Award-winning author Vanessa Riley turns all convention on its head for the first in an enchanting, dazzlingly diverse new Regency romance trilogy featuring a duke, three sisters, and a tantalizing bet with a most desirable reward... When a duke discovers the woman he loves was tricked into marrying another, the master chess player makes the now-widowed Viscountess the highest-stakes wager of his life in a last-ditch effort to win her affection: he will find husbands for her two sisters—or depart forever. Thus begins a sparkling new series from acclaimed author Vanessa Riley. Georgina Wilcox, a wallflower with hidden musical talents, is furious when her reclusive older sister—the recently widowed Viscountess—refuses sorely needed help from the Duke of Torrance, the only gentleman who has shown kindness to the bereft Wilcox sisters. Georgina decides to get back at her sister and shock the Viscountess by kissing the first willing stranger she meets in the enchanting gardens of Anya House. Unfortunately, her sister is not the sole witness. A group of reporters and the ton’s leading gossips catch Georgina in a passionate embrace with a reticent composer, Lord Mark Sebastian. The third son of an influential marquis, the tongue-tied Mark is determined to keep the scandal from ruining Georgina’s reputation and his own prospects of winning the celebrated Harlbert’s Prize for music. Under the guise of private voice lessons, the two embark on a daring gamble to fool the ton into believing that their feigned courtship is honorable while bolstering Georgina’s singing genius to captivate potential suitors. Sexist cartoons, family rivalries, and an upcoming ball test the fake couple’s resolve. Will their sudden fiery collaboration—and growing attraction—prove there’s nothing false about a first kiss and scandalously irresistible temptation?

“Riveting and transformative, evocative and immersive...by turns vibrant and bold and wise, discovering Dorothy’s story is a singular pleasure.”--The New York Times A remarkable, sweeping historical novel based on the incredible true life story of Dorothy Kirwan Thomas, a free Black woman who rose from slavery to become one of the wealthiest and most powerful landowners in the colonial West Indies. Born into slavery on the tiny Caribbean island of Montserrat, Doll bought her freedom—and that of her sister and her mother—from her Irish planter father and built a legacy of wealth and power as an entrepreneur, merchant, hotelier, and planter that extended from the marketplaces and sugar plantations of Dominica and Barbados to a glittering luxury hotel in Demerara on the South American continent. Vanessa Riley’s novel brings Doll to vivid life as she rises above the harsh realities of slavery and colonialism by working the system and leveraging the competing attentions of the men in her life: a restless shipping merchant, Joseph Thomas; a wealthy planter hiding a secret, John Coseveldt Cells; and a roguish naval captain who will later become King William IV of England. From the bustling port cities of the West Indies to the forbidding drawing rooms of London’s elite, Island Queen is a sweeping epic of an adventurer and a survivor who answered to no one but herself as she rose to power and autonomy against all odds, defying rigid eighteenth-century morality and the oppression of women as well as people of color. It is an unforgettable portrait of a true larger-than-life woman who made her mark on history.

“You want to refree America to make it...home again?” “I want to bring the hope of freedom. I want others to be able to live, not just survive.” Our serendipitous tale begins in the year 3018, with the death of stories and soldiers and a lone man riding away into the city of Indianapolis with the last holy book called the Vykup, the story the government tried desperately to destroy since the war of 2020. The iron rule of The Red Ming over China, Russia, and America left the people starved for uncensored words and ready to riot. This tale unfortunately envelopes a sarcastic artist named Olika Fallegt who has a vendetta to be forgotten from the world after her parent’s death. Everything’s going according to her plan until her apartment becomes a collision course for a man on the run from The Red Ming.

Faces of Sunset Boulevard: A Portrait of Los Angeles is a collection of photographs of the people who live, work, and play in Los Angeles. Some are making fortunes along the route; others are just trying to survive to see another day. Patrick Ecclesine captures the city's dreams, dreamers, and, at times, nightmares using the most famous boulevard in the world as the setting for his photographs. The individuals featured range from the famous (Governor Schwarzenegger, Larry King, Fernando Valenzuela) to the unknown (a street vendor, an undocumented worker, a bus driver) to the unwanted (a homeless man, a single mother on welfare, a drug addict). Other archetypal Angeleno figures--from a television weather-girl sensation to a Beverly Hills plastic surgeon to surfers in Pacific Palisades to the eccentric and outlandish denizens of the Sunset Strip--stand side by side in these pages, capturing the eclectic nature of the City of Angels and its most colorful thoroughfare, Sunset Boulevard.

Advertising expenditure data across multiple forms of media, including: consumer magazines, Sunday magazines, newspapers, outdoor, network television, spot television, syndicated television, cable television, network radio, and national spot radio. Lists brands alphabetically and shows total expenditures, media used, parent company and PIB classification for each brand. Also included in this report are industry class totals and rankings of the top 100 companies in each of the media

There is a light and it never goes out . . . or is there? Welcome to the big Reagan ’80s, where ketchup is a vegetable and the Cold War looms large and chilly. If like Joe Green you were coming of age during this boom era, your main concerns include one or more of the following: a rainbow assortment of Polo shirts worn with the collar flipped up, K-Swiss tennis shoes, a new cable channel called MTV, and Top 40 radio. Stuck in the suburban haze of Long Island, New York, Joe Green knows there has got to be more to life. However, salvation is on the way, in the form of a quiffed-up quartet from Manchester, England, who take over the airways of a local radio station. Hearing the Smiths for the first time jerks Joe awake: Morrissey’s wry and witty lyrics speak to him, and Johnny Marr’s driven guitar chords get under his skin. He destroys his Phil Collins cassettes, pomades his hair into New Wave submission, studies up on his Oscar Wilde, and falls in love. He even shows up for dinner on time. That is, until his favorite band breaks up and then breaks his heart. Fast-forward some fifteen years. Joe Green is making a living as a rock journalist, still recovering from a wicked post-college smack addiction and slumming with youngsters who ironically “appreciate” the seminal ’80s music that once gave his life meaning. It’s too late to go home, or is it? What if Joe Green can get the Smiths back together? What if reuniting the long-broken-up band can reverse the passage of time and bring back the magic of youth? What if it helps him win the heart of the woman he loves? How Soon Is Never? is an acerbic, ingenious look at Reagan-era adolescence, the power of hearing a record that changes your life, and the dangers of nostalgia. Be prepared to see a bit of yourself in Joe Green.