NEW YORK TIMES BESTSELLER • From former U.S. Poet Laureate Billy Collins comes a twelfth collection of poetry offering over fifty new poems that showcase the generosity, wit, and imaginative play that prompted The Wall Street Journal to call him “America’s favorite poet.” The Rain in Portugal—a title that admits he’s not much of a rhymer—sheds Collins’s ironic light on such subjects as travel and art, cats and dogs, loneliness and love, beauty and death. His tones range from the whimsical—“the dogs of Minneapolis . . . / have no idea they’re in Minneapolis”—to the elegiac in a reaction to the death of Seamus Heaney. A student of the everyday, Collins here contemplates a weather vane, a still life painting, the calendar, and a child lost at a beach. His imaginative fabrications have Shakespeare flying comfortably in first class and Keith Richards supporting the globe on his head. By turns entertaining, engaging, and enlightening, The Rain in Portugal amounts to another chorus of poems from one of the most respected and familiar voices in the world of American poetry. Praise for The Rain in Portugal “Nothing in Billy Collins’s twelfth book . . . is exactly what readers might expect, and that’s the charm of this collection.”—The Washington Post “This new collection shows [Collins] at his finest. . . . Certain to please his large readership and a good place for readers new to Collins to begin.”—Library Journal “Disarmingly playful and wistfully candid.”—Booklist

"Beautifully written and wise … [Martin Prechtel] offers stories that are precious and life-sustaining. Read carefully, and listen deeply."—Mary Oliver, National Book Award and Pulitzer Prize winner Inspiring hope, solace, and courage in living through our losses, author Martín Prechtel, trained in the Tzutujil Maya shamanic tradition, shares profound insights on the relationship between grief and praise in our culture--how the inability that many of us have to grieve and weep properly for the dead is deeply linked with the inability to give praise for living. In modern society, grief is something that we usually experience in private, alone, and without the support of a community. Yet, as Prechtel says, "Grief expressed out loud for someone we have lost, or a country or home we have lost, is in itself the greatest praise we could ever give them. Grief is praise, because it is the natural way love honors what it misses." Prechtel explains that the unexpressed grief prevalent in our society today is the reason for many of the social, cultural, and individual maladies that we are currently experiencing. According to Prechtel, "When you have two centuries of people who have not properly grieved the things that they have lost, the grief shows up as ghosts that inhabit their grandchildren." These "ghosts," he says, can also manifest as disease in the form of tumors, which the Maya refer to as "solidified tears," or in the form of behavioral issues and depression. He goes on to show how this collective, unexpressed energy is the long-held grief of our ancestors manifesting itself, and the work that can be done to liberate this energy so we can heal from the trauma of loss, war, and suffering. At base, this "little book," as the author calls it, can be seen as a companion of encouragement, a little extra light for those deep and noble parts in all of us.

Fourteen stories about the strength and passion of today’s American Indian—including six from the acclaimed Leslie Marmon Silko. Anthropologists have long delighted us with the wise and colorful folktales they transcribed from their Indian informants. The stories in this collection are another matter altogether: these are white-educated Indians attempting to bear witness through a non-Indian genre, the short story. Over a two-year period, Kenneth Rosen traveled from town to town, pueblo to pueblo, to uncover the stories contained in this volume. All reveal, to varying degrees and in various ways, the preoccupations of contemporary American Indians. Not surprisingly, many of the stories are infused with the bitterness of a people and a culture long repressed. Several deal with violence and the effort to escape from the pervasive, and so often destructive, white influence and system. In most, the enduring strength of the Indian past is very much in evidence, evoked as a kind of counterpoint to the repression and aimlessness that have marked, and still mark today, the lives of so many American Indians.

When unexpected grief brings two families together, how do they start their journey to healing? Join Michael and Gina Spehn--bestselling authors and founders of the New Day Foundation--as they tell their story of resilience, remembrance, and reliance on their shared faith. Matt Kell and Cathy Spehn had known each other since grade school. As adults, they each got married, lived in their hometown, and attended the same church. Their kids even attended school together. Matt died at home on Christmas Day after a three-year battle with cancer, leaving behind his wife, Gina, and two young boys. After attending Matt's inspirational funeral and reaching out to Gina with offers of support, Cathy was diagnosed with inoperable brain cancer. She died only 17 days later, leaving behind her husband, Michael, and three young children. In her final hours, Cathy instructed Michael to call Gina Kell. The Color of Rain illuminates the stepping stones of loss and healing that ultimately led to a joyful new life for Michael, Gina, and their five children. Their path to becoming a modern-day Brady Bunch was paved with grief, laughter, and the willingness to be restored to a new and even better life despite the inevitable resistance they faced. As you learn more about Michael and Gina's story, you'll learn: The importance of keeping God at the center of your marriage How they navigated becoming a blended family The life-changing power of faith, even on your darkest days As their dual first-person narrative reveals what it is like to walk through loss and love simultaneously, you'll have an intimate look at how Michael and Gina lived, lost, and ultimately persevered through extraordinary circumstances. Praise for The Color of Rain: "The Color of Rain is a testament to God's restoration and grace. Even in our suffering, there is beauty. It rarely makes sense, but it's always true: 'He makes all things beautiful, in His time.'" --Katie Davis, New York Times bestselling author of Kisses from Katie "Michael and Gina Spehn's The Color of Rain is not only an instant bestseller but also an instant classic, certain to be pressed into the hands of hundreds of thousands of grieving men and women by their closest friends, for it is a book that is painfully honest about the depths of sorrow but also full of the joy of the hard path back from near despair. It is another reminder that God is there, however dark the day, and that he will comfort those who call on him." --Hugh Hewitt, bestselling author and radio host

Detective Chief Inspector Bland was on sick leave and today he was attending a funeral in the drizzling rain, together with his wife Jean, his sergeant Darren Boyd and sergeant's girlfriend Amanda. Listening to the vicar drone on he noticed someone watching them discretely from a distance. It was Lady Isabella Trent, the owner of Redbridge Hall. She followed them back to the house and asked Bland to investigate a ghost at the hall. He said that he did not believe in ghosts and declined, but the others persueded him to spend just a couple of days there as he was suffering from boredom, from being confined to the house, after all what harm could it do? The first morning a member of staff was found murdered in the woods, followed by two more deaths, a shooting and a kidnapping, but this was only the start of the mayhem. Bland and Boyd realised it was not the ghost that they need be afraid of, but someone very much alive and ruthless, and so their next case began...........and it all started with a funeral.

A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.

A celebration of African American life and culture brings together four hundred years of folklore, traditional tales, recipes, proverbs, legends, folk songs, and folk art.