This dissertation presents four methodological case studies that elaborate on the results of two field survey projects (the Astura and Nettuno surveys) that were carried out by the Groningen Institute of Archaeology (GIA). The case studies aim at investigating biasing factors that limit the analytical and comparative value of data from archaeological survey in general using these two projects as a suitable testing ground. Both surveys, carried out between 2003 and 2005, fell within the ambit of the Pontine Region Project (PRP), a long-term research program aimed at the diachronic archaeological investigation of the various landscape units forming this region. They covered two contiguous areas, situated on the Tyrrhenian seaboard, approximately 60 kilometres south of Rome. The study area comprises the communal area of the modern town of Nettuno, as well as the lower valleys of the Astura and Moscarello rivers (see fig. 0.1).2 As such it incorporates parts of the hinterland of the ancient towns of Antium and Satricum. In chronological terms this dissertation considers a time-span of 1300 years, from the 6th century BC to the 7th century AD.

The universe may well have begun with an immense act of fragmentation, "the big bang," that sent particles flying in all directions to perform spectacular acts of creation and destruction. The fragment, volatile and unpredictable, is not simply the static part of a once-whole thing but itself something in motion. Drawing upon art history, archaeology, literature, numismatics, philosophy, and film, this book explores the significance of the fragment and addresses the powerful drives that have impelled it into the cultural mainstream. Book jacket.

The Iron Whim is an intelligent, irreverent, and humorous history of writing culture and technology. It covers the early history and evolution of the typewriter as well as the various attempts over the years to change the keyboard configuration, but it is primarily about the role played by this marvel in the writer's life. Darren Wershler-Henry populates his book with figures as disparate as Bram Stoker, Mark Twain, Franz Kafka, Norman Mailer, Alger Hiss, William Burroughs, J. G. Ballard, Jack Kerouac, Hunter S. Thompson, Northrop Frye, David Cronenberg, and David Letterman; the soundtrack ranges from the industrial clatter of a newsroom full of Underwoods to the more muted tapping and hum of the Selectric. Wershler-Henry casts a bemused eye on the odd history of early writing machines, important and unusual typewritten texts, the creation of On the Road, and the exploits of a typewriting cockroach named Archy, numerous monkeys, poets, and even a couple of vampires. He gathers into his narrative typewriter-related rumors and anecdotes (Henry James became so accustomed to dictating his novels to a typist that he required the sound of a randomly operated typewriter even to begin to compose). And by broadening his focus to look at typewriting as a social system as well as the typewriter as a technological form, he examines the fascinating way that the tool has actually shaped the creative process.With engaging subject matter that ranges over two hundred years of literature and culture in English, The Iron Whim builds on recent interest in books about familiar objects and taps into our nostalgia for a method of communication and composition that has all but vanished.

A wide-ranging historical account and critical analysis of the global development of economics from 1940 to the present day.

Chance, in addition to the unavoidable ambiguity caused by time, is one of the main guilty parties in the transmission of ancient texts – or lack thereof. However, the same cannot be said for what concerns the mechanisms of selection and loss of historical and literary memory, where the voluntary awareness of obscuring is often part of a precise aim, thus leading the cultural memory of a literate society to become fragmented. The present volume explores the devices and criteria of selection and loss in Ancient and Medieval texts and the subsequent fragmentation of such literature, but it also addresses the questions of the damnatio memoriae, of literary strategies such as reticence and omission, as well as of known texts deemed lost but re-found thanks to state-of-the-art methods in digitization. The many and diverse nuances of the concepts of omission, selection, and loss throughout Ancient and Medieval literature and history are illustrated through a number of case studies in the four sections of this volume, each examining a different facet of the topic: ‘Mechanisms and criteria of textual loss and selection’, ‘Lost texts re-discovered’, ‘Voluntary omissions and desire for oblivion’, and ‘Re-working the known’.

Reprint of the original, first published in 1883.

Origines Celticae (A Fragment) and Other Contributions to the History of Britain. In two volumes. Volume 2.