'To read this book is to understand Afghanistan as it exists today. This haunting memoir traces the unimaginable odyssey of one family whose world has collapsed . . . Poetic, powerful, and unforgettable.' – Khaled Hosseini, author of The Kite Runner and A Thousand Splendid Suns. A true life account of growing up in Afghanistan, Qais Akbar Omar recounts his happy childhood in Kabul, his journeys with his family across Afghanistan in search of a safe haven, and life under the Taliban rule as a young man. Qais was eleven when a brutal civil war engulfed Kabul. For Qais, it brought an abrupt end to a childhood filled with kites and cousins in his grandfather's garden: one of the most convulsive decades in Afghan history had begun. Ahead lay the rise of the Taliban, and, in 2001, the arrival of international forces. A Fort of Nine Towers is the story of Qais, his family and their determination to survive these upheavals as they were buffeted from one part of Afghanistan to the next. Drawing strength from each other, and their culture and faith, they sought refuge for a time in the Buddha caves of Bamyan, and later with a caravan of Kuchi nomads. When they eventually returned to Kabul, it became clear that their trials were just beginning . . . 'Even more haunting than The Kite Runner, because it's not fiction.' – Philidelphia Inquirer 'Here at last is a powerful memoir that does justice to its tough, tenacious and astonishingly good-humoured people. The best thing about it . . . is that it is a book about Afghanistan written by an Afghan.' – Evening Standard

In 2005, a group of actors in Kabul performed Shakespeare's Love’s Labour's Lost to the cheers of Afghan audiences and the raves of foreign journalists. For the first time in years, men and women had appeared onstage together. The future held no limits, the actors believed. In this fast-moving, fondly told and frequently very funny account, Qais Akbar Omar and Stephen Landrigan capture the triumphs and foibles of the actors as they extend their Afghan passion for poetry to Shakespeare's.Both authors were part of the production. Qais, a journalist, served as Assistant Director and interpreter for Paris actress, Corinne Jaber, who had come to Afghanistan on holiday and returned to direct the play. Stephen, himself a playwright, assembled a team of Afghan translators to fashion a script in Dari as poetic as Shakespeare's. This chronicle of optimism plays out against the heartbreak of knowing that things in Afghanistan have not turned out the way the actors expected.

In 2005, everything seemed possible in Afghanistan. The Taliban was gone. A new government had been elected. A cultural renaissance was energizing the country. An actress visiting from Paris casually proposed to some Afghan actors in Kabul: Why not put on a play? The challenges were huge. It had been thirty years since men and women had appeared on stage together in Afghanistan. Was the country ready for it? Few Afghan actors had ever done theater. Did they even know how? They had performed only in films and television dramas. Still, a company of actors gathered—among them a housewife, a policewoman, and a street kid turned film star. With no certainty of its outcome, they set out on a journey that would have life-changing consequences for all of them, and along the way lead to A Night in the Emperor’s Garden.

Under the protection of foreign forces, a special place has flourished in Afghanistan. The Marefat School is an award-winning institution in the western slums of Kabul, built by one of the country’s most vulnerable minorities, the Hazara. Marefat educates both girls and boys; it teaches students to embrace the arts, criticize their leaders, interrogate their religion, and be active citizens in a rapidly changing country. But they are dependent on foreign forces for security. When the United States begins to withdraw from Afghanistan, they are left behind, unprotected. Acclaimed journalist Jeffrey E. Stern explores the stakes of war through the eyes of those touched by Marefat: the school’s daring founder and leader, Aziz Royesh; a mother of five who finds freedom in literacy; a clever mechanic; a self-taught astronomer; the school’s security director; and several intrepid students who carry Marefat’s mission to the streets. We see how Marefat has embraced the United States and blossomed under its presence---and how much it stands to lose as that protection disappears. The Last Thousand tells the story of what we leave behind when our foreign wars end. It shows us up close the promise, as well as the peril, of our military adventures abroad. Stern presents a nuanced and fascinating portrait of the complex history of Afghanistan, its American occupation, and the ways in which once community rallies together in compelling, heartbreaking, and inspiring detail.

An anthology of 40+ personal stories from around the world. The contributors offer thoughtful reflections about their experiences escaping from the wars in Afghanistan, resettling in host countries, and working to rebuild Afghanistan in the past decade. Book proceeds are dedicated to supporting girls' education in Afghanistan.

What's it like to grow up during war? To be a victim of violence or exiled from your homeland, culture, family, and even your own memories? When America's talking heads talk about war, children and teenagers are often the forgotten part of the story. Yet who can forget images of the Vietnam "baby lift," when Amer-Asian children were flown out of Vietnam to be adopted by Americans? Who can forget the horror of learning that Iranian children were sent on suicide missions to clear landmines? Who wasn't captivated by stories of the "lost boys" of Sudan, traveling thousands of miles alone through the desert, seeking shelter and safety? From the cartel-terrorized streets of Ju rez to the bombed-out cities of Bosnia to Afghanistan under the Taliban, from Nazi-occupied Holland to the middle-class American home of a Vietnam vet, this collection of personal and narrative essays explores both the universal and particular experiences of children and teenagers who came of age during a time of war. J.L. Powers is the editor of Labor Pains and Birth Stories and the author of two young adult novels, most recently This Thing Called the Future, an alternative fantasy set in post-apartheid South Africa. She began collecting essays on children and war while pregnant with her first child and says, "The experience was both painful and uplifting, not unlike giving birth. The most memorable aspect of these essays is their stark portrayal of both survival and hope in the midst of incredible suffering."

With the outbreak of Gulf War hostilities a unit from 22 SAS slipped quietly over the border and into the enemy's backyard. It would be six weeks before any of the patrol again reached safety. Sabre Squadron recounts in graphic detail their scud-busting operations deep inside Iraq. They were operating alone and out of reach of reinforcements, with the threat of detection and its fatal consequences ever present. Yet their determination to wreak havoc behind enemy lines remained undimmed, culminating in an attack that decisively reconfirmed the regiment's awesome reputation. Cameron Spence, a senior NCO on the operation, takes you as close to the fighting SAS as you are ever likely to get, conveying the relentless tension, black humour and camaraderie punctuated by explosive, nerve-shredding action that characterized the mission. This is the true story of an SAS operation of breathtaking audacity and flair, carried out under unimaginable pressure, in the face of impossible odds. _____________ 'A brilliantly authentic account of war with an SAS patrol, it's a fantastic read' - ANDY MCNAB, bestselling author of Bravo Two Zero 'Tense and at times terrifying... a well told action story' - SUNDAY TELEGRAPH 'A terrific read' - THE TIMES 'Blood, guts and military macho - as authentic as anything you are likely to read' - MAIL ON SUNDAY