This book presents an in-depth, qualitative exploration of the practice of horse-riding by “disabled” and “non-disabled” riders and their horses. Situated as part of an “affective turn” within human geography, creative and original use is made of poststructuralist theory to bring together animal studies and disability studies in order to decentre the human as we think about the social. Eighteen months of multi-sited performance ethnography “on the hoof” were conducted with riders recruited from local riding schools, an internet forum and three Riding for the Disabled Association (RDA) groups. The study employed various methods, including diary-keeping, participant observation and video-recording of riding activities, in order to capture moments of horse-human relating. Through these methods, the embodied expressions of horses are taken seriously as demonstrative of their individual thoughts and intentions.

Patagonia is one of the 'final frontiers' on our planet: remote, untamed and much of it inaccessible except on horseback. Though travelled before and sporadically settled, it remains remarkably resistant to human trampling. Divided unequally between Argentina and Chile, Patagonia remains a land of mystery today. The history of those who settled in the nineteenth and twentieth centuries along its Andean frontier is even less known. They are the 'dark horses' of this book.Jon Burrough rode with his gaucho guide for 1,500 kilometres through this land of savage beauty. Dark Horses at the Patagonian Frontier evokes the rawness of the region using extracts from diaries, personal interviews, tales told or recorded, myths and legends--all wound round the narrative thread. Part travel record of a 'third-ager' on horseback (who was to discover he had cancer ten days out) and part history of this truly wild region, the book explores the landscapes and legacy of a pioneer culture. Illustrated with the author's own photographs, it also contains several detailed route and location maps to ensure the reader does not get lost. Dark Horses at the Patagonian Frontier is a tale both of the author's epic journey and of the remarkable pioneers he met and who showed him a hospitality and friendliness which seemed to have no limit.

Chronicles the eighteen-month operation of the Pony Express, explaining why and how it was created, describing the challenges faced by riders, and discussing.

NATIONAL BESTSELLER • The triumphant true story of a woman who rode her horse across America in the 1950s, fulfilling her dying wish to see the Pacific Ocean, from the #1 New York Times bestselling author of The Perfect Horse and The Eighty-Dollar Champion “The gift Elizabeth Letts has is that she makes you feel you are the one taking this trip. This is a book we can enjoy always but especially need now.”—Elizabeth Berg, author of The Story of Arthur Truluv In 1954, sixty-three-year-old Maine farmer Annie Wilkins embarked on an impossible journey. She had no money and no family, she had just lost her farm, and her doctor had given her only two years to live. But Annie wanted to see the Pacific Ocean before she died. She ignored her doctor’s advice to move into the county charity home. Instead, she bought a cast-off brown gelding named Tarzan, donned men’s dungarees, and headed south in mid-November, hoping to beat the snow. Annie had little idea what to expect beyond her rural crossroads; she didn’t even have a map. But she did have her ex-racehorse, her faithful mutt, and her own unfailing belief that Americans would treat a stranger with kindness. Annie, Tarzan, and her dog, Depeche Toi, rode straight into a world transformed by the rapid construction of modern highways. Between 1954 and 1956, the three travelers pushed through blizzards, forded rivers, climbed mountains, and clung to the narrow shoulder as cars whipped by them at terrifying speeds. Annie rode more than four thousand miles, through America’s big cities and small towns. Along the way, she met ordinary people and celebrities—from Andrew Wyeth (who sketched Tarzan) to Art Linkletter and Groucho Marx. She received many offers—a permanent home at a riding stable in New Jersey, a job at a gas station in rural Kentucky, even a marriage proposal from a Wyoming rancher. In a decade when car ownership nearly tripled, when television’s influence was expanding fast, when homeowners began locking their doors, Annie and her four-footed companions inspired an outpouring of neighborliness in a rapidly changing world.

The Meaning of Horses: Biosocial Encounters examines some of the engagements or entanglements that link the lived experiences of human and non-human animals. The contributors discuss horse-human relationships in multiple contexts, times and places, highlighting variations in the meaning of horses as well as universals of ‘horsiness’. They consider how horses are unlike other animals, and cover topics such as commodification, identity, communication and performance. This collection emphasises the agency of the horse and a need to move beyond anthropocentric studies, with a theoretical approach that features naturecultures, co-being and biosocial encounters as interactive forms of becoming. Rooted in anthropology and multispecies ethnography, this book introduces new questions and areas for consideration in the field of animals and society.

Ranch roping is at the heart of all ranch work, and unlike the rodeo variation of calf roping, the “vacquero” tradition calls for techniques that result in a skillful and graceful throw and catch. Buck Brannaman, a world-renowned master of the art, describes the essential tools, the partnership between horse and rider (incorporating the Natural Horsemanship approach for which the author is famous), and the mechanics needed to become a successful ranch roper, whether in competition or in actual cattle work. One-hundred full-color photographs of Buck in action enhance the step-by-step methodology that leads to mastering this essential Western skill. Whether you ride or rope or just wish you could, here’s a book for everyone who is captivated by Western traditions and contemporary life.

This interdisciplinary collection provides a set of innovative and inventive approaches to the use of video as a research method. Building on the development of visual methods across the social sciences, it highlights a range of possibilities for making and working with video data. The collection showcases different video methods, including video diaries, video go-alongs, time-lapse video, mobile devices, multi-angle video recording, video ethnography, and ethnographic documentary. Each method is presented through a case study, showing how it can be used in practice. The authors offer pragmatic advice and discuss practical issues, including equipment, techniques and skills, analysis, and presentation. They also show how video methods can be used in a range of different contexts – at train stations, on bicycles, in schools, outdoors, and in museums – to investigate worlds that are visible, audible, tangible, and in motion. In doing so, they illuminate the theoretical possibilities that video methods offer for researching the body, identity, everyday life, affect, time, and space.