Taking the literary world by storm, Eimear McBride’s internationally praised debut is one of the most acclaimed novels in recent years; it is “subversive, passionate, and darkly alchemical. Read it and be changed” (Eleanor Catton). Eimear McBride’s debut tells, with astonishing insight and in riveting detail, the story of a young woman’s relationship with her brother, the long shadow cast by his childhood brain tumour, and her harrowing sexual awakening. Not so much a stream-of-consciousness, as an unconscious railing against a life that makes little sense, and a shocking and intimate insight into the thoughts, feelings and chaotic sexuality of a vulnerable and isolated protagonist, A Girl Is a Half-formed Thing plunges inside its narrator’s head, exposing her world firsthand. This isn’t always comfortable—but it is always a revelation. Touching on everything from family violence to religion to addiction, and the personal struggle to remain intact in times of intense trauma, McBride writes with singular intensity, acute sensitivity, and mordant wit. A Girl Is a Half-formed Thing is moving, funny, and alarming. It is a book you will never forget.

From Eimear McBride, author of the award-winning A Girl Is a Half-formed Thing, comes the beguiling travelogue of a woman in exile: from her past, her ghosts, and herself. A nameless woman enters a hotel room. She’s been here once before. In the years since, the room hasn’t changed, but she has. Forever caught between check-in and check-out, she will go on to occupy other hotel rooms. From Avignon to Oslo, Auckland to Austin, each is as anonymous as the last but bound by rules of her choosing. There, amid the detritus of her travels, the matchbooks, cigarettes, keys and room-service wine, she negotiates with her memories, with the men she sometimes meets, with the clichés invented to aggravate middle-aged women, with those she has lost or left behind--and with what it might mean to return home. Urgent and immersive, filled with black humour and desire, McBride’s Strange Hotel is a novel of enduring emotional force.

Shortlisted for The Goldsmith Prize 2016 Shortlisted for the 2016 Bord Gáis Energy Irish Book Awards Eason Novel of the Year The captivating, daring new novel from Eimear McBride, whose astonishing debut novel, A Girl Is a Half-formed Thing, was an international literary phenomenon and earned the author multiple awards and recognition. Upon arrival in London, an eighteen-year-old Irish girl begins anew as a drama student, with all the hopes of any young actress searching for the fame she's always dreamed of. She struggles to fit in -- she's young and unexotic; a naive new girl -- but soon she forges friendships and finds a place for herself in the big city. Then she meets an attractive older man. He's an established actor twenty years her senior, and the inevitable, clamorous relationship that ensues is one that will change her forever. A redemptive, captivating story of passion and innocence set across the bedsits of mid-nineties London, McBride holds new love under her fierce gaze, giving us all a chance to remember what it's like to fall hard for another.

The blistering non-fiction debut from the author of the critically acclaimed A Girl is a Half-formed Thing *As heard on BBC Radio 4's Woman's Hour* 'A fearless, interrogative work ... A fierce and fascinating manifesto in McBride's persuasive prose' Sinéad Gleeson Here, Eimear McBride unpicks the contradictory forces of disgust and objectification that control and shame women. From playground taunts of 'only sluts do it' but 'virgins are frigid', to ladette culture, and the arrival of 'ironic' porn, via Debbie Harry, the Kardashians and the Catholic church - she looks at how this prejudicial messaging has played out in the past, and still surrounds us today. In this subversive essay, McBride asks - are women still damned if we do, damned if we don't? How can we give our daughters (and sons) the unbounded futures we want for them? And, in this moment of global crisis, might our gift for juggling contradiction help us to find a way forward? 'A satisfying feminist polemic' Susie Orbach 'Remarkable' Scotsman 'Eimear McBride is that old fashioned thing, a genius' Guardian

Written during her time as the inaugural fellow in the Beckett archive last year, Eimear McBride's three short, characteristically brilliant plays - collected in one work, Mouthpieces.Each play depicts a fragment of female experience, all of them told in in Eimear's vivid, original and sharp-witted style. In 'The Adminicle Exists', we hear the inner voice of a woman who saves her troubled, dangerous partner; in 'An Act of Violence', a woman is quizzed about her reaction to a man's death; in 'The Eye Machine', the character 'Eye' tells of her imprisonment, flickering through a slideshow of female stereotypes.

Spanning eight decades and chronicling the wild ride of a Greek-American family through the vicissitudes of the twentieth century, Jeffrey Eugenides’ witty, exuberant novel on one level tells a traditional story about three generations of a fantastic, absurd, lovable immigrant family -- blessed and cursed with generous doses of tragedy and high comedy. But there’s a provocative twist. Cal, the narrator -- also Callie -- is a hermaphrodite. And the explanation for this takes us spooling back in time, through a breathtaking review of the twentieth century, to 1922, when the Turks sacked Smyrna and Callie’s grandparents fled for their lives. Back to a tiny village in Asia Minor where two lovers, and one rare genetic mutation, set our narrator’s life in motion. Middlesex is a grand, utterly original fable of crossed bloodlines, the intricacies of gender, and the deep, untidy promptings of desire. It’s a brilliant exploration of divided people, divided families, divided cities and nations -- the connected halves that make up ourselves and our world.