoke passionate fandom over a century after their deaths. Brontë enthusiasts, as well as those of us who never made it further than those oft-cited classics, will devour Miranda Pennington's delightful literary memoir. Pennington, today a writer and teacher in New York, was a precocious reader. Her father gave her Jane Eyre at the age of 10, sparking what would become a lifelong devotion and multiple re-readings. She began to delve into the work and lives of the Brontës, finding that the sisters were at times her lifeline, her sounding board, even her closest friends. In this charming, offbeat memoir, Pennington traces the development of the Brontës as women, as sisters, and as writers, as she recounts her own struggles to fit in as a bookish, introverted, bisexual woman. In the Brontës and their characters, Pennington finally finds the heroines she needs, and she becomes obsessed with their wisdom, courage, and fearlessness. Her obsession makes for an entirely absorbing and unique read. A Girl Walks Into a Book is a candid and emotional love affair that braids criticism, biography and literature into a quest that helps us understand the place of literature in our lives; how it affects and inspires us.

From the glittering skyscrapers of Manhattan’s media elite to the slacker haven of a fashionably low-rent L.A. bar, Strawberry Saroyan traces her journey from girl- to womanhood, as well as from fantasy to reality. A powerful and profoundly postmodern coming-of-age story, with a voice reminiscent of Liz Phair’s one moment and Mary McCarthy’s the next, Girl Walks into a Bar explores Saroyan’s struggle not only with who she is and who she wants to be but also with who she is in the context of what she’s supposed to embody: the iconic, media-promulgated “girl,” a twenty-first-century version of Audrey Hepburn standing outside Tiffany’s looking at diamonds. Girl Walks into a Bar takes a handful of the most striking and formative episodes of Saroyan’s life and brings them to the page as a filmmaker might, zooming in on the crucial “scenes”: Saroyan losing her virginity, starting her own riot-grrrly magazine, falling in dysfunctional love. Yet all the while she’s trailed by that other black-clad girl, the Platonic ideal of so many modern young women’s fantasies. Will the two ever meet? That question lies at the heart of Saroyan’s genre-bending memoir. Girl Walks into a Bar promises to be one of the most memorable debuts of the year.

How will your night out end? You make the rules. You're at one of the hottest bars in town, all dressed up for a fabulous girls' night out with your best friend, when she cancels. What do you do now? In this novel, YOU make the decisions. Will you do body shots with a rock star? Cozy up to the hot bartender? Follow a mysterious woman to a rather unusual exhibition? Investigate a suave millionaire's box of tricks? Take a joyride with a buff bodyguard? Or maybe what you want is closer to home than you realize. . . . So many options. . . . All you have to do is choose.

Lisa Smith was a bright, young lawyer at a prestigious firm in NYC in the early nineties when alcoholism started to take over her life. What was once a way of escaping her insecurity and negativity became a means of coping with the anxiety and stress of an impossible workload. Girl Walks Out of a Bar is Smith's darkly comic and wrenchingly honest story of her formative years, the decade of alcohol and drug abuse, divorce, and her road to recovery. Smith describes how her spiraling circumstances conspired with her predisposition to depression and self-medication, nurturing an environment ripe for addiction to flourish. Girl Walks Out of a Bar is a candid portrait of alcoholism through the lens of gritty New York realism. Beneath the façade of success lies the reality of addiction.

From critically acclaimed Director and Screenwriter, Ana Lily Amirpour comes the graphic novel spin-off of her 96% Certified Fresh on Rotten Tomatoes feature-length debut, A Girl Walks Home Alone at Night! Strange things are afoot in Bad City. The Iranian ghost town, home to prostitutes, junkies, pimps and other sordid souls, is a bastion of depravity and hopelessness where a lonely vampire, The Girl, stalks the town's most unsavory inhabitants. Collects the first two standalone stories.

It's the future. But only slightly. There are blackouts. No one knows what's causing them, but that doesn't stop people going missing in them. Now Steph and Bell, a schoolgirl and barmaid, have to search for their missing friend, until the outside world starts infecting the theatre that stands around them. Schoolgirl Steph walks into the seedy, empty bar where Bell works. Bell is dressed with everything short and low, and there are no longer any regulars at her bar. Whatever has happened to create this dystopian world remains a mystery, but we learn that there are frequent blackouts, people regularly go missing and women are being killed. Steph is looking for her friend Charlotte, a girl who also at some point walked into Bell's bar but then went missing. The relationship between Bell and Charlotte is unclear, as her conversations with Steph shift between truth, lies and fantasy. In this tense atmosphere, where there is a sense of growing fear, the play "forces the audience to turn detective not just to track down the elusive Charlotte but also to find meaning itself" (The Guardian). A Girl in a School Uniform (Walks into a Bar) is the third play by award-winning playwright Lulu Raczka and was produced at the West Yorkshire Playhouse in 2017 and the New Diorama Theatre in 2018.

The timeless romance, soaring passion—and gorgeous men—of Scotland come to modern-day America. And the rules of love will never be the same... Isabel Buchanan is fiery, funny, and never at a loss for words. But she is struck speechless when her mother returns from a trip to Scotland with a six-foot-tall, very handsome souvenir. Izzy’s mother is so infatuated by the fellow that Izzy has to plan their annual Highland Games all by herself. Well, not completely by herself. The Highlander’s strapping young nephew has come looking for his uncle... Alasdair Blackmoor has never seen a place as friendly as this small Georgia town—or a girl as brilliant and beguiling as Izzy. Instead of saving his uncle, who seems to be having a lovely time, Alasdair decides he’d rather help Izzy with the Highland Games. Show her how to dance like a Highlander. Drink like a Highlander. And maybe, just maybe, fall in love with a Highlander. But when the games are over, where do they go from here? “Laura Trentham creates a romance that is both extremely sensual and phenomenal.” —Fresh Fiction