A General View of the World
Title | A General View of the World PDF eBook |
Author | Samuel Augustus Mitchell |
Publisher | |
Pages | 832 |
Release | 1842 |
Genre | Geography |
ISBN |
A General View of the World
Title | A General View of the World PDF eBook |
Author | Ezekiel Blomfield |
Publisher | |
Pages | 1144 |
Release | 1807 |
Genre | Geography |
ISBN |
A General View of the World, Comprising a Physical, Political, and Statistical Account of Its Grand Divisions
Title | A General View of the World, Comprising a Physical, Political, and Statistical Account of Its Grand Divisions PDF eBook |
Author | Samuel Augustus Mitchell |
Publisher | BoD – Books on Demand |
Pages | 830 |
Release | 2024-05-25 |
Genre | |
ISBN | 3385128048 |
A General View of the World
Title | A General View of the World PDF eBook |
Author | Ezekiel Blomfield |
Publisher | |
Pages | 844 |
Release | 1807 |
Genre | Geography |
ISBN |
A General View of the World
Title | A General View of the World PDF eBook |
Author | Ezekiel Blomfield |
Publisher | |
Pages | 812 |
Release | 2020-05-11 |
Genre | |
ISBN | 9780371904510 |
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
Synopsis Papismi, Or, a General View of the Papacy
Title | Synopsis Papismi, Or, a General View of the Papacy PDF eBook |
Author | Andrew Willet |
Publisher | |
Pages | 414 |
Release | 1852 |
Genre | |
ISBN |
Worldmaking
Title | Worldmaking PDF eBook |
Author | Tom Clark |
Publisher | John Benjamins Publishing Company |
Pages | 235 |
Release | 2017-01-19 |
Genre | Literary Criticism |
ISBN | 9027266166 |
In 1978, Nelson Goodman explored the relation of “worlds” to language and literature, formulating the term, “worldmaking” to suggest that many other worlds can as plausibly exist as the “world” we know right now. We cannot catch or know “the world” as such: all we can catch are the world versions - descriptions, views or workings of the world – that are expressed in symbolic systems (words, music, dancing, visual representations). Over the twenty-five years since then, creative works have played a crucial role in realigning, reshaping and renegotiating our understandings of how worlds can be made and preserved in the face of globalizing trends. The volume is divided into three sections, each engaging with worlds as malleable constructs. Central to all of the contributions is the question: how can we understand the relationships between natural, political, cultural, fictional, literary, linguistic and virtual worlds, and why does this matter?