Meet Herbert, the rabbit who knows he was born to be a fox. When his mommy isn't looking, he puts on pointy fox ears, makes himself a bushy tail, and asks his sister to paint him orange, just like a fox. But Mommy doesn't understand; why can't he just be a good rabbit? This delightful picture book is a true celebration of being ourselves and supporting our loved ones. Let this joyful tale inspire you to be who you are and follow your dreams.

Meet Herbert, the rabbit who knows he was born to be a fox. When his mommy isn't looking, he puts on pointy fox ears, makes himself a bushy tail, and asks his sister to paint him orange, just like a fox. But Mommy doesn't understand; why can't he just be a good rabbit? This delightful picture book is a true celebration of being ourselves and supporting our loved ones. Let this joyful tale inspire you to be who you are and follow your dreams.

"Herbert loves foxes. He loves foxes so much, he will do anything to be one. But his mummy doesn't understand. Why can't he just be a good rabbit?"--

Fluke is the moving story of a dog with the memories of a human, with the signature twisting plot Master of Horror James Herbert is famed for. A dog wanders the streets, compelled by a ravenous hunger. Hunting a prey he cannot not define, driven by a primal instinct he cannot ignore. He is more than he thinks, more than he can remember and in the depths of his brain the memory of what he once was is clawing for release . . .

Out of print for over seventy years, Gentleman Overboard by Herbert Clyde Lewis is being rescued for today's readers to launch Boiler House Press's new series, Recovered Books. Halfway between Honolulu and Panama, a man slips and falls from a ship. For crucial hours, as he patiently treads water in hope of rescue, no one on board notices his absence. By the time the ship's captain is notified, it may be too late to save him... Rediscovered in 2009 by Brad Bigelow as part of tireless research for his popular Neglected Books website, Gentleman Overboard has since achieved the status of a cult classic and even become something of an international phenomenon, having seen translations into Spanish, Hebrew, and Dutch. The newspaper Ha'aretz has called it 'A miniature masterpiece that emerged from oblivion'; the Spanish magazine El Cultural dubbed it 'una perlita': 'a little pearl'. A masterful piece of narrative tension, and way ahead of its time, Gentleman Overboard sets the question of existence in its most basic terms. The story speaks fiercely to the contemporary moment and for all who share a sense of loneliness through having found themselves isolated by politics, disease, economics -or indeed just sheer accident and bad luck. The fate of the novel's hero even has ironic parallels with that of the author, Herbert Clyde Lewis, who died forgotten and alone in 1950, a victim of Hollywood's black list, and who has since slipped beneath the waves of fashion and time, but now hopefully is to be recovered from the murky depths for the readership he posthumously deserves.

Cat likes to work in the garden digging, planting seeds and growing vegetables. Puss doesn't appear to see the point in gardening—she likes to be in the house sitting around drinking tea. But Puss really likes to eat delicious food, so when Cat makes a feast with her harvest, Puss wants to share. This wry tale about hard work and reward comes from rising star Margaret Sturton.

The Republican efficiency expert whose economic boosterism met its match in the Great Depression Catapulted into national politics by his heroic campaigns to feed Europe during and after World War I, Herbert Hoover—an engineer by training—exemplified the economic optimism of the 1920s. As president, however, Hoover was sorely tested by America's first crisis of the twentieth century: the Great Depression. Renowned New Deal historian William E. Leuchtenburg demonstrates how Hoover was blinkered by his distrust of government and his belief that volunteerism would solve all social ills. As Leuchtenburg shows, Hoover's attempts to enlist the aid of private- sector leaders did little to mitigate the Depression, and he was routed from office by Franklin D. Roosevelt in 1932. From his retirement at Stanford University, Hoover remained a vocal critic of the New Deal and big government until the end of his long life. Leuchtenburg offers a frank, thoughtful portrait of this lifelong public servant, and shrewdly assesses Hoover's policies and legacy in the face of one of the darkest periods of American history.