Charlotte Moss invites us on a lavish tour of every component of the home--from breakfast rooms to powder rooms, sconces to centerpieces, Moss shares her ideas on living graciously in this inspirational design book presented in an oversized luxury format with original photography.

Do you find yourself living with an ongoing, unquenchable restlessness or passionate curiosity and wondering why this is the case? You can restore your faith in your destiny as a seekersomeone in search of a genuine understanding and experience of home. Seekers: Finding Our Way Home offers a vivid portrayal of seekers as pilgrims questing for home. Seekers are threshold dwellers, and home takes on both an ancient definition of the word a place to linger and an active ideal, involving doing what it takes to make peace with change and therefore with the journey. This exploration presents an account of seeking that strengthens a facility for identifying where to linger and how to move in order to avoid spiritual homelessness. It also offers concrete guidelines for seekers self-care. Strengthen your capacity for presence, imagination, and enchantment, and learn from the example of a heartening illustration of an aging seeker. Encouraging and inspiring, this guide invites you to sustain the faith that seeking was always what you were meant to do.

In 1978, at the age of eighteen and with a seventh-grade education, Dolly Freed wrote Possum Living, chronicling the five years she and her father lived off the land on a half-acre lot outside of Philadelphia.

Hiplife is a popular music genre in Ghana that mixes hip-hop beatmaking and rap with highlife music, proverbial speech, and Akan storytelling. In the 1990s, young Ghanaian musicians were drawn to hip-hop's dual ethos of black masculine empowerment and capitalist success. They made their underground sound mainstream by infusing carefree bravado with traditional respectful oratory and familiar Ghanaian rhythms. Living the Hiplife is an ethnographic account of hiplife in Ghana and its diaspora, based on extensive research among artists and audiences in Accra, Ghana's capital city; New York; and London. Jesse Weaver Shipley examines the production, consumption, and circulation of hiplife music, culture, and fashion in relation to broader cultural and political shifts in neoliberalizing Ghana. Shipley shows how young hiplife musicians produce and transform different kinds of value—aesthetic, moral, linguistic, economic—using music to gain social status and wealth, and to become respectable public figures. In this entrepreneurial age, youth use celebrity as a form of currency, aligning music-making with self-making and aesthetic pleasure with business success. Registering both the globalization of electronic, digital media and the changing nature of African diasporic relations to Africa, hiplife links collective Pan-Africanist visions with individualist aspiration, highlighting the potential and limits of social mobility for African youth. The author has also directed a film entitled Living the Hiplife and with two DJs produced mixtapes that feature the music in the book available for free download.

In volumes1-8: the final number consists of the Commencement annual.