Maude thinks her life can't get any better: her first music album is a hit, she's about to meet her extended family, and she's looking forward to her first date with teen pop star, Matt. But when scandal strikes, Maude must part ways with Matt and watch Soulville Records fall into the hands of an ambitious Alan Lewis, who will stop at nothing to turn Maude into an unparalleled star. Between glamorous parties, an unauthorized tell-all book, a web of lies, new revelations about her French past, and her rivalry with Lindsey Linton attaining a whole new level, Maude must fight for her voice to be heard and decide if being a star is more important than her love for music.

From debut author Anna Adams, this delightful YA romcom is all about finding yourself, your family, and perfect harmony in the big city. Maude Laurent is an orphan. Raised in Carvin, a small town in northern France, she’s always wondered about her parents—who they were and what happened to them. Her foster family, the Ruchets, certainly won’t tell her anything. For them, she’s someone to cook meals, clean their house, and look after their twin boys, but Maude dreams of much more—she dreams of becoming an opera star and singing on the great stages of Paris. Her Cinderella moment arrives when she’s livestreamed playing the piano and singing in a café during a school trip to Paris. Suddenly she’s an internet sensation and music studios are pursuing her with promises of stardom. The only problem? They all want her to sing pop, but that’s not what Maude wants... When Terence Baldwin and his daughter show up on Maude’s doorstep, they promise to help her find her own unique voice. Maude accepts the challenge: six months in New York to write and record three singles that become hits. If she succeeds, she can stay and record an album. If she doesn’t, she’ll return to Carvin. Maude knows she has the drive and talent to succeed but she also knows that her father used to live in the city. Perhaps, just perhaps, she can have it all: a successful music career and a chance to learn more about her family. It’s perfect! However, there’s one big problem—her collaborator Matt Durand. He’s annoying and arrogant, a popstar on a break, and he’s determined to force Maude out of her comfort zone. With rival artists determined to see Maude fail and the clock ticking, Maude and Matt have to put their bickering aside if they’re going to succeed. Then a sudden revelation about Maude’s parents changes her perspective on everything and leaves her wondering if she can ever find the perfect harmony.

In this delightfully witty, provocative book, literature professor and psychoanalyst Pierre Bayard argues that not having read a book need not be an impediment to having an interesting conversation about it. (In fact, he says, in certain situations reading the book is the worst thing you could do.) Using examples from such writers as Graham Greene, Oscar Wilde, Montaigne, and Umberto Eco, he describes the varieties of "non-reading"-from books that you've never heard of to books that you've read and forgotten-and offers advice on how to turn a sticky social situation into an occasion for creative brilliance. Practical, funny, and thought-provoking, How to Talk About Books You Haven't Read-which became a favorite of readers everywhere in the hardcover edition-is in the end a love letter to books, offering a whole new perspective on how we read and absorb them.

A New York Times bestseller and a "Best Thriller of the Year" Winner of the Goncourt Prize and now an international phenomenon, this dizzying, whip-smart novel blends crime, fantasy, sci-fi, and thriller as it plumbs the mysteries surrounding a Paris-New York flight. Who would we be if we had made different choices? Told that secret, left that relationship, written that book? We all wonder—the passengers of Air France 006 will find out. In their own way, they were all living double lives when they boarded the plane: Blake, a respectable family man who works as a contract killer. Slimboy, a Nigerian pop star who uses his womanizing image to hide that he’s gay. Joanna, a Black American lawyer pressured to play the good old boys’ game to succeed with her Big Pharma client. Victor Miesel, a critically acclaimed yet largely obscure writer suddenly on the precipice of global fame. About to start their descent to JFK, they hit a shockingly violent patch of turbulence, emerging on the other side to a reality both perfectly familiar and utterly strange. As it charts the fallout of this logic-defying event, The Anomaly takes us on a journey from Lagos and Mumbai to the White House and a top-secret hangar. In Hervé Le Tellier’s most ambitious work yet, high literature follows the lead of a bingeable Netflix series, drawing on the best of genre fiction from “chick lit” to mystery, while also playfully critiquing their hallmarks. An ingenious, timely variation on the doppelgänger theme, it taps into the parts of ourselves that elude us most.

A NEW YORK REVIEW BOOKS ORIGINAL Novels in Three Lines collects more than a thousand items that appeared anonymously in the French newspaper Le Matin in 1906—true stories of murder, mayhem, and everyday life presented with a ruthless economy that provokes laughter even as it shocks. This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.

This sweeping historical narrative chronicles events instrumental in the painful birth of a new nationfrom the Bloody Morning Scout and the massacre at Fort William Henry to the disastrous siege of Quebec, the heroic but lopsided Battle of Valcour Island, the horrors of Oriskany, and the tragedies of Pennsylvania's Wyoming Valley massacre and the Sullivan-Clinton Expedition's destruction of the Iroquois homeland in western New York State. Caught in the middle of it all was the Mohawk River Valley. Berleth explores the relationship of early settlers on the Mohawk frontier to the Iroquoian people who made their homes beside the great river. He introduces colonists and native leaders in all their diversity of culture and belief. Dramatic profiles of key participants provide perspectives through which contemporaries struggled to understand events. Sir William Johnson is here first as a shopkeeper, then as a brother Mohawk and militia leader, and lastly as a crown official charged with supervising North American Indian affairs. We meet the frontier ambassador Conrad Weiser, survivor of the Palatine immigration, who agreed not at all with Johnson or his party. And we encounter the young missionary, Samuel Kirkland, as he leaves Johnson's household for a fateful sojourn among the Senecas. Johnson's heirs did much to precipitate the outbreak of violent hostilities along the Mohawk in the first months of the War of Independence. Berleth shows how the Johnson family sought to save their patrimony in the valley just as patriot forces maneuvered to win Native American support. When Joseph Brant rushed Native Americans to war behind the British, it fell to General Philip Schuyler, wealthy scion of an old Albany family, to find a way to protect the Mohawk region from British incursion. His invasion of Canada fails; his tattered army fights at Valcour Island, Ticonderoga, Hubbardton, retreating steadily. Not until on the line of the Mohawk was the enemy stopped.

A personal journey into a family’s history gradually becomes a historical investigation into the lesser known tragedy of the Nazi’s mass arrests of prominent French Jews and their imprisonment at the “camp of slow death” just fifty miles from Paris. “This story has haunted me since I was a child,” begins Anne Sinclair in a personal journey to find answers about her own life and about her grandfather’s, Léonce Schwartz. What her tribute reveals is part memoir, part historical documentation of a lesser known chapter of the Holocaust: the Nazi’s mass arrest, in French the word for this is rafle and there is no equivalent in English that captures the horror, on December 12, 1941 of influential Jews—the doctors, professors, artists and others at the upper levels of French society—who were then imprisoned just fifty miles from Paris in the Compiègne-Royallieu concentration camp. Those who did not perish there, were taken by the infamous one-way trains to Auschwitz; except for the few to escape that fate. Léonce Schwartz was among them.