"A Michael Glazier book." Includes bibliographical references and indexes.

An anthology of stories, poems, essays, biblical passages, hymns, and songs celebrates the life of Jesus Christ, in a collection that features contributions from Shakespeare, Gandhi, Dickens, Desmond Tutu, and others.

No other book of the New Testament has attracted as much attention from commentators as the Fourth Gospel. It has stirred minds, hearts, and imaginations from Christianity's earliest days. In The Gospel of John, Francis Moloney unfolds the identifiable "point of view" of this unique Gospel narrative and offers readers, heirs to its rich and widely varied interpretative traditions, relevance for their lives today. The Gospel of John's significance for Christianity has been obvious from the time of Irenaeus. It was also fundamental in the emergence of Christian theology, especially in the trinitarian and christological debates that produced the great ecumenical Councils, from Nicaea to Chalcedon. What sets this commentary on the Fourth Gospel apart from others is Moloney's particular attention to the narrative design of the Gospel story. He traces the impact the Johannine form of the Jesus story has made on readers and explicates the way in which the author has told the story of Jesus. Through this he demonstrates how the Gospel story articulates a coherent theology, christology, and ecclesiology.

Many people throughout the world "inhabit" imaginary worlds communally and persistently, parsing Harry Potter and exploring online universes. These activities might seem irresponsibly escapist, but history tells another story. Beginning in the late nineteenth century, when Sherlock Holmes became the world's first "virtual reality" character, readers began to colonize imaginary worlds, debating serious issues and viewing reality in provisional, "as if" terms rather than through essentialist, "just so" perspectives. From Lovecraft's Cthulhu Mythos and Tolkien's Middle-earth to the World of Warcraft and Second Life, As If provides a cultural history that reveals how we can remain enchanted but not deluded in an age where fantasy and reality increasingly intertwine.

Friends Kit and Liza have been looking forward to this trip forever. Five girls, five tickets overseas. It's exactly what they all need after the final slog of high school. But when Kit is suddenly forced to drop out, Liza's left with three girls she barely knows. There's Mai, committed only to partying. There's Tam, who already has her doubts about leaving her sick father behind. And there's Olivia, so miserable about screwing up exams she's not even sure she wants to get out of bed, let alone on a plane. All Liza wants from this trip is to discover a new version of herself. She just hadn't planned on doing it without Kit by her side. And they're all learning that travel isn't just about the places you go, but about who you're with at the time.